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Dipping once again into the public debate around climate change science — today it’s in the responses to MIT climatologist Kerry Emanuel’s op-ed in the Boston Globe, to which no less than 15 comments were added in the couple of minutes it took me to write these first couple of sentences — I’m realizing that it’s not enough to refer to a “climate denial machine” (as I’ve done here before). There is certainly an organized, machinic quality to denialism, with well-funded nodes of misinformation generating the talking points disseminated across the internet/mediasphere by climate denialists. But the intensity of many of the comments has made me think about the virtues and pitfalls of another frame, that of “hysteria,” since it really seems akin to the kinds of hysterias chronicled by historians like Norman Cohn and the more familiar territory of conspiratorial claims and counter-claims around such issues as alien abductions, satanic ritual abuse, or JFK and 9-11 conspiracy theories.

At the same time, there’s a risky irony in suggesting that climate change denial is a hysteria, since to deniers it’s precisely the claim of anthropogenic global warming that appears hysterical and millennialist. Hysteria, both the diagnosis of it and the thing itself, relies on a reading of “signs” or “symptoms” as indicative of a cause much larger than what one can easily deal with. There’s a monster lurking behind those markings on one’s skin, or in the body politic. And just as conspiracy theories aren’t wrong by definition (and my listing of those in the previous paragraph wasn’t intended to suggest that those ones were), so hysterical reactions aren’t necessarily unproductive — they are a response to something that one cannot respond to in a more direct and appropriate way. The politics of climate change, in any case, carries something of the “paranoid style” that Richard Hofstader identified in American politics back in the 1960s. But since then, we’ve moved more deeply into a kind epistemologically unmoored world, a world in which we rely on experts to inform us about basic risks that are not directly perceivable by us (such as those from nuclear radiation, environmental contaminants, and the like) but in a context where the structures of epistemic authority are no longer holding up well at all, in which common sense is undecideable and skepticism extends “all the way down”, as Jodi Dean has put it. This is especially the case in societies characterized by wide cultural divides, such as that of post-Bush II America.

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Having published the results of its 12-part investigation into the leaked/hacked climate scientist e-mails at the University of East Anglia, the Guardian is now inviting “web users to annotate the manuscript to help us in our aim of creating the definitive account of the controversy.” It’s a kind of public version of peer review for something that has been so public already that the issues at stake have gotten lost in the din.

I haven’t read the full report, which concludes (not surprisingly) that the whole fracas was a PR disaster for climate science, but that it has not at all damaged the solidity of the scientific case for anthropogenic climate change. (Yet the silliness continues even in Fox News et al’s weather reports.) But The Wonk Room’s assessment of it as A Case Of Classic SwiftBoating (How The Right-Wing Noise Machine Manufactured ‘Climategate’) captures at least part of it. If you recall, the attack campaign by “Swift Boat Veterans Against John Kerry,” much of it based on unproven allegations and unsupported smears, helped sink the 2004 Kerry presidential campaign, leaving his campaign team with too little time to turn popular response around. The mass media reaction, then as now, involved too little critical analysis of claims and too much “following the leader.” This only tells us what we already knew about the American media, though it strengthens the case for a stronger left and progressive presence in the media landscape.

U.S. television’s few spaces for progressive-leaning critical analysis are already dwindling, with Bill Moyers and David Brancaccio both scheduled to end their shows on PBS. The significant exception is MSNBC, whose conversion to the liberal left still surprises me, given the network’s ownership by armsmaker General Electric (with a minority share held by Microsoft), and I keep wondering how long that will last. As Robert Parry has put it, “There is, after all, a big difference between Murdoch’s News Corporation’s longstanding commitment to a right-wing perspective on Fox News and General Electric experimenting with a lineup of a few liberals after other ratings strategies had failed.” Part of the problem is that Olbermann, Maddow, Matthews, et al. too often come off as predictable and repetitive — the left version of Fox News — which though I enjoy watching it, is not necessarily going to convince the unconvinced.

But Maddow can be brilliant, and it’s great to have a bit of European-style political diversity in the mass media landscape. Now if there was more of a unified infrastructure — not marching in lockstep, but at least in communication with each other — of progressive think-tanks and political pressure groups of the kind that the Right has built up over the last 40 years (thanks to billions from the Scaifes, Olins, Koches, Bradleys, et al), maybe that media diversity can hold out for a while, and even expand. Relying on philanthropy is ultimately not a very good answer to a desperate need for more democracy. But surely the George Soroses of the world could be convinced that science, environment/health, justice/fairness, and good governance — the cornerstones of today’s progressive left — are all principles worth supporting. (I know that “progressive left” hasn’t always meant all those things, but it’s a good time to come to an agreement that it does, or should, today.)

