Videos from the Aarhus (Denmark) conference “The Garden and the Dump: Across More-than-Human Entanglements” are available and free for the viewing, here on the conference YouTube channel. They include talks by philosophers Timothy Morton and Michael Marder and a wonderful conversation between Chen Quifan, Alice Bucknell, and Angela YT Chan. My own talk, “Event, Time, […]
Posts Tagged ‘eco-trauma’
Garden & Dump conference videos
Posted in Anthropocene, Climate change, Eco-culture, tagged climate trauma, eco-trauma, pre-traumatic stress syndrome, Stalker, Tarkovsky, the Zone on September 27, 2021 | Leave a Comment »
Through an Anthropo(s)cenic Glass, Darkly
Posted in Anthropocene, Cinema, Climate change, Manifestos & auguries, tagged 1 Corinthians 13, Anthropocene, climate trauma, Congress of Culture, deep time, Earth's deep past, eco-trauma, geology, geophilosophy, Holocene, IPCC, Late Holocene, Lviv, Peter Brannen, Solaris, Tarkovsky, Through a Glass Darkly, Ukraine, Vermont Humanities Conference, Zizek, Конгрес культури on August 11, 2021 | 1 Comment »
My thinking about the Anthropocenic predicament continues to be informed, even haunted, by Andrei Tarkovsky’s films Solaris and Stalker, along with their literary predecessor novels by (Lviv-born) Stanisław Lem and the Strugatsky brothers, respectively. Two keynote talks I’ve been invited to give this October — one for Ukraine’s Congress of Culture, to take place in […]
Loznitsa’s ethical witnessing
Posted in Cinema, Visual culture, tagged Auschwitz, Austerlitz, concentration camps, death camps, documentary, eco-trauma, ethical witnessing, Holocaust, Holocaust tourism, Serhii Loznitsa, tourism, Ukrainian cinema, W. G. Sebald on October 25, 2016 | 3 Comments »
I’ve written about ethical witnessing before — both in the eco-trauma chapter of Ecologies of the Moving Image and in my reflections on Joshua Oppenheimer’s The Act of Killing. Seeing Serhii Loznitsa‘s latest film, Austerlitz, at Kyiv’s Molodist Film Festival a few days ago, prompted me to think some more about how a seemingly neutral camera, […]