Trump 2016: The View from Islamic Studies

By Professor Ilyse Morgenstein-Fuerst 

It’s no secret that Donald Trump ran a campaign that stoked Islamophobic sentiments (in addition, of course, to anti-immigrantanti-Mexicanmisogynisticableist and homophobic rhetorics and staff picks). In the few weeks since the election, we have seen Trump name members of his cabinet who espouse patently and expressly anti-Muslim positions. What seems to have surprised many around the country, however, are the ways in which hate crimes—and Islamophobic or anti-Muslim hate crimes—have seemed to tick upward since the November 8 presidential election. The Southern Poverty Law Center, for example, reported on November 29 that they had tracked over 860 hate-related crimes since the election. Of these, roughly 6% (or ~54 incidents) were against Muslims or those perceived to be Muslims; additionally, Muslim women who choose to veil are at particular risk, given the public ways in which their religious identities are marked. Campuses—assumed to be both liberal havens and safe spaces by many—are not immune to post-Trump increases in harassment and violence against people of color, Muslims, Jews, LBGT+ and other minorities

These issues of violence and harassment, especially as part of campus, are tied up with white supremacy, racisms, and a now-longstanding process of labeling Muslims and Islam as a problem with which to be dealt. As far as how this effects Islamic studies, from conversations at international conferences, digitally, and in person, it is clear that many of us who study Islam have been called upon to talk with the media, offer sessions for students, join panels on our campuses, and write articles—scholarly and popular alike. In other words, as scholars of Islam, it is clear that in a moment of heightened Islamophobia, our expertise is in high demand. As teachers, it is similarly clear that we have been and will continue to be asked to tailor our syllabi to student interest (what *is* Islam, anyway?) as well as public need (let’s unlearn some of the stereotypes that contribute to Islamophobia). Personally, I’ll be on a panel in the spring for Blackboard Jungle and talking about Islamophobia; my REL30: Introducing Islam will specifically and methodically address anti-Muslim rhetoric in historic contexts and today, instead of just referencing it as we go. Moreover, as a scholar-teacher and as an advisor, I have seen the traffic in my office increase in manifold ways to students of color and of minority religious traditions, some hoping to talk through their experiences, others looking for scholarly resources, and others still seeking a safe space in which to talk about bias incidents or fears about racism and prejudice on campus.

The UVM Interfaith Center & UVM’s Post-Election Future

By Professor Kevin Trainor

On November 16th, one week after awakening to the shocking result of the presidential election, I attended the formal opening ceremony of UVM’s new Interfaith Center on the Redstone Campus, located in a building with a complicated institutional history. It began fifty-two years ago with another opening ceremony, presided over by Harvey Butterfield, the Episcopal bishop of Vermont, as he dedicated the newly constructed St Anselm’s Chapel. I have been researching that history as part of a broader survey of the teaching and practice of religion at UVM, and in a future blog post I will give a longer overview and analysis of that history, which provides the wider context for understanding the institutional significance of the new Interfaith Center, and of the recent appointment of Laura Engelken as UVM’s first Interfaith Coordinator. Here I will focus on the ceremony itself, and what I think it might mean for UVM’s post-election future.

While I’m not sure that the election results were ever explicitly referenced in the words of the various speakers that afternoon, the fact of Donald Trump’s election, and its apparent validation of his campaign’s embrace of hateful and violent rhetoric, hung like a dark cloud over the proceedings. Like many people with whom I had spoken the previous week, I felt disoriented and anxious about the future. I experienced the election results as a direct assault upon the values and forms of practice to which I, as a member of the UVM community, am committed. It thus seemed fitting to come together with a large group of UVM community members to inaugurate a new university facility whose mission is defined as “creating space for all people to explore and ethically engage the meaning-making systems that sustain their own lives and communities as well as of others” (Interfaith Center Facebook page). The creation of the new Interfaith Coordinator position and the Interfaith Center, which are administered through the university’s Center for Cultural Pluralism, are evidence of UVM’s dramatically expanded institutional engagement with issues of religious and spiritual diversity, now foregrounded as foundational elements in the university’s commitment to diversity, equity, and justice, as encapsulated in UVM’s Our Common Ground statement. This represents a significant shift in policy and practice. At UVM, as at most state-supported public universities, questions arising from community members’ religious identities were for the most part rendered invisible to public discourse, a situation that many community members have found oppressive.

Several members of the UVM community spoke: Laura Engelken (Interfaith Coordinator), Wanda Heading-Grant (Vice President of Human Resources, Diversity and Multicultural Affairs), Tom Sullivan (University President), Annie Stevens (Vice Provost for Student Affairs), and Aya AL-Namee (Senior Admissions Counselor, former Student Government Association President and 2015 UVM alumna), each of whom played an important role in the creation of the Interfaith Center. All the speakers spoke movingly of the personal significance that the new center held for them, but for me the most memorable reflections came from Aya AL-Namee. Identifying herself as a Muslim, she spoke of walking about since the election feeling like “I have a target on my back.” As SGA President in 2015, she played a key role in organizing student support for hiring an interfaith coordinator and for creating a safe place on campus for students to explore and practice their religious and/or spiritual beliefs, which culminated in the passage of an SGA resolution.

