Author Archives: tgcleary

The Sixth Sense: major and minor sixths in the improvising of Thelonious Monk and Ella Fitzgerald (Emulate, Assimilate, Innovate part 5)

The melody of Thelonious Monk’s blues Misterioso is based entirely on ascending major and minor sixths.  For most of the tune, Monk maintains perpetual motion by building ascending sixths off ascending and descending three-note major and minor scales.  The last … Continue reading

Posted in Uncategorized | 2 Comments

A swingin’ dialogue: two choruses of Emmet Cohen’s intro solo on Joe Lovano’s ‘Big Ben’ (State Of The Blues, #11)

Below is my transcription of the first two choruses from Emmet Cohen’s intro piano solo from the version of Joe Lovano’s tune ‘Big Ben’ played on Episode 56 of the YouTube series Live From Emmet’s Place.  Cohen’s solo follows a … Continue reading

Posted in The State of The Blues (solos on blues progressions) | Leave a comment

Emulate, Assimilate, Innovate, part 4: Taking the fifth – melodic phrases using perfect 5ths

The ‘Cool Blues’ lick was a phrase Charlie Parker used in multiple improvised solos, including his March 1946 recording of Yardbird Suite and his May 1947 recording of Cheryl.  In February 1947 he recorded an entire composition titled ‘Cool Blues’ … Continue reading

Posted in Uncategorized | 3 Comments

Leading with the left: Blues solos by Tommy Flanagan and Wynton Kelly that use hand-to-hand conversation (State of the Blues, part 10)

In a Keyboard Magazine article from 2011, George Colligan uses the term ‘hand-to-hand conversation’ to describe an aspect of Horace Silver’s style on piano. He demonstrates this with an example from Silver’s solo on ‘Cape Verdean Blues‘ where Silver alternates … Continue reading

Posted in The State of The Blues (solos on blues progressions) | 1 Comment

Broken Heart for Sale: a tune based on the changes of ‘All of Me’ and a glossary of melodic root position chord patterns – also, a history of the ‘All of Me’ chord progression

The song ‘All of Me’ by Seymour Simons and Gerald Marks is a jazz standard which has been recorded by countless artists. Two versions which show the multiple possibilities the tune contains for improvisers are the studio version by Count … Continue reading

Posted in Uncategorized | Leave a comment

Wall, cardboard and paper pianos as practice tools

In 1947, the great jazz pianist and composer Bud Powell was sent to Creedmoor State Hospital, ‘one of the largest and most highly populated psychiatric facilities in New York State at the time’, writes Powell biographer Peter Pullman in Wail: … Continue reading

Posted in Uncategorized | 1 Comment

‘Blue Mercy Line’: doubletiming bop language on a I-IV vamp

Blue Mercy Line is a tune I composed on a chord progression in the key of A which could be described as A7-D7 or I7-IV7.  I wrote this tune as an exercise in using the melodic language of Charlie Parker, … Continue reading

Posted in Uncategorized | Leave a comment

‘You have to take a breath’: Bertha Hope’s inspired internal conversation (State of the Blues, part 9)

Recently I’ve been lucky to have connected with the great pianist and composer Bertha Hope.  She has recorded three stunning albums as a leader, ‘In Search of Hope’ (1990) , ‘Elmo’s Fire’ (1991),  and ‘Nothin’ But Love’ (1999).   Her first … Continue reading

Posted in Uncategorized | Leave a comment

Afternoon River Bop: a line on the changes to Eddie ‘Cleanhead’ Vinson’s ‘Tune Up’

‘Tune Up’, by the alto saxophonist Eddie ‘Cleanhead’ Vinson, is one of a number of tunes which Miles Davis claimed to have written but which were actually composed by others.  Other tunes in this category include ‘Four’ (also by Vinson), … Continue reading

Posted in Uncategorized | Leave a comment

One Time Only (in memory of Ellen Powell, with a short history of the progression to ‘There Will Never Be Another You’)

In memory of my friend, mentor and musical colleague, the great Vermont jazz bassist Ellen Powell, I wrote ‘One Time Only’, a tune based the changes of the jazz standard ‘There Will Never Be Another You’. One measure of the … Continue reading

Posted in Uncategorized | 1 Comment