Published simultaneously at Indications. Hat tip to John Quiggin at Crooked Timber for news on the Guardian investigation.

Publishers are starting to catch up to AAAARG.org, the rapidly growing file-sharing megalibrary for cultural theory and philosophy books, which currently makes available PDF files of hundreds of books that I would love to have but couldn’t realistically afford to buy. (See Columbia University Press’s cease and desist letter here.) At least I couldn’t afford all of them. On my professor’s salary I could certainly buy the ones I want most — after looking up some reviews, viewing the pages that Google Books (and/or the publishers) make available online, or actually walking to the campus library to sign them out just so I can see how much I really need to have my own copies. (Which means that at any given time I might have over two hundred books out on indefinite loan from the library, and that my most common excuse to visit the library is to return something in response to another borrower’s request for it.) But the library option often means special-requesting a book first and waiting weeks for it to arrive (if that happens at all), or recalling it from another borrower — which leaves me feeling rotten enough for taking it away from someone else that I rarely end up resorting to that. (Do unto others as you would have others do unto you.) And when I buy, there’s usually still that grad-studenty, budget-conscious voice in the back of my head asking if I really need this book, or will it just sit on a shelf and gather dust?

I imagine, though, that for the actual grad students and untenured academics who probably make up the bulk of AAAARG’s membership (along with some voracious intellectuals outside academe who have no access to a university library, and librarians or publishers’ employees subverting the system from within), most of these aren’t very realistic options. (For one thing, the book is probably out of the library in some professor’s office when you need it most.) And part of the value of a site like AAAARG is that it brings all these materials together in one place and — although the site doesn’t exploit this nearly as much as it could — that it can generate conversations about and around them in the process of making them available. So in addition to being a kind of dream library — because of the selection, but also because the books are always there on the shelf, to be read (or downloaded) whenever you need it — a site like this could also be a reading room and a virtual cafe with speakers, conversations, performative denunciations and adulations and rousing manifestos, and whatever else might happen when a bunch of intellectuals gather together around their favorite authors.

That little bit of (not so) utopian fantasizing aside, there’s something about wandering the aisles of this library that feels less like sitting in the comfortable couch of a Barnes and Noble or, better yet, one’s favorite local bookstore that’s somehow survived the onslaught of the chain stores — or for that matter even the pages of Amazon, with all its reviews and commentary — and that feels more like sneaking through the porn section of a video rental joint. The titles are written in black ink on white covers, with little or no information about them until you load them in your VCR. Some of them are misfiled or mistitled. Many have fingerprints all over (notes in the margins, black bands running down the sides of a bad photocopy job). There’s no colorful display of the current hot sellers, the store manager’s and employees’ selection of current favorites, or discounted copies of publisher’s deleted titles. And certainly no coffee.

So what do we make of this new tug-of-war, which echoes the skirmishes between record companies and Napster-inspired mp3 file-sharers, and all the many variations of the intellectual property rights game to be played out on similar battlefields in years to come? I know that information “wants to be free,” and that the same should go for knowledge and ideas. But I also know that there’s a price to be paid for their production: even if most scholarly books generate little if any profit, if the publishers didn’t make their money back — at least some of it (where they’re supplemented by institutional subsidies, private endowments, government grants, and the like) — then it wouldn’t be possible to produce those hand-held, flippable paper-and-ink bundles the world has come to know and love.

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There’s something about our time that is very Bergsonian, in the sense that there’s a kind of simultaneous opening up of the past and the future, the former feeding the possibilities of the latter. At the same time as new technological tools propel us ever forward on trajectories of embodied interactivity (the internet, iPod-iPhone-iPad, YouTube, Facebook-Twitter, etc.), recording technologies (those that preserve something of the present for the future) combine with technologies of retrieval (those that unlock the past, from historical and archaeological tools to sampling technologies, about which see Copyright Criminals) to enable an ever deeper digging into and opening up of the past. In the process, the past becomes fuel for the reinvention of ourselves toward the future, this reinvention always taking the form of images — which, for Bergson, are central, the shimmering half-way point between mind and matter.

Let me explain. I get that feeling of simultaneously backward and forward glancing, pastwardness and futurity, when, browsing around on YouTube, I find things I never would have thought I’d be coming back to. It’s as if the past were an image archive that is being gradually dredged up, and its fossilized pieces are being liquefied and turned into blood flows that will revive and strengthen certain affective molecular currents, currents still in circulation in the collective social body of the present.

