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Archive for the ‘Media ecology’ Category

weird life, shadow biospheres, dark signs… & quakes

Posted in Media ecology, Philosophy, Spirit matter, tagged , , , , on February 27, 2010 | 23 Comments »

The Biology Blog’s post on shadow biospheres intrigued me in part because I’ve been reading Charles Sanders Peirce, for whom semiosis is writ large (and small) throughout all things. Musing philosophically about the search for life on other planets, the author, cyoungbull, writes, “Unless we know how to interpret the signs of such life, we […]

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morsels

Posted in Cinema, Media ecology, Politics, tagged , , , , on February 25, 2010 | Leave a Comment »

First, for anyone living in a JonStewartless alternate universe… Stewart (and Samantha Bee) giving Glenn Beck a history lesson (about progressivism) was pretty funny. Beck may be a cheap target, but it’s also a cheap (free) history lesson. Take this country back, Glenn, way back… www.thedailyshow.com Next, Denmark’s new tourist ad campaign by Lars von […]

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Swift/climate/boating the media

Posted in Climate change, Media ecology, Politics, tagged , on February 11, 2010 | 2 Comments »

Having published the results of its 12-part investigation into the leaked/hacked climate scientist e-mails at the University of East Anglia, the Guardian is now inviting “web users to annotate the manuscript to help us in our aim of creating the definitive account of the controversy.” It’s a kind of public version of peer review for […]

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Bergson & the universal image machine

Posted in Media ecology, Music & soundscape, Visual culture, tagged , , , , , , , , on February 5, 2010 | 13 Comments »

There’s something about our time that is very Bergsonian, in the sense that there’s a kind of simultaneous opening up of the past and the future, the former feeding the possibilities of the latter. At the same time as new technological tools propel us ever forward on trajectories of embodied interactivity (the internet, iPod-iPhone-iPad, YouTube, Facebook-Twitter, etc.), recording technologies (those that preserve something of the present for the future) combine with technologies of retrieval (those that unlock the past, from historical and archaeological tools to sampling technologies, about which see Copyright Criminals) to enable an ever deeper digging into and opening up of the past. In the process, the past becomes fuel for the reinvention of ourselves toward the future, this reinvention always taking the form of images — which, for Bergson, are central, the shimmering half-way point between mind and matter. [. . .]

Meanwhile, new films are made from the images of the past. This documentary on “Krautrock,” the German progressive, avant and space rock movement of the late 1960s and 1970s, is quite good: [. . .] The music had its fans at the time (more in the UK than in North America), but the documentary does a great job putting it into the much broader context of post-war Germany, the 1960s, the psychedelic revolution, and all that. And yet somehow it doesn’t feel dated to me; on the contrary, it feels as fresh as tomorrow’s news, because I know there are fans out there, Radiohead generation kids and remixers and whoever else listening to these things and reviving them in ways I wouldn’t have imagined possible back in the days when the music industry seemed like one stifling oligopoly.

None of these are standard History Channel fare. All are products of the internet and MP3-era explosion of musical tastes, one of the cultural victories of our day — the losers being the big music corporations, or at least what they stood for. The corporations themselves are still around, of course, doing the same thing corporations do, and even if they weren’t, they would simply have been replaced by others, made from the same movable parts of the corporate machine. But technology moves forward despite them. [. . .]

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ways to shoot starlings

Posted in Cinema, Eco-culture, Media ecology, Visual culture, tagged , , , on January 18, 2010 | 2 Comments »

“Shoot” as in film, photograph, capture and display, but also fly with them, shoot the rapids of their movement, accompany them, become starling. These mesmerizing videos of moving masses of starlings, “murmurations” as they’re called, like other YouTube animal videos, tell us as much about the phenomenon being watched as about those watching it.

http://www.youtube.com/watch?v=XH-groCeKbE&hl=en_US&fs=1&

It all gets going here at around the 3’20” mark. But it would be nice if we were given some alternative soundtrack options. Like this one, with no commentary, just a few intertitles, set to the music of Jan Garbarek and the Hilliard Ensemble:

[. . .]

