My book Ecologies of the Moving Image takes Andrei Tarkovsky’s Zone, so richly depicted in his celebrated 1979 film Stalker, as a kind of master metaphor for how cinema works and, by implication, how art in general works: it beckons its receiver into following it into a zone where, at best, anything can happen. The […]
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@aimmanence- Happy to be joining a wonderful group of international fellows at Berlin's Cinepoetics Centre for Advanced Film Stu… https://t.co/SDjTaDresl
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- Happy to be joining a wonderful group of international fellows at Berlin's Cinepoetics Centre for Advanced Film Stu… https://t.co/SDjTaDresl
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