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Posts Tagged ‘open access’

Media+Environment at FLEFF tonight

Posted in Media ecology, tagged , , , , , , , on April 9, 2021 | Leave a Comment »

Happy to share that I’ll be participating in a panel/conversation at the Finger Lakes Environmental Film Festival (FLEFF), in a celebration of open-access journal Media+Environment, today from 5:00 to 6:30 pm Eastern Daylight Time (21:00-22:30 GMT). FLEFF, which is now in its 24th year, is one of the signature environmental film festivals around the world. […]

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JSTOR’s open access list

Posted in Academe, tagged , , , , , , , , on May 30, 2020 | Leave a Comment »

I’ve posted before about the coronavirus “silver lining” of the (partial) opening of access to peer-reviewed literature that some academic presses have been offering through the Covid-19 pandemic. Peer-reviewed literature is the bread and butter of scholarship, and access to it is not just a perk of being in academia, but one of the only […]

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Media+Environment has launched

Posted in Cinema, Eco-culture, tagged , , , , , , on November 26, 2019 | 3 Comments »

Media+Environment, the new, open access, online, peer-reviewed journal of transnational and interdisciplinary ecomedia research published by the University of California Press, has launched its first issue and thematic stream, on “The States of Media+Environment.” The introduction can be read here. Articles can be accessed here.

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Opening access…

Posted in Media ecology, tagged , , , , , , , on October 28, 2019 | 1 Comment »

Janet Walker, Alenda Chang, and I talk about the open-access model we’ve chosen for Media+Environment journal, here on the University of California Press blog. “OA is a bit like ‘the cloud.’ It may seem ethereal and free, but in reality it’s tangible and the subsidies have got to come from somewhere! We’re trying to figure […]

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The state of academic publishing (RIP, Aaron Swartz)

Posted in Academe, tagged , , on January 16, 2013 | 3 Comments »

A few days after Aaron Swartz’s suicide — in part triggered by the prospect of a 35-year prison sentence for making a big stash of scholarly journal articles available to the public for free (!) — it is appropriate to think about what is wrong with the state of academic publishing today. Here’s a for […]

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The dharma of file sharing

Posted in Academe, tagged , , , , , on July 8, 2011 | 5 Comments »

The same issues I have blogged about in relation to academic file sharing site aaaaarg.org have been (predictably) arising elsewhere, including most recently — and a little less predictably — in the world of online Buddhism. This particular discussion got started by an announcement at Buddha Torrents that they have been asked (rather politely) to […]

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knowledge wants to be free (doesn’t it?)

Posted in Academe, tagged , , , on February 8, 2010 | 9 Comments »

Publishers are starting to catch up to AAAARG.org, the rapidly growing file-sharing megalibrary for cultural theory and philosophy books, which currently makes available PDF files of hundreds of books that I would love to have but couldn’t realistically afford to buy. [. . .]

As with media, music, and everything else these days — witness the recent agreement between Google and publishers, libraries, and authors’ guilds, which has advanced things somehow, but no one seems to agree exactly how — we are (pace Yeats) struggling toward Bethlehem to be born… into a new model of digitally accessed texts with flexible copyrights, scalable pricing, incentive, and availability structures, and other things we couldn’t have dreamed of just a few years ago. Part of the pressure for a new model is coming from publishers (and record producers, et al.) who don’t want to see their profits continue falling — or their losses escalating. But part of it comes from those who are setting the data free by opening up one space after another where it can be freely exchanged. This is good, because it shows us that the baseline assumptions about access and availability have changed and that we need to address the new assumptions — about information’s “wanting to be” free — directly. And if a few dinosaurs like the music industry giants end up collapsing of their own weight in the process, then so it goes. What’s important here is the flow of knowledge and creativity and the possibility of making a living at it, but not necessarily every single way to profit from others’ knowledge and creativity. The latter constitutes a second layer built atop the first, a layer that in some respects might be expendable at the end of the day.

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