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Archive for the ‘Music & soundscape’ Category

A lot has been written about music and the philosophy of Gilles Deleuze: for instance, on Deleuze and music theory, on music after Deleuze, and on Deleuze’s “Thought-Music,” and there’ve been some valiant efforts to put Deleuze to music, like this one, this one, and this one, and several related to Deleuze and Guattari’s Thousand […]

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Television guitarist and songwriter Tom Verlaine has passed away. In his honor, I’m reposting something I wrote back in 2010, a version of which made it into Shadowing the Anthropocene. Much of it deals with the objects-versus-relations debate that was occupying the then very active “speculative realist” (“new materialist”) blogosphere. The first video captures Verlaine […]

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I was interviewed last week by UC Santa Barbara music professor and KCSB DJ David Novak on his show Selectric Davyland. The hour-long interview offers a highly personal take on Ukrainian music since the 1980s; David called it a “Personal and Political History (and a Playlist) of Ukrainian Experimental Music.” It features an adventurous mix […]

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I’ve written before of the ways that contemporary media, with their recording/archiving and modeling/projection functions, enable a simultaneous opening up of the past and the future, even as they leave us dependent on them so that our own capacities for memory and prognostication fail when our media fail. As we continue to build a universal […]

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To say that Billie Eilish’s “Your Power” video is intended to get under your skin (as many online commenters have suggested) is understating things. First, there the topic of the song itself (which I won’t comment on). Then there’s the interspecies intimacy (which I also won’t comment on, except to say, I can’t imagine doing […]

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Fans of Mark Rothko’s color field paintings frequently comment on the spaciousness, immersiveness, and liminality of those works: the way you can stand in front of them and feel as if you are being bathed in some transcendent force that is irreducible to anything else. Great art is (supposed to be) like that: it simply […]

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What better way to understand ecological perception than by applying it to a study of the music of Radiohead, right? Okay, I’ll explain. “Ecological perception” is not what you might think. (And it isn’t what I, in my writing, call “perceptual ecology.“) It is a psychological theory that studies the perception of an organism (such […]

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Harold Budd’s passing yesterday (from coronavirus complications) has inspired me to create a multichannel chamber of his music, which you can enter into and wander around in by clicking on the tabs below. Try them all at once, or mix channels at your leisure. His music, perhaps more than anyone’s, lends itself to this kind […]

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The New York Times has published an article on AI-generated faces which strikes me as an informal litmus test of our humanity, or at least of neurotypical emotional response. Here’s how to work it. Scroll through the mega-composite image at the top of the article — do it slowly, then quickly, then varying your speed […]

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Music is an occasional topic on this blog (as shown in the Soundscape category). It was my first university discipline and love (when I was an undergrad at York’s wonderfully eclectic Music Department), still figures in my scholarly work from time to time (as in my work on Cape Breton Island and the Chernobyl Zone), […]

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And here is Animal Collective’s beautiful International Year of the Reef collaboration with marine biology art-science duo Coral Morphologic, entitled Tangerine Reef: More on Coral Videography, “pioneers of avant-garde coral macro-videography,” on their web site.

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I’ve been trying to convince acclaimed northeast Vermont brewer Shaun Hill to add Whitehead’s Process and Reality to his Philosophical Series of ales, stouts, lambics, and porters, on the pretext that it was written down the road from the brewery. But also because Nietzsche, Foucault, Emerson, Thoreau, and Deleuze would appreciate his company. (Shaun says he […]

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