Category Archives: Uncategorized

‘Sideslipping’ in clave: Arturo O’Farrill’s solo on ‘Blue State Blues’ (State of the Blues, part 8)

Arturo O’Farrill is an amazing pianist and composer who has had a long recording and performing career and recently released his first album on Blue Note records, ‘Dreaming In Lions’. He is also the son of a legend of Afro-Latin … Continue reading

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An excerpt from Harvey Diamond’s solo on ‘Tenor Madness’ (State of the Blues, Part 7)

Harvey Diamond is a Boston-based jazz pianist who has played with artists including Dave Liebman, Sheila Jordan and Art Farmer and two bassists I’ve also worked with, Harvie S and Jamie MacDonald. Diamond was a student of the legendary, idiosyncratic … Continue reading

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Emulate, Assimilate, Innovate, Part 3: echoes of Billy Strayhorn’s ‘Rain Check’

On December 3rd, 1941, the Duke Ellington Orchestra made their first recording of ‘Rain Check’, a composition by Billy Strayhorn, who had joined the Ellington organization as staff composer and arranger less than three years earlier in January of 1939.  … Continue reading

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A history of the ‘Autumn Leaves’ progression (with ‘Paul’s Question’, a tune on the changes of ‘Autumn Leaves’)

Two of the most iconic jazz versions of Autumn Leaves combine the tune’s melody and chord progression with a rhythmic figure idiomatic to jazz sometimes called the ‘Charleston rhythm’.  This title relates the rhythm to the James P. Johnson composition … Continue reading

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Get Your Steps In: stepwise patterns time-traveling through music history, featuring Mozart, Haydn, Ella Fitzgerald and more (Emulate, Assimilate, Innovate part 1)

Trumpeter, composer and educator Clark Terry, who I got to play with briefly in the early 2000s when he visited UVM, often used the phrase ’emulate, assimilate, innovate’ to describe the process by which improvisers develop their melodic language.  In … Continue reading

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Emulate, Assimilate, Innovate, Part 2: Bud Powell and Wynton Kelly

On May 8, 1947, pianist Bud Powell made his only studio recording with Charlie Parker, at a time when the  saxophonist’s fame as a soloist and bandleader had recently begun to rise.  He had recorded with pianists including Dodo Marmarosa, … Continue reading

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Musical Neighbors: Mary Lou Williams, Thelonious Monk, Bud Powell, Elmo Hope, Bertha Hope and the ‘Three Musketeers’ collective

Although jazz musicians are usually understood either as solo artists or members of bands, there is another important kind of relationship between them that sometimes escapes the attention of listeners and historians. Throughout the history of jazz, many players have belonged … Continue reading

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The State of The Blues, Part Six: Gabrielle Stravelli’s solo on ‘Karma Medley’

Gabrielle Stravelli is a New York City based vocalist and songwriter who I had the honor of performing with in 2016.  She has recorded jazz interpretations of a wide range of songs, from the ‘standard’ jazz repertoire of Berlin/Porter/Rodgers/Ellington et. … Continue reading

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In praise of hibernating, returning to old challenges and (sometimes) choosing a slower pace

Glenn Gould’s iconic 1955 recording of J.S. Bach’s ‘Goldberg Variations’ was followed by a concert and recording career that accelerated at a feverish pace for the next decade, leading to his abandoning of live performance in 1964.  It is fascinating … Continue reading

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From Watermelon Man to Cantaloupe Island and beyond: Herbie Hancock’s ingenious reinventions (featuring ‘Caves of the Island’, an original tune based on ‘Cantaloupe Island’)

 In 1962, the first film in the James Bond series, ‘Dr. No’, was released.  As ‘Dr. No’ was a great success at the box office, Bond films continued to be released almost annually over the following decade, each one using … Continue reading

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