St. Anselm's Chapel

St. Anselm’s Chapel from p. 20 of A Goodly Heritage: The Episcopal Church in Vermont. Edited by Kenneth S. Rothwell. Burlington, VT: Cathedral Church of St. Paul, 1973.

But what is a fitting space for religious or spiritual practice on the campus of a public university? This is a complicated question, one that I will explore in greater depth in a future blog entry. But the opening ceremony in which I participated hints at some possible answers. A structure that began its life in the early 1960s as an Episcopal chapel, and then served as the home of the Christ Church Presbyterian community for thirty-five years, took on a new institutional identity at the end of 2013 when the university administration decided not to renew the church’s lease. The Christ Church Presbyterian community vacated the building and found at least a temporary home in the basement of St. Paul’s Episcopal Cathedral. The space they left behind was emptied of its Christian symbols and furnishings, and during this past summer the structure underwent a basic renovation, which included asbestos abatement and the addition of links to the university infrastructure. A large abstract painting by the artist Peter Heller that covers the north wall of what had been the chapel, which he donated to St. Anselm’s in 1963, was covered over with white muslin. It was within this pleasant but largely empty space that the opening ceremony took place.

Apart from the formal speeches, delivered from a lectern located in the middle of the low raised platform in the center of the main gathering space (which in an earlier incarnation served to define the chancel upon which the altar stood in St. Anselm’s), the opening celebration had the character of an extended and largely unstructured reception during which participants were free to come and go, mingle with one another and chat, and enjoy the food and drink that was provided. Two bunches of multi-colored balloons were anchored at either side of the raised platform. Music was provided by a harpist stationed on the right side of the platform. In keeping with the speakers’ frequent references to “religion and spirituality” and “religion or spirituality,” a pairing that implicitly contrasts institutionally organized forms of religion characterized by collective rituals and socially imposed belief systems, and highly individualized and idiosyncratic forms of personal spiritual exploration, there was very little orchestrated movement required of the participants. There was no collective recitation, no singing, no coordinated gestures. After years of schooling, everyone knew how to stand and listen attentively while the various speakers offered reflections from the lectern.

There were, however, two opportunities for coordinated practice. Large blank sheets of poster board were fastened to the walls in the various parts of the complex (the main gathering space, a small room that will eventually include a sink for ritual ablutions, a room designated for meditation with a collection of religious symbols among which individuals can select as their focus of choice, a lounge area with a couch and chairs and a kitchenette), and participants were invited to write in their ideas about how the spaces could be used or what they needed. A large mesh basket was also placed on a table in the main gathering space. Participants were invited to select from a collection of multi-colored ribbons, to write out their hopes and prayers for the future of the center, and then to thread their ribbons into the basket, with the expectation that the completed basket would be placed on display, a multi-colored weaving together of the participants’ materialized sentiments.

PHOTOS ABOVE FROM THE UVM INTERFAITH CENTER FACEBOOK PAGE

A few days after the ceremony, I met with Laura and we talked about the ceremony and how she understands her role as interfaith coordinator. Her plan is that anyone in the community with a UVM ID card will have free access to the center throughout the day. I asked if there would be a set of rules posted, and how center practitioners would address possible conflicts in their shared use of the space. She plans to impose as few restrictions as possible, and hopes that practitioners will learn through practice how to respectfully share the space to their mutual benefit. If conflicts occur, she will help the participants negotiate an appropriate resolution. If this seems optimistic, it is nevertheless clear that Laura is highly attuned to the ways in which religious differences, improperly addressed, can result in conflict. This is apparent from her adoption of a plastic blowfish as a kind of informal mascot for the Interfaith Center. The blowfish, or fugu in Japanese, is a highly prized culinary delicacy in Japan. Because the flesh of the fugu is highly poisonous if not properly prepared, it must be approached with knowledge and careful attention. Properly handled, it is a delight, but carelessly consumed, it is deadly. Given the poisonous discourse of religious difference that has recently dominated our public life, I believe we have good reason to celebrate the university’s new commitment to creating a safe and supportive space for members of the community to openly explore and engage their religious and spiritual commitments.

Pan-Indigenous Pipeline Religion

By Professor Todne Thomas Chipumuro

In my introductory Religion and Globalization course, our final unit explores what anthropologist Thomas Csordas terms “pan-indigenous religion” or “the surprising juxtapositions…[that] take place at the initiative of those…whose agency and ability to give voice the dominant society is still reluctant to acknowledge” (2007, 263).[1] Our intellectual journey has included a discussion of how pan-indigenous religion and the (anti-globalization) protest religion of Rastafarianism facilitate the formation of ecumenical solidarities that are built upon shared experiences of colonialism, racialization, and ethnocide and similar struggles against impoverishment and marginalization that are precipitated by neocolonialism. In class on Thursday, December 1, in student group presentations about indigenous reggae, students made their own connections between our discussions of global indigenous struggles and the contemporary events surrounding the Dakota access pipeline. In particular, they noticed the paradoxical ways in which globalization fuels the global capitalism and inequalities that make the pipeline appear a feasible economic development strategy while simultaneously underlining the shared terrain in which pan-indigenous solidarities can be expressed and performed in and around the activist at Standing Rock. To provide a contemporary example of how pan-indigenous solidarities are being expressed, I screened a short video that depicts Kereame Te Ua and Maori women performing haka—a Maori life-cycle and war ritual—on the front lines of the Standing Rock camp on Thanksgiving Day. It is my hope that we will all continue to use the classroom, informal, and undercommons spaces to learn, teach, and converse about our contemporary moment and birth emergent solidarities for our collective liberation.

