My book Ecologies of the Moving Image takes Andrei Tarkovsky’s Zone, so richly depicted in his celebrated 1979 film Stalker, as a kind of master metaphor for how cinema works and, by implication, how art in general works: it beckons its receiver into following it into a zone where, at best, anything can happen. The […]
Posts Tagged ‘Alex Ross’
Zone as metaphor, metaphor as Zone
Posted in Cinema, Eco-culture, tagged adequate image, adequate metaphor, Alex Ross, Ecologies of the Moving Image, metaphor, Peirce, process-relational thought, semiosis, semiotics, Stalker, Tarkovsky, Werner Herzog, Zone on February 13, 2021 | Leave a Comment »
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