Author Archives: tgcleary

The State of The Blues, Part Six: Gabrielle Stravelli’s solo on ‘Karma Medley’

Gabrielle Stravelli is a New York City based vocalist and songwriter who I had the honor of performing with in 2016.  She has recorded jazz interpretations of a wide range of songs, from the ‘standard’ jazz repertoire of Berlin/Porter/Rodgers/Ellington et. … Continue reading

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In praise of hibernating, returning to old challenges and (sometimes) choosing a slower pace

Glenn Gould’s iconic 1955 recording of J.S. Bach’s ‘Goldberg Variations’ was followed by a concert and recording career that accelerated at a feverish pace for the next decade, leading to his abandoning of live performance in 1964.  It is fascinating … Continue reading

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From Watermelon Man to Cantaloupe Island and beyond: Herbie Hancock’s ingenious reinventions (featuring ‘Caves of the Island’, an original tune based on ‘Cantaloupe Island’)

 In 1962, the first film in the James Bond series, ‘Dr. No’, was released.  As ‘Dr. No’ was a great success at the box office, Bond films continued to be released almost annually over the following decade, each one using … Continue reading

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‘Winter Sun’ – a tune on the changes to ‘Summertime’

Like George and Ira Gershwin’s ‘I Got Rhythm’ and W.C. Handy’s ‘Saint Louis Blues’, the song ‘Summertime’, composed in 1934 by Gershwin with lyrics by DuBose Heyward (originally for the opera Porgy and Bess), has been a standard throughout nearly … Continue reading

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An excerpt from Shirley Horn’s solo on ‘What Would A Woman Do?’ (The State of the Blues, part 5)

The great jazz vocalist and pianist Shirley Horn was best known for her unmistakable vocal sound, her ability to re-invent songs, often at unusually slow tempos, and her ability to accompany herself on piano. She also showed herself to be … Continue reading

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A history of the chord progression from Bobby Hebb’s ‘Sunny’, and an original tune based on it (‘Eye On The Sky’)

I began writing this post on November 23rd, 2o19, one day after the anniversary of President John F. Kennedy’s assassination in 1963.  According to an interview with composer Bobby Hebb, it was that event, as well as the murder of … Continue reading

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‘Outer Peace’ – a blues in G

‘Outer Peace’ is a melody line on the twelve bar jazz blues progression in G. I wrote it originally as a countermelody in an arrangement of Harry ‘Sweets’ Edison’s blues ‘Centerpiece’. Edison’s original version in A flat major is the … Continue reading

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‘Ella’s House of Tonic Tones’ – another tune on the solo changes of Sonny Rollins’ ‘Pent-Up House’

I composed the tune below, ‘Ella’s House of Tonic Tones’, while teaching a class called ‘Ella-vated Improvisation’, where we studied a number of Ella Fitzgerald’s scat solos from the album ‘Ella Fitzgerald sings the Duke Ellington Songbook’. On this album, … Continue reading

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The Art of Duo

The following is a list of recordings by great improvisers who chose to collaborate in duo settings, often with one chord instrument (bass, guitar or piano) combined with a melody instrument (trumpet, voice, saxophone). Other duos combine two chord instruments … Continue reading

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A message from the future of jazz: Camille Thurman and her solo on ‘Sassy’s Blues’ (The State of the Blues, part four)

(The title of this post is borrowed from a video narrated by U.S. Representative Alexandria Ocasio-Cortez, a figure whose achievements in the political world have more than a few parallels to Camille Thurman’s achievements in the jazz world.) Camille Thurman … Continue reading

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