[1] Csordas, Thomas. Introduction: Modalities of Transnational Transcendence. Anthropological Theory (2007): 259-272.

What now? Scholarly Work in the Wake of Trump’s Election

By Professor Vicki L. Brennan

In the days following the election I felt as though I were in a fog, upset about what seemed to be a validation of the role that misogyny and racism had played in the election, anxious about what a Trump presidency would mean for the United States and the world more generally, and unsure about what I could or even should do to respond to and act on any of this. I joined the ranks of many who made donations to nonprofit organizations. I vowed to make my own political commitments more clear and also to avoid the insularity and negativity found on social media sites. But still, I wondered (and still do): What now? What role do we as scholars have to play in Trump’s America? These questions seem especially vital given both the nature of our expertise (see my colleagues comments above for evidence of that) but also due to the fact that our expertise seems less valued and respected than ever before in a supposedly “post-fact” world.

Scholars of religion are responding in a number of ways. What follows are links to statements, op-eds, and analyses that have appeared in the weeks since the election that provide some answers to the question: “What now?”

Disciplinary Resolutions and Statements: The annual meetings of scholarly organizations most relevant to my own research and teaching interests took place soon after the election; the American Anthropological Association meeting from November 16-20; the American Academy of Religion from November 19-22; and the African Studies Association from December 1-3. I decided to stay home this year, so I viewed the meetings from a distance, via text messages from friends, live-tweeting feeds, and blog posts made by those in attendance. Based on these observations, it seems that for many these meetings were sites for the building of solidarity and plans for action.

A number of the scholarly associations with which members of our department are associated issued resolutions or statements in response to the election:

Op-Eds, Blog posts, and other Analyses: Scholars of religion have also been publishing their takes on the election in a variety of venues. These are just a few of the things I have found useful for understanding the role that religion played in the election, the impact that a Trump presidency might have on religious communities in the United States, as well as possible answers to the question: What do we do now?

Omid Safi writes about how to respond to hatred with love at On Being, and uses the iconic film Star Wars as a potential guide to our action:

Somehow our means and our ends have to be consistent. We can’t hate our way out of Trump. There is still the need for love, for love to move into the public spaces. There is still the need for that love to be called justice when it is public, and for that same love to be tenderness when it moves inward. In confronting the Dark Side, let us never turn to the Dark Side. Let us not become the very quality we so despise.

In the days since the election, various lines from Marx’s The Eighteenth Brumaire of Louis Napoleon have been echoing in my mind–certainly his observation that history repeats itself “first as tragedy, the second time as farce”–but more crucially his reminder that we live in a world that has already been shaped by historical forces:

Men make their own history, but they do not make it as they please; they do not make it under self-selected circumstances, but under circumstances existing already, given and transmitted from the past. The tradition of all dead generations weighs like a nightmare on the brains of the living.

Historians have much to offer to our understanding of our own time, how we got here, and how we might move forward. For an example of how historians of religion are responding to Trump’s election see: Kelly J. Baker in the NY Times on the alt-right, the KKK, and white-collar Supremacy. The bloggers at Religion in American History have also made a number of posts on the election, including one by Elesha Coffman on conservatism in the 1980s and how it relates (or doesn’t) to the current moment and another by Janine Giordano Drake on the Federalist papers and the electoral college.

With the nod to Marx we might also note the need to fully comprehend the role that economics–and particularly the rise of inequality globally–played in the US election. Cornel West writes on the end of American neoliberalism:

What is to be done? First we must try to tell the truth and a condition of truth is to allow suffering to speak. For 40 years, neoliberals lived in a world of denial and indifference to the suffering of poor and working people and obsessed with the spectacle of success. Second we must bear witness to justice. We must ground our truth-telling in a willingness to suffer and sacrifice as we resist domination. Third we must remember courageous exemplars like Martin Luther King Jr, who provide moral and spiritual inspiration as we build multiracial alliances to combat poverty and xenophobia, Wall Street crimes and war crimes, global warming and police abuse – and to protect precious rights and liberties.

For those of us who want to integrate these historical lessons into our classes, Savage Minds includes a link to the Trump 2.0 syllabus in their round-up of materials on how to teach the current moment.

As scholars we need to be able to speak to the questions of truth, facts, and reason that have emerged in the wake of Trump’s rise. I hope to write about this issue in more depth in the future, since questions of religious “truth” and cultural forms of knowledge lie at the center of my research and teaching. For now, here are links to two articles that I find thought-provoking at this time: First, Biella Coleman discusses politics, performativity, truth, and lies in a post that offers a possible role that scholars who analyze religion might play in addressing our current crisis

Fake is only fake if you’ve bought into a notion of the real. And the question of what is real is even more urgent and vexed today. But theory and scholarship won’t get us out of this predicament. What we need is a pragmatic practice that recognizes the centrality of fantasy, emotions, fiction, performance, and myth for politics and political messaging.

