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Archive for the ‘Media ecology’ Category

This announcement is long past due… It’s for the new, open access, peer-reviewed international journal that I am co-editing with Alenda Chang and Janet Walker, through the University of California Press. It includes a call for submissions for two special issue “streams”: “Disaster Media” and “Mediating Art & Science.” Media+Environment is an open access, online, […]

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I’ve been posting about the Ukrainian presidential runoff elections over at UKR-TAZ, the blog I established in the wake of the 2014 Maidan revolution. (See Four theses on Ukrainian politics and Politics as reality-FB.) The gist of my comments is relevant to the study of social media’s impacts on political and cultural change in general, […]

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My book Ecologies of the Moving Image provides some suggestions into how we can become better consumers and co-producers of media. But these suggestions come couched within a 400-page treatise of media (and environmental) philosophy that includes a history of cinema, analyses of various films, and much else. While the focus there is on cinema and […]

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We all know the media ecosystem has been changing rapidly, with media scholars scrambling to understand how and where things are headed. “Fake news” and “post-truth” are the glib catchwords of the day; “filter bubbles,” “echo chambers,” “ideological segregation,” “information cascades,” “algorithmic filtering” (along with the all-encompassing “Algoricene“), and “meme magic” are among the more, or less, […]

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A friend shared a post about a seemingly unbelievable “opportunity” for the world’s ultra-rich — to “circle the globe on an inspiring and informative journey by private jet, created by The New York Times in collaboration with luxury travel pioneers Abercrombie & Kent.” On this 26-day itinerary, you’d be taken “beneath the surface of some […]

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My review of Graham Harman’s recent book Bruno Latour: Reassembling the Political, has been published online in the journal Global Discourse. It’s part of a book review symposium, which will be accompanied (in the print issue) by the author’s reply to his interlocutors. The journal has been publishing a lot on Latour’s political theory (see here). I especially […]

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A few quick reflections on the Charlie Hebdo affair… 1. In the age of social media, we are all producers of images and meanings. The difference is only a matter of degree. 2.  In a globalized world, those who traffic in media ought to have some knowledge of the cultural and ethical implications of their trafficking. 3. […]

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A journalist asked me to say something about the use of animal mascots for commercial purposes. In an email, she wrote: “What does a brand owe an animal mascot, especially one at risk? For instance, polar bears face rapid habitat loss, yet Coke has only donated $2 million to the WWF for conservation efforts. There’s also Kellogg’s […]

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This week’s theme in my “Environmental Literature, Arts, & Media” class is apocalyptic rhetoric. (I’m loosely following Greg Garrard’s list of tropes in Ecocriticism, but adding, amplifying, and amending to be more artistically inclusive.) Because it’s a fun topic (and deadly serious, too), I thought I’d post a few of the videos we’ve been watching […]

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I’ve been enjoying Under Western Skies 3: Environments, Technologies, Communities, which has featured a wonderful array of critical environmental theorists and practitioners — including among its keynotes Justice Thomas Berger (whose 1978-8 Mackenzie Valley Pipeline Inquiry Report was a classic of environmental legal innovation), the indigenous activist group Idle No More, historian and Center of the American […]

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Visiting UC Davis

I’ll be participating in the Mellon-sponsored Environments and Societies Colloquium Series next Wednesday, April 30, at the University of California Davis. My colloquium paper, entitled “On Matters of Concern: Ecology, Ontological Politics, and the Anthropo(s)cene,” is available for reading on the E & S website. (It’s a variation of a chapter for a book on “integral ecologies” […]

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This ad is making the rounds, but in case you haven’t seen it yet, here it is. It is brilliant.     As Jeff Beer puts it, the stock video footage firm Dissolve illustrates the “marketing strategy equivalent of paint-by-numbers” by putting its own goods to the words of Kendra Eash‘s brilliant McSweeney’s piece.

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