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Posts Tagged ‘Decolonization’

Not ‘uncontacted,’ just ‘free’

Posted in Uncategorized, tagged , , , , on February 9, 2011 | Leave a Comment »

The fuss over Survival International’s “uncontacted tribes” (see my earlier piece) hasn’t ceased — the Huffington Post and others continue to spread the original news largely uncritically. (William at the excellent Integral Options Cafe shared that news, but has now kindly amended his post in response to my own comment regarding it.) Now Greg Downey […]

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First contact (again & again)

Posted in Uncategorized, tagged , , , , , , , on February 5, 2011 | 3 Comments »

Thanks to the “Jungles” segment of BBC’s Human Planet series, Survival International’s photos of an “uncontacted tribe” in the Amazon are making the rounds once again — see Environmental Graffiti’s “Images of the Last Uncontacted Tribe on Earth“, Ron Burnett’s “Never Before Seen Footage of an Amazonian Tribe,” and MSNBC’s PhotoBlog. The rhetoric here — […]

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Avatar’s global affects

Posted in Uncategorized, tagged , , , , , , , , , , on February 15, 2010 | 51 Comments »

It’s been fascinating to watch the unfolding public conversation about Avatar (much of which, come to think of it, my early review had anticipated): environmentalist celebrations of how it portrays the Earth rising up against the megamachine of capitalism and patriarchy; critiques of how the film perpetuates the stereotyping of indigenous people and reiterates tropes of their salvation by white male messiah figures; the Vatican’s and religious right’s denunciations of its pantheism; the film’s advance of technological wizardry into the domain of a virtual hyperreality, like The Matrix but replacing that film’s gnosticism with a pantheistic new age science of networks and neural systems; and debates over the balance struck in the film between good spectacle (the high-tech stuff) and bad narrative (poor writing, flat characterization, stereotypes all over), or between bad spectacle (Spielbergian gee-whiz stuff) and good narrative (such as the film’s allegorization of global capitalism’s destruction of indigenous communities). Film Studies for Free has usefully summarized the various allegorical readings of the film proposed so far, many of which get articulated in conversations and comments by viewers in various blogs, op-ed commentaries, and social networking sites. [more]

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