And finally, Chimamanda Adichie reminds us that “Now is the time to talk about what we are actually talking about” on the website for the New Yorker:

Now is the time to counter lies with facts, repeatedly and unflaggingly, while also proclaiming the greater truths: of our equal humanity, of decency, of compassion. Every precious ideal must be reiterated, every obvious argument made, because an ugly idea left unchallenged begins to turn the color of normal. It does not have to be like this.

Guest Post: Professor Emeritus William E. Paden

By William E. Paden

Thanks to Kevin Trainor for calling my attention to the fine departmental blog and inviting me to contribute. I enjoyed reading about what everyone is doing these days.

I retired from UVM and the Religion Department in 2009—after 44 years! When I started in 1965 Burlington was scarcely the vibrant town it is today; and as for the department, there were just three of us religion professors trying to more or less cover the whole field.

9781474252119I certainly miss the students at 481 Main St. and my colleagues, but academic writing goes on as though it were an extended sabbatical. Blog readers might be interested in my new book, which came out last month, New Patterns for Comparative Religion: Passages to an Evolutionary Perspective (Bloomsbury Academic), and I’ve linked here to the front matter and complete Introduction as that gives the best overview.

Essentially the book is an intellectual autobiography in three parts: reformulating some of the basic concepts (‘world’, ‘sacred’) and figures (Durkheim, Eliade ) in comparative religion; reconstructing the concept of comparison and the idea of universal human-level behaviors; and suggesting linkages between comparative religion and what I call ‘evolutionary perspective’. The 13 chapters had been published in various places over the last 20 years, but brought together here because they show the steps on my path toward the overarching theme of the book. I have added the Introduction and Epilogue.


**Editor’s note: Prof. Paden’s work on New Patterns for Comparative Religion earned the recognition of a University of Vermont Retired Scholars Award for the 2015-2016 academic year.

 

Notes from our Classrooms

Pedagogy is a major facet of any faculty job, and it is a source of conversation–and pride–at 481 Main Street. Religion faculty have been nominated for and won teaching awards, regularly attend pedagogical workshops, run innovative programming linking research and teaching as well as classrooms and internships. We often exchange notes on best practices, ideas that worked (and flopped!), and our students’ best work. We thought we’d kick off a series in which we shared these Notes from our Classrooms.

Last semester, Prof. Vicki Brennan taught student-favorite REL103: Sacred Sounds. While many enroll thinking it is a class about sacred music, Prof. Brennan dissuades them of that on day one–this is a course committed to thinking through theories of sound, how sound becomes labeled “religious,” and how those religious sounds enter and shape public and private spaces.

Screen Shot 2016-02-10 at 9.07.21 AMProf. Brennan asked her Sacred Sound students to craft the Burlington Soundscape Project. This digital humanities project is an impressive collection of student work that physically and aurally mapped the sounds of Burlington. Students collected sounds (listen here) and then analyzed those sounds in the theoretical and practical terms of sound (e.g., “noise” and legal noise ordinances), the study of religion, and concepts of mapping.

Tagged topics of Islam & Modernity student blog posts

Tagged topics of Islam & Modernity student blog posts

In REL195: Islam & Modernity, Prof. Ilyse Morgenstein Fuerst had students research specific geographic areas (Iran, South Asia, and Turkey) alongside concepts of modernity. Instead of producing research papers, students were asked to distill their theoretically-driven and detail-heavy work into short blog posts, meant for public readership. Prof. Morgenstein Fuerst has used blogging before in other courses, and in light of overwhelmingly positive student responses to it, repeated the assignment in this brand-new course. Students wrote about trends in modernity and Islam with respect to gender, imperialism, power, secularism, and what it’s like to learn and unlearn, among other topics. See the full blog here.

 

 

 

As the Spring 2016 hits its stride, we’ll have more Notes from our Classrooms to share! 

“None” is the New Faith: Gender, Religion, and Season 3 of Orange is the New Black

From the Lionsgate website for Orange is the New Black. http://www.lionsgate.com/tv/orangeisthenewblack/

From the Lionsgate website for Orange is the New Black. http://www.lionsgate.com/tv/orangeisthenewblack/

I recently returned from a conference titled “Gender, Media, and Religion” in Boulder, Colorado hosted by the Center for Media, Religion, and Culture at the University of Colorado. Their biennial conferences each address a particular theme within the study of media and religion, and this year’s theme of gender seemed particularly relevant to the Neflix hit show, Orange is the New Black, a show I’m currently writing a chapter about for a textbook. It turned out that at least four other people thought so, too, so I found myself on a panel with three papers addressing that show, each from a different perspective (both of the other papers were co-presented by two scholars). In this blog post, I’ll give a summary of the ideas I presented, and then reflect on the conference as a whole, and the state of the study of religion, media, and gender that it reflects.

In my class introducing the comparative study of religion, I spend some time on the concept of “ontology” and how that fits in with the idea that religions are partly made up of ideas. We focus on the ontological nature of humans in different religious perspectives: do we have souls (Christianity, Islam) or not (Buddhism)? What makes us different from animals? And most relevantly: is a “male” human ontologically different from a “female” human? To me, the show, Orange is the New Black represents in popular culture a change in the answer to this last question. Until recently, most Americans would probably have assumed that yes, men and women are different, ontologically speaking. Sex was presumed to equal gender: if you were born with male genitalia and chromosomes, you were male and the same for female. Television shows notoriously reinforced this gender binary, in shows like Leave it to Beaver or The Honeymooners. As times changed, however, so did Americans’ concepts of gender. Growing up in the ‘70s with transmedia phenomena like Free to Be You and Me meant learning that things we thought were “boy things” or “girl things” didn’t have to be that – they had no ontological or natural connection to gender – and that being a “boy” or “girl” didn’t have to always mean the same thing to everyone.

