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Archive for the ‘Media ecology’ Category

A journalist asked me to say something about the use of animal mascots for commercial purposes. In an email, she wrote: “What does a brand owe an animal mascot, especially one at risk? For instance, polar bears face rapid habitat loss, yet Coke has only donated $2 million to the WWF for conservation efforts. There’s also Kellogg’s […]

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This week’s theme in my “Environmental Literature, Arts, & Media” class is apocalyptic rhetoric. (I’m loosely following Greg Garrard’s list of tropes in Ecocriticism, but adding, amplifying, and amending to be more artistically inclusive.) Because it’s a fun topic (and deadly serious, too), I thought I’d post a few of the videos we’ve been watching […]

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I’ve been enjoying Under Western Skies 3: Environments, Technologies, Communities, which has featured a wonderful array of critical environmental theorists and practitioners — including among its keynotes Justice Thomas Berger (whose 1978-8 Mackenzie Valley Pipeline Inquiry Report was a classic of environmental legal innovation), the indigenous activist group Idle No More, historian and Center of the American […]

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Visiting UC Davis

I’ll be participating in the Mellon-sponsored Environments and Societies Colloquium Series next Wednesday, April 30, at the University of California Davis. My colloquium paper, entitled “On Matters of Concern: Ecology, Ontological Politics, and the Anthropo(s)cene,” is available for reading on the E & S website. (It’s a variation of a chapter for a book on “integral ecologies” […]

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This ad is making the rounds, but in case you haven’t seen it yet, here it is. It is brilliant.     As Jeff Beer puts it, the stock video footage firm Dissolve illustrates the “marketing strategy equivalent of paint-by-numbers” by putting its own goods to the words of Kendra Eash‘s brilliant McSweeney’s piece.

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The Media and Environment Scholarly Interest Group just won the prize for best attended business meeting at the Society for Cinema and Media Studies. Or so we were informed by the SCMS interest group liaison present at the meeting. This year’s SCMS featured what to my mind was by far the largest assemblage of panels and papers […]

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Ecomedia on YouTube

Reposted from e2mc: evolving ecological media cultures: I’ve begun a YouTube playlist entitled “Ecomedia,” where I’ll be sharing ecologically relevant PSAs, eco-art videos, and other works relevant to the broad and loose category encompassed by its title. Access it here. Feel free to “like” it, subscribe to it, and send suggestions to me about videos that should be […]

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Every violent suppression of dissent is violence against the humanity that is being born. The world to come is at stake in these encounters. That’s what I tweeted last night while watching what looked like the squashing of a revolution, when riot police appeared by the thousands and began moving in on the territory held […]

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It will be quite an event for Peirce scholars. My proposed paper will be on applications of Peirce to film theory, and in particular the two neo- (quasi-?) Peircian approaches that I present in Ecologies of the Moving Image. The first of these builds on Sean Cubitt’s three-part typology of the image (pixel–cut–vector, which I […]

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Ecologies of the Moving Image will be out next month. (Some seven years after I started working on it.) Here is a poster for it. Many thanks to Steven Shaviro and Sean Cubitt for their generous endorsements, which I reproduce here: “Ecologies of the Moving Image is an ambitious book, and a capacious and satisfying […]

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A key question for a process-relational account of a film is the question of how that film shows objects and subjects in the process of being made — how it shows subjectivation and objectivation arising together. Much of Ecologies of the Moving Image is about this, but what remains more implicit throughout the book is the way […]

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Teaching my film course (especially in its current rendition as “Ecology Film Philosophy”) and the book that goes with it (Ecologies of the Moving Image, which will be publicly available in July) — and especially teaching the Andrei Tarkovsky film Stalker, which serves as a sort of template for the book — makes me feel […]

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