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Archive for the ‘Eco-culture’ Category

My book Ecologies of the Moving Image takes Andrei Tarkovsky’s Zone, so richly depicted in his celebrated 1979 film Stalker, as a kind of master metaphor for how cinema works and, by implication, how art in general works: it beckons its receiver into following it into a zone where, at best, anything can happen. The […]

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What better way to understand ecological perception than by applying it to a study of the music of Radiohead, right? Okay, I’ll explain. “Ecological perception” is not what you might think. (And it isn’t what I, in my writing, call “perceptual ecology.“) It is a psychological theory that studies the perception of an organism (such […]

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Cross-posted with the EcoCultureLab blog. Media+Environment has just published another article in its “States of Media and Environment” series, and this one should be of broad interest to environmental educators, media scholars, and environmentally concerned media users. “Streaming Media’s Environmental Impact” draws attention to an unpopular but inescapable issue: the adverse environmental effects of streaming media. […]

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I’ve long been receptive to the idea that we need a spiritual, or even a religious, movement to address the climate crisis. Of course, I define both “spiritual” and “religious” quite broadly, and am well aware of how both terms have been shaped within histories that are Eurocentric and dominated by monotheistic, Christian, and more […]

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People’s identities are an object of study in a range of fields, but it’s the field of cultural studies that has most singularly, even obsessively, sought to understand how identities interact with politics in changing media environments. Cultural studies first emerged in a British milieu marked by very specific relations between socio-economic classes, media industries, […]

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This past week has seen a firestorm of reaction among environmentalists and climate and energy scientists to the online release of the film Planet of the Humans. Written, directed, and produced by first-time director Jeff Gibbs, but — much more importantly — executive-produced and actively promoted by Michael Moore, the film is incendiary and intentionally […]

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I’ve been posting short pieces all this week in connection with EcoCultureLab‘s EarthDay+50 events, which include talks and a student arts exhibition. You can read the posts here: Monday: Frozen Moment Tuesday: Art and Sustainability in a Pandemic Wednesday (Earth Day): The Day Itself Thursday: Creativity is Not Optional Friday: What We Did, What Will […]

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With New Yorkers forced to stay home, and arts organizations getting creative in how they are making available their offerings, The New Yorker‘s “Goings On About Town” section has suddenly become more relevant to the rest of us, whose visits to the city were previously so infrequent as to make reading it a form of […]

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Media+Environment, the new, open access, online, peer-reviewed journal of transnational and interdisciplinary ecomedia research published by the University of California Press, has launched its first issue and thematic stream, on “The States of Media+Environment.” The introduction can be read here. Articles can be accessed here.

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As people around the world prepare for Global Climate Strike Week (Sept. 20-27) and for the UN Climate Action Summit in New York City on Sept. 23, here are some thoughts and sources to help us think about what’s at stake, what’s possible, and what we can do. This blog may be updated as needed, […]

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And here is Animal Collective’s beautiful International Year of the Reef collaboration with marine biology art-science duo Coral Morphologic, entitled Tangerine Reef: More on Coral Videography, “pioneers of avant-garde coral macro-videography,” on their web site.

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It’s become a cliché for people in environmental, policy, and even corporate circles to talk about the “triple bottom-line,” or the “three pillars” or “three-legged stool,” of sustainability. Those “pillars” are almost universally understood to be the economic, the environmental, and the social (sometimes rendered, more trenchantly, as social justice). Some have argued that a fourth, the cultural, should […]

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