Fast forward to 2015, and our popular culture now seems divided between those who take for granted that there is no “male” and “female” inherent in a person’s identity, only “human;” and those who see this assumption of a gender spectrum as a threateningly destabilizing force promoted by minority populations bent on undermining society. In internet-speak they are referred to as SJWs (“social justice warriors”). Television shows reflect this division: in the first camp, Orange is the New Black positively portrays a wide variety of gender expressions and sexuality; in the second, other television shows seem to “double down” on “traditional” gender roles. An example of this was convincingly put forward by Rachel Wagner in her paper at the conference. She argued that The Walking Dead draws on regressive New Testament concepts of gender (taken from the later pseudo-Pauline books) that have surfaced largely as a reaction to the perceived social chaos represented by growing empowerment of people of color, women, LGBT, and non-gender binary identified people. It promotes a vision of safety embodied by clearly defined gender roles, associating men with protection and brutality, and women with nurturing and care-taking. When these roles are compromised, the community cannot survive. (An interesting perspective, but this scholar would like to argue that there are more possible ways of reading that show, including as a critique of hypermasculinity.)

In other words, Orange is the New Black celebrates the idea that a person’s gender is not a determinative part of her identity – being a woman or a man is a state of mind, a series of choices and performances, and something that you can change about yourself if you need to.

Promo materials from Season 3.

Promo materials from Season 3.

Yes, you may say to yourself, but what does this have to do with religion? Isn’t this blog supposed to be about religion?

What interested me about this topic, applied to this show, is that the flexible and indeterminate way that gender is incorporated into the show’s narrative is paralleled by the flexible and indeterminate nature of religion on the show. Where television in the past has used religious identity to help create expectations about particular characters (and sometimes subvert those expectations, but usually not), Orange is the New Black allows religion to be a vehicle for telling stories about how people change, not just socially, morally, or in other “coming of age” ways typical of television narratives, but spiritually and in terms of their identity. Religion is a process, or a toolbox for finding ways to cope, or a way to explore new relationships with yourself and others. It is not a way of categorizing “the Jewish character” or “the Catholic character” as it has been traditionally used in television.

For those familiar with the show, especially the third season, the most obvious example of this is the story of Black Cindy. Curious as to how and why a new transfer to the prison is getting better food (broccoli!) in the prison cafeteria, she discovers that the new inmate is using an old trick: claim to be kosher. (Several people of my acquaintance have brought up the question, why kosher, not halal? To which I can only speculate: not enough precedent for humorous situations – no Muslim Woody Allen to riff on?) Soon, a sizable number of inmates from across the racially organized cliques are claiming adherence to Jewish laws of kashrut, and gloating about their broccoli. At first, prison management is hesitant to call the inmates on their fraud, but eventually they do bring in a rabbi to quiz them about their commitment to the Jewish faith. As expected, most of the inmates are as religiously illiterate as a random sampling of Americans can be. (See the Pew Research Center on Religion in Public Life’s 2010 Religious Knowledge Survey, for example.) Cindy, however, decides to push ahead with her identification as Jewish, and learn as much as she can, which she does first by checking out Jewish films from the library, like Yentl and Annie Hall, but then by finding actual Jewish inmates who can coach her on their knowledge of Judaism in practice and doctrine.

Finally, Black Cindy requests another meeting with the Rabbi. She formally asks, in the presence of two other Jews and the Rabbi, to become a Jew. He refuses, and she at first takes this as the standard ritualized refusal that converts are faced with in order to determine that they are committed to the path of Judaism, and not just dabbling. But the Rabbi is unconvinced. Black Cindy is, as her nickname indicates, African American, and as one of the Jewish inmates says, this makes it hard to understand why she would choose to go from being a “hated minority to being a double hated minority.” But she explains that the Christianity she grew up with never made sense to her, and left her feeling judged and alienated for wanting to ask questions. In her new knowledge about Judaism, she feels empowered to search for answers, to struggle with her mistakes and try to fix them, and to approach God as an action or a process. She says, “As far as God’s concerned, it’s your job to keep asking questions, and to keep learning, and keep arguing! It’s like a verb, it’s like, you DO God. And it’s a lot of work.” (You can watch her impassioned conversion on YouTube if you don’t have Netflix.)

But Black Cindy is not the only inmate whose story revolves around religion in the third season of Orange is the New Black. Another important plotline exposes the religious pasts of two inmates who in some ways represent polar opposites, spiritually speaking: Leanne and Norma. Norma is a mute woman probably in her sixties, whose flash-back shows that she joined a new religious movement in her teens, at the height of the “flower power” countercultural movement. Her “guru” is presented by the show as the epitome of the “cult leader:” spouting meaningless “new age” spiritual mumbo jumbo, and surrounding himself with nubile young things so that he can “marry” as many girls as he likes and exploit them sexually, financially, and emotionally. When Norma appears, innocent and wide-eyed, and suffering a debilitating stutter, he tells her that she never has to speak again, which she seems to find empathetic and liberating, but which the audience, I suspect, finds a little creepy. She sticks with him until the bitter end, the only follower left, presumably into the twenty-first century. Ultimately, as one can surmise because after all she is in prison, things do not end well. However, in prison she continues to maintain her silence, which gives her a kind of power and mystery, attracting a group of followers who find in her presence and touch a peace they can’t otherwise experience in the dehumanizing context of the prison.

