Research Statement: Attire of the Manifest God Ṣango

Spirit possession is a large aspect of Diaspora religion, for instance Shango, Yoruba god of thunder and lightning possesses his followers, taking them as brides in an eternal commitment. I am studying the outfit worn by Shango’s bride. This outfit is worn by those who are possessed by the Orisa Shango, which are typically referred to as ‘mounts.’ The outfit consists of a cloth wrap which is covered in cowry shells which represent wealth and power, as they were formerly used as currency. The shells are said to enrich the mount. Also, the outfit consists of a brightly colored tiger print skirt, which represents Shango’s ferocity. I am studying this outfit in order for the reader to discover how spirit possession of the wearers of these outfits contributes to the  personhood and identity of those possessed.

My question I am trying to answer is ‘how spirit possession of brides contributes their personhood and identity.’ Those possessed refers to whoever wears this outfit. A class reading I have seen this question emerge from is Thompsons “Flash of The Spirit,” on PG 86 where he talks about those possessed by Shango. This source says the áshe of Shango is found within a stone, and only he and his brave followers know how to balance this stone, unsupported on their heads. This chapter has other details regarding specifics on spirit possession as well. For instance Thompson writes, “the áshe of Shango is found within the stone.” These details can be used to identify how a brides commitment to Shango influences their identity and personhood.

In order to better understand my question I will need primary ethnographical documents written by those who have been around brides of Shango. I believe understanding their lives more may help answer the question better. Also, I would need secondary resources such as cultural encyclopedias which document the history of Yoruba people and the origin of spirit possessions within their culture. Thirdly, finding more articles written by authors such as Thompson will probably be my most promising avenue. The readings we do in class tend to explain the logistics behind Diaspora culture, which is ultimately the main goal. Discovering the reasoning behind spirit possession, as well as its history is an important step in understanding Shango’s connection with his brides.

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