It’s what informs my analysis of images, imagination, and the digital in The New Lives of Images. Here is the three-minute version of it. The universe is a living, dynamic, and responsive universe. It is made not of static objects, but of events — events which elicit other events. Its most basic unit is an […]
Posts Tagged ‘The New Lives of Images’
Process semiotics, in a nutshell
Posted in Philosophy, Process-relational thought, tagged A. N. Whitehead, C. S. Peirce, process philosophy, process semiotics, semiotics, The New Lives of Images on September 2, 2025 | Leave a Comment »
“New Lives” is here
Posted in Eco-culture, Media ecology, Visual culture, tagged imagination, Stanford University Press, The New Lives of Images on August 28, 2025 | Leave a Comment »
I’ve just gotten my hands on an advance print copy of The New Lives of Images, and it looks and feels wonderful to hold and handle. I’m quite happy with what Stanford University Press has done with the book — the artwork, the typography, and the entire editorial and publication process was and is commendable. […]
Forthcoming books
Posted in Eco-culture, Eco-theory, Media ecology, Visual culture, tagged Andrey Kurkov, digital media, forthcoming books, image theory, imagination, Russo-Ukrainian war, Terra Invicta, The New Lives of Images, Ukraine, Ukrainian ecocriticism on April 17, 2025 | 1 Comment »
I’m happy to share the news that both The New Lives of Images and Terra Invicta are now available for pre-order. The New Lives of Images: Digital Ecologies and Anthropocene Imaginaries in More-than-Human Worlds is a theoretically and empirically rich study of images, imagination, and the digital. It’s the fourth in a tetralogy of books […]
Scenes in the image-world
Posted in Visual culture, tagged Anthropocene, books, image ecologies, image regimes, image-world, media ecologies, media studies, The New Lives of Images, visual culture, visual studies on June 26, 2020 | 2 Comments »
Here’s a preview in section headings of the book I’m currently writing. It presents a way of thinking about images, what they’ve done for people, and how all of that figures into the contemporary world of digital media. It then applies that way of thinking to three sets of images: about humans as the stars […]