Since I’ve begun paying attention to web sites about the ongoing events in Ukraine, I’ve noticed how similar Russian web trolls are to climate denialist trolls. Both seem to operate on an industrial scale.
This post continues my thinking on the topic of a process-relational “bodymind practice” — an existential art or “technique of the self” building on Buddhist meditation practice reinterpreted and augmented through process-relational philosophy.
This ad is making the rounds, but in case you haven’t seen it yet, here it is. It is brilliant.
As Jeff Beer puts it, the stock video footage firm Dissolve illustrates the “marketing strategy equivalent of paint-by-numbers” by putting its own goods to the words of Kendra Eash‘s brilliant McSweeney’s piece.
The Media and Environment Scholarly Interest Group just won the prize for best attended business meeting at the Society for Cinema and Media Studies. Or so we were informed by the SCMS interest group liaison present at the meeting.
This year’s SCMS featured what to my mind was by far the largest assemblage of panels and papers on all manner of environmental/ecological themes: analyses of filmic representations of nature, disasters and catastrophes, animals and nonhumans; theoretical excursions in ecocinema, eco-aesthetics, toxic and “energetic” media, frontier and extraction imaginaries, and more; and eco-materialist analyses of production processes, data backup systems, and other things. Some of these were sponsored by the M & E interest group; many were not.
Two of the courses I’m currently teaching — the intermediate-level “Environmental Literature, Art, and Media” and the senior-level “The Culture of Nature” — require introducing an eco-critical framework appropriate to a wide range of artistic forms, from literature to visual art, music, film and new media.
The process-relational framework developed in Ecologies of the Moving Image is synthetic and holistic in its scope, but it is too advanced for introducing in itself — accompanied by the philosophical underpinnings it requires — in these undergraduate classes. So I’ve been forced to rethink its categories to make them both more accessible and more broadly applicable.
The concept of the TAZ, or temporary autonomous zone, comes from “ontological anarchist” writer and poet Hakim Bey (Peter Lamborn Wilson). It is intended to indicate a space of liberation, a space which is at once physical and real, if temporary, and metaphysical — a space of consciousness outside of the mental frames of social structure, from which a reimagination of the world may proceed.
For all the complaints many of us in the U.S. heard or voiced about the cold, this past January was the fourth warmest on record, and the 38th consecutive January and 347th consecutive month (almost 29 years) that global temperatures have been above the average for the 20th century.
“Power to the millions, not to the millionaires” (#Leftmaidan)
Three forms of democracy vie with each other in Ukraine today.
The first of these is what we might call authoritarian democracy. This is a hybrid of democracy and authoritarian rule, in which partially developed democratic institutions can be relatively easily played off against each other by the powers-that-be to maintain their rule.
Just as environmental media have a penchant for the spectacle of “disaster porn,” so does political media reveal a strong attraction to what Politico’s Sarah Kendzior, in “The Day We Pretended to Care About Ukraine,” calls the “apocalypstickle.”
An ugly word for political observers’ weird fascination with apocalyptic imagery. Brueghel, Bosch . . . and heightened internet traffic.
“COUNTRY UNDER RECONSTRUCTION. SORRY FOR THE INCONVENIENCE.” (from Ukrainian anarchist group Blackmaidan)
“It is as if, for a moment, the ‘projection’ of the outside world has stopped working; as if we have been confronted momentarily with the formless grey emptiness of the screen itself…” (Slavoj Zizek, describing the scene outside a traveling couple’s window in Robert Heinlein’s “The Unpleasant Profession of Jonathan Hoag”)