I’m delighted to formally announce that I have accepted an offer to take up the position of J. S. Woodsworth Chair in the Humanities at Simon Fraser University in Vancouver, Canada, beginning next year. (Simon Fraser recently, once again, took the top spot among comprehensive universities in Macleans’ Canadian university rankings.) The chair is named after J. S. Woodsworth (1874-1942), […]
Posts Tagged ‘post-human’
Woodsworth Chair: Three challenges
Posted in Academe, Manifestos & auguries, tagged eco-humanities, environmental humanities, eugenics, humanities, J. S. Woodsworth, post-human, posthumanism, posthumanities, Simon Fraser University, Woodsworth Chair on November 22, 2023 | 6 Comments »
Posthumanist redistributions of the sensible
Posted in Philosophy, tagged alternative humanisms, Chinese humanities journals, critical theory, distribution of the sensible, extinction, humanism, humanities, Jacques Rancière, post-human, posthumanism, posthumanities, theory on March 31, 2021 | 3 Comments »
Theory has a mobile army of metaphors that account for its own importance. The vanguardist notion of a “cutting edge” has long served as a paradigmatic metaphor for theoretical innovation, and it’s one I take issue with in my article “Is the Post- in Posthuman the Post- in Postmodern? Or What Can the Human Be?,” […]
Planet of Some Humans
Posted in Cinema, Climate change, Eco-culture, Visual culture, tagged apocalypticism, becoming human, Bil McKibben, biocentrism, climate change communication, climate change politics, Deep Adaptation, deep ecology, degrowth, diversity, doomism, ecodocumentaries, ecopolitics, energy politics, films, green energy, Green New Deal, Malthusianism, Michael Moore, Planet of the Humans, post-human, Vermont on May 1, 2020 | 5 Comments »
This past week has seen a firestorm of reaction among environmentalists and climate and energy scientists to the online release of the film Planet of the Humans. Written, directed, and produced by first-time director Jeff Gibbs, but — much more importantly — executive-produced and actively promoted by Michael Moore, the film is incendiary and intentionally […]