Category Archives: Uncategorized

Look who’s Bartok-in’: folk song reinvention from Bela Bartok to Chick Corea and beyond

I recently watched a PBS documentary called ‘The American Epic Sessions’,  which features the producer and guitarist Jack White resurrecting a Western Electric recording lathe from the early twentieth century for modern-day use.  ‘The American Epic Sessions’ is the concluding … Continue reading

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That Thing You Said: a line on the changes to “What Is This Thing Called Love”

‘That Thing You Said’ is a bebop-style melody line that I composed on the chord changes to Cole Porter’s ‘What Is This Thing Called Love’.  (Thanks to jazz singer Linda Oats for coming with the tune’s title after hearing it … Continue reading

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‘Silverbird’ – a tune on the changes to ‘There Is No Greater Love’

‘Silverbird’ is a melody line I composed on the chord progression of the jazz standard ‘There Is No Greater Love’.  This line is meant to demonstrate key aspects of the bebop melodic style, including its balance of arpeggiation and step motion, … Continue reading

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The neighborhood hang and the history hang (including ‘Monk, Bud and Elmo’, a tune on the changes of ‘In Walked Bud’)

Above: Jack Teagarden, Dixie Bailey, Mary Lou Williams, Tadd Dameron, Hank Jones, Dizzy Gillespie and Milt Orent around the piano at Mary Lou Williams’ apartment / Below: the same group in a different order around the phonograph (i.e. turntable)   … Continue reading

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Root Systems, Part 1: Join the ii-V-I Club

The exercise above combines one-octave major scales using a ‘seven up and down’ pattern with a progression that could be called the two-bar ii-V-I or ‘short’ ii-V-I.   Briefly, a major ii-V-I progression is a series of three seventh chords built … Continue reading

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Music of Hope in Action (a meditation for Martin Luther King Day)

This is the text of a talk I gave on January 21st at All Souls Interfaith Gathering’s Music and Spirit service.  The service also included performances of the music discussed in the talk.  In an issue published in late November … Continue reading

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Sonatinas and other two-sided stories

The word ‘Sonatina’ is used to describe a variety of pieces for the piano.  Some of these pieces, such as the first movements of Muzio Clementi’s Sonatinas Op 36 numbers 1 and 2, the first movement of Haydn’s Sonatina in … Continue reading

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‘Making the changes’ on short forms, part 1: Liza Jane

‘Liza Jane’ is a North American folk tune that is a standard in the repertoire of New Orleans jazz.  It has been performed by musicians from pianist Ramsey Lewis to trumpeter Wynton Marsalis.  It is an example of the strong … Continue reading

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‘Making the changes’ on short forms, part 2: Polly Wolly Doodle (a musical cousin of Iko Iko)

I was going to make this a post about the New Orleans standard tune ‘Iko Iko’, but then realized it is a copyrighted tune, so I decided to go with ‘Polly Wolly Doodle’, which uses the same chord progression and … Continue reading

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‘Making the changes’ on short forms, Part 3: When The Saints Go Marching In

This arrangement is inspired by Louis Armstrong’s 1938 version of the tune.  It can be practiced along with that recording by listening to the spoken introduction (in which Armstrong introduces himself as ‘Reverend Satchmo’), counting through the trombone statement of … Continue reading

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