It’s very nice to see Bernd Herzogenrath’s Spectral Futures anthology in print. Bernd managed to squeeze such a weird and wonderful mix of futuristic fabulations (that are colorful in every respect including type-face) from an entourage of luminaries like Claire Colebrook, Orit Halpern, Bron Szerszynski, and some 20 other authors.
It was a joy to work with Asia Bazdyrieva and Svitlana Matviyenko on a co-authored chapter entitled “Spectres of Solar Futurity,” that ranges across the wild fields and black soils of past and future Ukraine. Here are a few teaser paragraphs from our piece (broken into shorter bits for readability):
To gauge what futures might be envisioned in and on the sun’s yellow rays, we trace the movement of the sun’s white light, perceived as yellow, into the black earth of Ukraine, and back again to the yellow of that country’s possible futures. We do so through a historical detour in which Russian imperial science, and later Soviet science, contribute to making the earth what it has become for Ukraine: foundational, contested, coveted, resourcified, resistant.
Unlike the Russian and Soviet scientists who perceived the earth as resource, and specifically as “Russian chernozem,” Ukrainian artists, from Pavlo Tychyna (quoted above) and Oleksandr Dovzhenko to Fedir Tetianych, perceived it as poetry, as music, as clarinets of the sun. In this way, we follow the circuit of light as it exists in scientific, imperial, and ecopoietic realities: as object, resource, energy, process, movement, and even sound, circulating between the yellow sun (in a blue sky) and the yellow earth (over black soil), with life emerging as earth in formations within which we find ourselves today, at this moment of Anthropocenic, wartime, collective precarity.
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