The amazing thing about this plotline is that it leads to a situation where characters in this dramedy explicitly argue about what religion is, and what it is for, usually a topic only found alluring by students of religion such as myself and my peers. One day, Norma and her followers are meeting in the chapel and another, explicitly Christian, group comes in to claim the space. When the chaplain tells them to leave because they don’t count as a religion, Leanne stands up to explain that they do have “a belief system.” The chaplain has dismissively explained that yes, Christianity was new once, too, but “after hundreds of years of private worship, several great schisms, and thousands of people martyring themselves, it became a focused belief system. With a name.” Leanne responds that they, too, have a faith, but when she explains it, the chaplain reiterates that it is a meditation club, not a religion.

This scene is a lead-in to a series of flashbacks explaining how Leanne ended up in prison. (Previously, Leanne has been a minor, somewhat comic character, largely a foil for the more forceful personality of “Pennsatucky” another meth-head prisoner who provided an evangelical figure for the first two seasons’ plotlines.) Now, we find out that Leanne comes from an Old Order Amish community, and fell into using meth during her experimental time with “the English” and then repented and was accepted back into her family. Unfortunately she had left evidence of her drug dealing, and was persuaded by the police to set up her former drug using friends, which backfired and led to her incarceration as well. Although the depiction of the Amish may not be accurate, it serves to establish at least a symbolic context for Leanne’s relationship to religion. Her background in this religious community shapes her response to Norma, and explains her urge to use her leadership role in the group to define rules and doctrines for them to follow. At the same time, Leanne’s desire to find the sacred in the material world, like the image of Norma in a piece of toast,

or the healing sensation of the touch of Norma’s finger on her forehead, speaks perhaps to a longing for a more “mystical” (even Catholic) form of spirituality than is available in the word-centered doctrine and worship of the Amish. So, in one narrative arc, Orange is the New Black gives us 1970s counterculture, Amish Americans, and a New Religion in prison, all of which – as stereotypically as they may be presented — are shown as sincere responses of good people searching for meaning and belonging in spite of their marginal position in American society.

Just as different sexual orientations or gender identifications are sources of tension, comedy, and comfort in the context of the show, religion is also shown as something that can act in ways that are destructive and constructive, creating divisions and connections, and reflecting how Americans, in the words of sociologist Robert Wuthnow, have shifted their religious attention from “dwelling” to “seeking” – looking for new combinations and new homes in religious settings that we are transforming as we adopt them.

If you watch the third season of Orange is the New Black, you will also notice an almost constant stream of religious improvisation, from the first episode, where Pennsatucky creates a memorial to all her many aborted “babies,” to the funeral held by two characters for all the books that must be burned due to a bedbug infestation.

Pennsatucky and Boo from the episode: "Mother's Day"

Pennsatucky and Boo from the episode: “Mother’s Day”

The final, celebratory scene of the season also takes on a spiritual ethos, as the show’s writers and producers use all the tools of lighting, music, slow motion, camera angles, and close-ups to evoke a moment outside of time and space, where reconciliation, joy, rebirth, and even liberation may be possible to these inmates, if only for a few, stolen moments.

Finally, my very brief thoughts on the conference in Boulder. The papers I heard there, and the many informal conversations, were inspiring and thought provoking. It seemed clear in many instances that a fourth variable was implied or necessary in this matrix of religion, gender, and media, and that was race. As a scholar, however, it is a challenge to handle the intersectionality of these cultural categories, after being trained so long and intensively in just one or two. The field of religious studies has long understood itself to be interdisciplinary on the one hand and distinctively located on the other, struggling with the need to learn the methods and theories of other disciplines while maintaining a distinctive niche of our own. This conference was one of those spaces where “experts” from across the disciplines actually did come face to face and exchange ideas, inspiration, and perspectives, and I am convinced that the field is stronger for it.

Reblog: Prof. Todne Thomas (Chipumuro) in the September issue of Anthropology News

New newspaper column written by Professor Todne Thomas (Chipumuro) on a black church burning in Knoxville, TN for the online September issue of Anthropology News. 

Read it here: When a Black Church Burns (But not to the Ground) by Prof. Todne Thomas (Chipumuro) Screen Shot 2015-09-18 at 4.48.57 PM

Seen on campus: “Islam vs. Democracy”

Last Thursday, I received an anti-Islam, anti-Muslim flyer titled “Islam vs. Democracy” at my campus office address. I’d been mailed the same flyer during the Spring semester, as well. At that time, I responded by holding a class session in my REL096: Islam course in which we analyzed and critiqued the two-sided flyer, line by line, in the theoretical terms we’d explored all semester (Orientalism, imperialism, authenticity, categorical definitions) and compared to the definitions for Islam we’d read by scholars (like Ernst, Shepard, and Curtis, to name a select few).

