A lot has been written about music and the philosophy of Gilles Deleuze: for instance, on Deleuze and music theory, on music after Deleuze, and on Deleuze’s “Thought-Music,” and there’ve been some valiant efforts to put Deleuze to music, like this one, this one, and this one, and several related to Deleuze and Guattari’s Thousand Plateaus, including an entire record label.
Not nearly as much has been done with the writings of Alfred North Whitehead. If we take his three key late-period books of metaphysics — Process and Reality, Adventures of Ideas, and Modes of Thought — we find, to my knowledge, only a handful of albums named after them: free saxophonist Evan Parker’s Process and Reality, the collaboration of the same title by Richard Pinhas, Tatsuya Yoshida, and Merzbow/Masami Akita (which I wrote about here), Steve Bicknell’s EP Modes of Thought, and an album by Anu BlonDee that may or may not be titled after the latter book as well (with track titles like “Mahjong Tea” and “It Ain’t Ova,” I’m not convinced). There’s nothing named after Adventures of Ideas, which could be because it, like most of Whitehead’s books, wasn’t particularly adventurously named. Process and Reality remains his most compelling title (and still awaits a beer named after it, which Difference and Repetition has long had).
If there’s any generalization we can make about music inspired by either Deleuze or Whitehead, it’s that their work appeals especially to electronic musicians (all the Mille Plateaux folks, Bicknell, maybe BlonDee), free jazzers (Evan Parker), and those populating the experimental terrain between the two genres (Pinhas and his collaborators). (My own efforts — tracks like this one and a few others, rather than full albums — are in a more minimalist vein, but the inspiration has generally been free-jazzy.)
It’s a bit surprising to me that no well-known 20th century composer shows any clear and documented influence from Whitehead’s philosophy. You’d think, for instance, that Schoenbergian twelve-tonalism would have been influenced by Whitehead’s earlier or middle period writings on science and relativity.
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