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Posts Tagged ‘improvisation’

Musical process and reality

Posted in Music & soundscape, Process-relational thought, tagged , , , , , , , , , on March 19, 2024 | 2 Comments »

A lot has been written about music and the philosophy of Gilles Deleuze: for instance, on Deleuze and music theory, on music after Deleuze, and on Deleuze’s “Thought-Music,” and there’ve been some valiant efforts to put Deleuze to music, like this one, this one, and this one, and several related to Deleuze and Guattari’s Thousand […]

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R.i.p. Tom Verlaine (relationalism & earth jazz redux)

Posted in Music & soundscape, tagged , , , , , , , , on January 29, 2023 | Leave a Comment »

Television guitarist and songwriter Tom Verlaine has passed away. In his honor, I’m reposting something I wrote back in 2010, a version of which made it into Shadowing the Anthropocene. Much of it deals with the objects-versus-relations debate that was occupying the then very active “speculative realist” (“new materialist”) blogosphere. The first video captures Verlaine […]

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Musical occasions

Posted in Music & soundscape, tagged , , , , , , , , , , , on December 28, 2019 | 5 Comments »

Music is an occasional topic on this blog (as shown in the Soundscape category). It was my first university discipline and love (when I was an undergrad at York’s wonderfully eclectic Music Department), still figures in my scholarly work from time to time (as in my work on Cape Breton Island and the Chernobyl Zone), […]

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relationalism, earth jazz, & the solstice

Posted in Music & soundscape, Philosophy, Spirit matter, tagged , , , , , , , on June 20, 2010 | 9 Comments »

If there’s a musical demonstration of relationalism, and by extension (as Skholiast points out) of ecology, it’s the kind of improvised music that the Dead are supposed to have excelled at (and occasionally did). The universe gives rise to many wondrous entities in its long history of spontaneity, relational responsiveness, habit-formation, and form-building. The habits start as rhythms, melodic chirps that turn into territorial refrains and calls, and that gradually maneuvre their way into verse patterns, melodies, harmonies, polyrhythms. Distinct songs develop for particular purposes and gradually get freed from those purposes, taken up into improvisational routines and performances, some of which crystallize into larger-scale architectonics, but only ever temporarily.

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