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Hell, nature, & justice in Haiti

Posted in Cinema, Media ecology, Politics, Spirit matter, tagged , , on January 14, 2010 | 2 Comments »

What do we do in the aftermath of such a disaster, except to express profound sadness, shock, and sympathy, and to send donations to aid and relief organizations working in the affected areas? How do we even portray it in a way that respects the victims? Citizen media, according to Media Nation blogger Dan Kennedy, […]

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“Climategate” follow-up

Posted in Climate change, Eco-culture, Media ecology, tagged , on January 12, 2010 | 2 Comments »

Asked by an old and dear friend what I make of the recent “Climategate scandal,” I thought I’d do a quick check on sources summarizing the effect of the hacked East Anglia e-mails on climate change science. To my surprise, the Wikipedia article on the topic is probably as good a place to start as […]

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neuropolitics & environmental communication

Posted in Eco-culture, Media ecology, tagged , , , , , on January 11, 2010 | 1 Comment »

My article “From Frames to Resonance Machines: The Neuropolitics of Environmental Communication” is coming out in the next issue of Environmental Communication. Here’s the abstract: George Lakoff’s work in cognitive linguistics has prompted a surge in social scientists’ interest in the cognitive and neuropsychological dimensions of political discourse. Bringing cognitive neuroscience into the study of […]

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Invictus & the politics of affect

Posted in Cinema, Media ecology, Politics, Visual culture, tagged , , , on January 2, 2010 | 14 Comments »

There are many things one can say about Invictus: about Freeman’s portrayal of Mandela, Eastwood’s directorial prowess and editorial conceits (e.g., masculinity and its transformation through individual experience), the film’s characterization of post-Apartheid South Africa, and the accuracy or inaccuracy of its portrayal of the actual story of the South African national rugby team’s, the Springboks’, stunning rise to victory in the 1995 World Cup. What interests me most, though, is its depiction of mass affect and collective emotion, which are portrayed in two of the main variants these take in today’s world: sports and politics. [. . .]

The film’s crystal moments, those affect-carrying plateaus or peak moments embodying its main tensions, are those surrounding the combat on the field and its emanation into the crowd: slowed down crunches of bodies against bodies (unprotected, unlike in American football), sweat leaping between them out of their crushing impact, rapid cuts between on-field plays that occur too quickly to be followed and can only be enjoyed as sheer spectacle, and crowds leaping for joy, singing, applauding, and dancing, their emotions spreading like waves across the stadium, the streets, and the nation. [. . .]

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two democracies… (& planet compost)

Posted in Climate change, Eco-culture, Media ecology, Politics, tagged , , on December 19, 2009 | 3 Comments »

The responses to the final COP-15 “deal” from the environmental and social justice communities seem, at this point, to be largely negative. It’s a start, some acknowledge, but it’s pretty late to be starting, and it’s really pretty vacuous — a lost opportunity. My last post tried to put a positive spin on things by arguing that the events in Copenhagen reflect the tension between two models of democracy, and that there is hope for the future in the very crystallization of the second model. Let me expand on that a little.

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From Cap & Trade to apocalypse

Posted in Climate change, Eco-culture, Media ecology, Visual culture, tagged , on December 2, 2009 | 1 Comment »

Annie Leonard’s Free Range Studios, whose viral video The Story of Stuff made some waves a little while back, has now produced a critique of the Cap and Trade system, some version of which is the most likely outcome of negotiations taking place in Copenhagen over the coming days. Over at Grist, David Roberts claims […]

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‘2012’ and all that

Posted in Media ecology, Spirit matter, Visual culture, tagged , , , , on November 17, 2009 | 4 Comments »

Back in the mid-1990s when I was researching my book Claiming Sacred Ground — on the ‘sacralization’ of space, place, and landscape, with a focus on two places where it’s been happening at a rapid clip over the last three or four decades (Glastonbury, England, and Sedona, Arizona, which has been in the news recently […]

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