It was a challenging class. Most students were horrified–one actually gasped out loud, another approached me after and apologized, having done nothing wrong, for the existence of such material. Many students expressed genuine feelings of disgust and exceptionalism: UVM is a friendly, liberal place, they said; this shouldn’t have happened here. Some asked questions about the role of open spaces and free speech on a public campus; others asked if free speech rules applied on a campus and to whom; and others still asked about the overlapping issues of free speech and campus safe spaces, accommodations, and UVM’s On Common Ground ideals. We solved none of these problems of a contemporary campus broadly or of our own.

But, in April, near the end of the term, so many of my students–even some who rarely spoke in class–offered real critique of the content of the flyer, citing theorists of religion, scholars of Islam, and critics of both. We read the flyer as a primary source to be interrogated, analyzed, and placed in its multiple contexts (what kind of literature was this? who or what was its audience? what do we do with unsigned writings? where was its information factually wrong? to what avail? & etc.).

That was my response this past spring. I scrapped a class about American Muslims in the earliest part of the 20th century so that we could instead talk about a two-sided flyer found on campus for an hour. We applied what we’d learned about Islam, the study of religion, and reading primary sources critically to a new primary source document–the flyer itself. We had an academic conversation first, but also addressed the affective responses it elicited, which ranged from thinking the flyer a joke unworthy of our time to tears, frustration, and anger.

This time the flyer surfaced, however, students hadn’t yet arrived. I sent out a call on Twitter and my personal Facebook account asking if anyone else had seen these flyers. Two colleagues responded that they had seen them in Williams Hall both recently and back in April. I’d found another set of flyers postered in Bailey-Howe Library, and a student sent a direct message on Twitter to say he’d seen them in the Davis Center, a center of student activity (and food) on campus.

Islam vs Democracy close upI won’t republish here the anti-Islam, anti-Muslim diatribes beyond this (purposefully incomplete) photo. There are lots of responses to Islamophobic content, in the broadest senses; and there are responses to those responses. There are books, journals, blogs. I am not a scholar of Islamophobia, and I am deeply aware of the various risks publishing about it can be. The broadest sense of all this isn’t the point, anyway. It is the peculiarity.

In this context, a broad post I might write about how anti-Islam, anti-Muslim rhetoric actually limits engagement on a campus by using fear is too general. It feels like a general response to a general phenomena on campuses writ large. But this wasn’t a general flyer, out there somewhere. This was a flyer on our campus, right here.

These flyers certainly speak about a vast, faceless, dangerous, and imagined Islam, but because they appear on campus, they are directed at us, the members of the UVM community–Muslim and non-Muslim alike. Moreover, because it has been mailed to me personally (but not to my departmental colleagues), I can assume I am a targeted audience for the message of the flyer, and I might further imagine this is specifically in my capacity as the professor of courses about Islam and Muslims in the Religion Department.

So, my response is this: a lament that students arrive in our classrooms today, August 31, and that my classes won’t begin until tomorrow.

Had these flyers gone up in a week, I’d have a clear sense of what my job is, what my obligations are, in terms of my campus. I’d ask students to talk about it. We’d read it, in the constructed space of a classroom which is purposefully set up for interrogation, investigation, and critique. We’d take its claims seriously, talk about where they came from, and what work they do now; we’d maybe theorize why UVM’s campus–why the library, the student-centered Davis Center, Williams Hall, and my mailbox–were imagined to be good spaces for an anonymous poster and author declare “the truth” about Islam in the form of double-sided, photocopied flyers. We’d talk about the possibilities, responsibilities, and challenges of free speech on campuses. We’d talk about reading about religion beyond classrooms, and the value of the skill sets needed to do so. We’d talk about microaggressions and safety for our classmates, colleagues, and staff who were the subject of the flyer’s message. We might even place this flyer in a conversation about Muslims and racialized religious identity–a conversation we normally get to toward the end of the semester.

My classes begin tomorrow. And my syllabus has already changed.

Some Wonder Why and Why Still: Reflections on the Charleston, SC Church Shooting

Todne Thomas Chipumuro

Cariari, Costa Rica

6/18/15

Yesterday, I arrived in Costa Rica to prepare for a writer’s retreat that I will attend for the next five days. As I checked my social media feed over my morning coffee, I was alarmed to discover that a white gunman shot and killed nine black Bible study attendees last night at the Emanuel AME Church in Charleston, South Carolina last night. The young white man (who is now being identified as 21-year old Dylan Storm Roof)[1] allegedly sat in on the service before nearly an hour before he voiced racist anti-black rhetoric and murdered the three men and six women present[2]. Shocked into reality, my unexamined idea that my writing retreat here could also double as a respite from the onslaught of news about anti-black violence in the United States and the anti-black citizenship discourses and Haitian deportations proposed by the Dominican Republic has quickly dissipated. Black lives here and there are being devalued by the state and its citizens. Blackness, though somehow being called into question by the scandal of racial shapeshifters, still remains an alibi for white supremacist dehumanization, expulsion, social and literal death.

