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Posts Tagged ‘ecocriticism’

Two points of social media use call for more attention as we make sense of this week’s events at the U. S. Capitol. 1) Videos and selfies from Trump’s “Stop the Steal” rallies are circulating online and making it easier to identify those who participated in the attempted coup at the Capitol. Images created and […]

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An article of mine by that title has appeared in a special issue of the Journal for the Study of Religion, Nature, and Culture on “Popular Culture, Religion, and the Anthropocene.” The article contains the theoretical core of the book I’m currently writing on image regimes. It builds on my work in cinema and media […]

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When one of our cadre of eco-cultural theorists gets noticed — more so, fêted — by one of the leading newspapers in the world, we need to take note and celebrate with him. In this case, it’s Timothy Morton getting called “the philosopher prophet of the Anthropocene” by The Guardian, in a profile titled “A reckoning […]

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I’ve been struggling with how my triadic framework for interpreting art works relates to C. S. Peirce’s categories. When I first developed my triadism (fleshed out in Ecologies of the Moving Image) into the non-Peircian terms of materiality, experience, and representation — which I did in the context of teaching a course on the environmental arts — […]

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The following is a significantly revised version of an article I posted to the Indications blog (and etc) five and a half years ago. I was curious to see how much of it still holds (a lot, I think), so I’ve revisited it and expanded its proposed sort-of-canon, in the second part of what follows, into a list of […]

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One of my pet musicological theories is that the years 1967-74 were the most creative 7-year period in the history of musical humanity. Why those years? The social and technological revolutions of the 1960s — civil rights, the women’s movement, the counterculture and anti-Vietnam War movements, the sudden unifying singularity of television and mass (and […]

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The deadline for proposals to next year’s Association for the Study of Literature and Environment (ASLE) conference — arguably the largest and leading ecocritical conference in the world — is coming up in a few weeks. The conference theme is “Notes from Underground: The Depths of Environmental Arts, Culture and Justice.” Keynotes will include Donna Haraway, Anna Tsing, […]

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The third edition of the Environmental Humanities Book Chat features a discussion of my Ecologies of the Moving Image. Discussants include the Royal Institute of Technology’s Anna Åberg, organizer of the “Tales from Planet Earth” film festival and conference, Seth Peabody of Harvard University (and a Rachel Carson Center fellow), and moderator Hannes Bergthaller of National Chung-Hsing University (Taiwan) and Würzburg […]

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Or, process-relational ecocriticism 2.0 Two of the courses I’m currently teaching — the intermediate-level “Environmental Literature, Art, and Media” and the senior-level “The Culture of Nature” — require introducing an eco-critical framework appropriate to a wide range of artistic forms, from literature to visual art, music, film and new media. The process-relational framework developed in […]

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The list of advisors for this new book series in Ecocritical Theory and Practice shows just how the field of ecocriticism has internationalized over the last two decades. I’m pleased to be part of it. Ecocritical Theory and Practice Book Series Lexington Books, Rowman & Littlefield Publishing Group  Ecocritical Theory and Practice highlights innovative scholarship […]

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Here are my notes from Day 2 of the Moving Environments workshop in Munich. The same caveats apply as yesterday: they’re hastily typed up and reflect only my own interpretation of what transpired. If any of the participants would prefer not to have their ideas shared in this way, I will be happy to remove […]

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What follows are notes from the first day of Moving Environments: Affect, Emotion, and Ecocinema. These are, needless to say, my own hastily drawn up notes (and I’m still a little jet-lagged from my arrival yesterday). Forgive the point form and abbreviation inconsistencies. Any errors are my own; any wonderful ideas are other people’s, unless […]

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