 

The current tragedy being weathered by the membership of Emanuel AME Church and the broader Charleston community is significant for a number of reasons. As I alluded to above, it evokes a broader conversation about the virulent anti-black racism that is presently being enacted upon black bodies, visualized by technological innovations, and circulated for broader conversation and consumption. Such violence has been a steady testament to the racism that structures carceral govermentality including policing practices and has also initiated meditations on black humanity, the valuation of black lives, the in/visibility of violence against black women and black transgender people, and black theodicy—a theological contemplation about the reasons for black pain and suffering best expressed by a Charleston pastor during a prayer vigil last night, “The question is God: why? Somebody here tonight needs to know.[3]

 

Nonetheless, the shooting at Emanuel AME is tentatively being classified as a hate crime and is being represented by police representatives and local political figures as a heinous and grievous act, a moral tone not often attributed to the killings of African Americans by police on the part of the mainstream criminal justice establishment. Moreover, the shooting took place within the institution of the church often stably understood as the private sphere, not the public domain of the street, or the contested public/private spaces of the streets and pools of gated communities involved in Sanford, FL or McKinney, TX. The shooting of African Americans within the sanctified, private grounds of the church presumably signals a different kind of targeting, a hateful intentionality that is perhaps not associated with the other instances of anti-black violence we are witnessing in the news. Dylan Roof emerges as a “proper racist” that can be castigated by the broader body politic, a black-and-white case study of hatred that does not speak to the collective ambivalences, cognitive racial biases, and racial anxieties of post-racial racism.   Nonetheless, I would advise caution in divorcing the Charleston shooting from the broader context of anti-black violence that we are witnessing and experiencing; of decontextualizing this as an individual civilian crime; of making this an issue of the private sphere that is divorced from contemporary contemplations of the state. In the poignant conversation “Do Black Lives Matter?: Robin D.G. Kelley and Fred Moten in conversation,” Moten observes that the shooting of Mike Brown illustrates a broader impulse of white settler colonialism and the white supremacist heteropatriarchal state: the execution of black social life which is defined as an insurgent sociality.[4] It is that sociality, signified by black youth like Michael Brown and Trayvon Martin and the gathering of the slain members of Emanuel AME, that is othered, harassed, and surveilled by the state, state employees, and civilians who deputize themselves as protectors of white supremacist capitalism.

 

From a historical perspective, the shooting at Emanuel AME is also important because of the particular history of the African Methodist Episcopal (AME) denomination and of the historical role of black churches more broadly. Emanuel AME is shaped by a genealogy of African American Christian protest. The AME Church is the first black-organized religious denomination in the United States. Dating back to 1816, the AME denomination was organized by the former slave Richard Allen and his contemporaries who were disaffected with the racial marginalization they experienced in the predominately white St. George’s Methodist Episcopal Church in Philadelphia, PA.[5] An extension of a critical African American institutional and religious complex that sought to create spaces of sanctuary (like the Mother Bethel AME Church in Philadelphia organized in 1793) in which people of African descent could worship, rebel, and nourish their full humanity, the Emanuel AME Church in Charleston was founded in 1816 as well during the early days of the AME denomination. A black southern church with its own rich history that has been heavily shaped by the white supremacist plantation complex and governance, Emanuel AME Church was burned during the events and controversy surrounding the Denmark Vesey slave revolt in 1822—a revolt that was shaped by a radical anti-racist emancipatory view of Christianity. The church was soon rebuilt. Services however were forced underground when all local black churches were outlawed in 1834. The membership of Emanuel AME has thus inherited a tradition of struggle and endurance.

 

More broadly, black churches like Emanuel AME with its own denominational history of fostering Afro-Christian critique and institutional self-determination and other southern black churches were shaped by the moral critique fostered by the Civil Rights movement in the mid-twentieth century. It was during these times in which the 16th Street Baptist Church in Birmingham, AL (a key site for civil rights activism) was bombed by white supremacists in 1963 killing four African American girls. The Black Church, then, in a popular white supremacist consciousness emerged as a threat, a site of insurgency, and a strategic node for terrorism. The interplay between black churches and black protest in the times of slavery and the Civil Rights movement has generated a black civic religiosity, embodied in the senatorial career of the recently deceased Emanuel AME pastor Rev. Clementa Pinckney. Therefore, a normative reading of Emanuel AME as distinct and safely ensconced in the private sphere, of the black church solely as a space of black worship and sanctuary divorced from the state, and of the perpetrator as a civilian acting individually divorced from the state must be re-contextualized within a broader context of racist governmenality and Afro-Christian struggle.

[1] http://www.huffingtonpost.com/2015/06/18/dylann-storm-roof-charleston-church-shooting-suspect_n_7612232.html

[2] http://www.nytimes.com/2015/06/19/us/charleston-church-shooting.html

[3] http://www.wsj.com/articles/shooting-erupts-at-historic-black-church-in-charleston-south-carolina-1434601669

[4] https://vimeo.com/116111740

[5]http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=4&ved=0CDQQFjAD&url=http%3A%2F%2Fnationalhumanitiescenter.org%2Fpds%2Fmaai%2Fcommunity%2Ftext3%2Fallenmethodism.pdf&ei=j_aCVeVehMWCBL-ugKgG&usg=AFQjCNEJ9jdNR-QNA93mHTA9K3JOrD86Dw&sig2=fChkVmD1Yaf6jT6rQP00FA&bvm=bv.96041959,d.eXY