Here, for instance, is Magma, whose potent mix of late John Coltrane-style free-jazz intensity, Steve Reichian symphonic minimalism, Carl Orffian operaticism, and hard, driving rock, sent (mostly French) audiences into spells of ecstasy in the early 1970s. While that performance is from 2006 (old guys getting it together again), it would hardly have happened were it not for the redistribution of their records, archival recordings, and films as DVDs, MP3s, YouTube videos, and the like. Here’s the guitar solo from Kohntarkosz. And then there’s this bizarre film outtake from 1972, with Catholic priests grooving to the Kobaian rhythms. (Kobaia is the planet Magma presumably ‘channeled’ in a series of albums in the 1970s.)

Meanwhile, new films are made from the images of the past. This documentary on “Krautrock,” the German progressive, avant and space rock movement of the late 1960s and 1970s, is quite good:

The music had its fans at the time (more in the UK than in North America), but the documentary does a great job putting it into the much broader context of post-war Germany, the 1960s, the psychedelic revolution, and all that. And yet somehow it doesn’t feel dated to me; on the contrary, it feels as fresh as tomorrow’s news, because I know there are fans out there, Radiohead generation kids and remixers and whoever else listening to these things and reviving them in ways I wouldn’t have imagined possible back in the days when the music industry seemed like one stifling oligopoly. (You can watch all of it on Coilhouse. Thanks to Mutate for the tip.)

None of these are standard History Channel fare. All are products of the internet and MP3-era explosion of musical tastes, one of the cultural victories of our day — the losers being the big music corporations, or at least what they stood for. The corporations themselves are still around, of course, doing the same thing corporations do, and even if they weren’t, they would simply have been replaced by others, made from the same movable parts of the corporate machine. But technology moves forward despite them.

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Reading Levi Bryant’s blog sometimes feels like having a brilliant storm of white-hot thought rain down upon one’s backyard garden, the shoots struggling to stay vertical, but rendered that much stronger after the rain. There are wonderful passages in his recent musings on ethics, relations, objects, and ontology. From Ethical Etymologies: Thinking Out Loud (Always Dangerous), for instance:

“Where today we tend to think of character almost exclusively as a moral or ethical property, character should probably be thought as “power” (in the sense of “capacity” or “ability”, or what a thing can do), or “nature” (in the sense of the “nature of a thing”, not in the sense of φύσις). In this respect, ἦθος is closely bound up with the Greek concept of arete or “excellence” (ἀρετή), which would later become the Latin virtus, which, importantly, has connotations of power (in the sense of capacity or ability) and strength. Again, it is sad how degraded the concept of virtue has become worn or degraded. The key point not to be missed with respect to the Greek concept of ἀρετή is that ἀρετή is not an exclusively human property. All entities, for the Greeks, have their “ἀρετή“, and in many respects this ἀρετή constitutes the proper being of an entity. Thus, for example, the ἀρετή of a hawk is its keen eyesight, its sharp talons, its ability to fly swiftly, and so on. The ἀρετή of a tree might be its sturdiness, the manner in which it reaches to the heavens, its ability to resist heavy winds, and so on. The Greeks, it would seem, were Deleuzian ethologists well before Deleuze, defining entities in terms of their powers, capacities, or excellencies, rather than qualities.”

What follows are some comments on Levi’s response to my concerns (which he identifies correctly) about object-oriented ontology’s premise of the absolute independence of objects from each other.

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This beautifully photographed new BBC documentary, The Secret Life of Chaos, evocatively illustrates one way of thinking about immanence, i.e., the spontaneous emergence of beauty and complexity from natural process. Morphogenesis, self-organization, the collapse of Newtonian physics (into chaos/complexity theory, etc.), the “butterfly effect,” fractal geometry, delicious little biographical details about Alan Turing, Edward Lorenz, Benoit Mandelbrot, and others — it’s all there. Iraqi-born physicist-host Jim Al-Khalili gives us the enthusiasm and hipness of a newfangled (and perhaps more respectable) James Burke, and the music, from Arvo Part’s opening strains (“Spiegel im Spiegel”) to Satie, Steve Reich, Brian Eno, et al, adds a great deal to the pleasure of watching it. Nice work on BBC’s part.

The doc provides helpful tools for visualizing dynamic systems, which are part of what’s making it possible for science and culture, Latour’s two poles of the “modern constitution,” to work their way toward a rapprochement. What’s still missing is the integration of first-person subjectivity — mind as opposed to body — which biosemiotics (drawing on Peirce, von Uexkull, Bateson, Sebeok, et al), Whiteheadian process metaphysics, enactive cognitivism, and related schools of thought, help to get at. To actually bring these together into a successful and convincing synthesis — one that would put Newton, Descartes, and the rest fully into the past and put cognitive science on a much stronger footing (in my opinion) — will require a lot more work, of course. Philosophers in particular have their work cut out for them (as my recent exchange with Levi Bryant might suggest).

The Secret Life of Chaos is in six 10-minutes segments, but if you only have a few minutes to sample it now, watch the bit on feedback loops and the butterfly effect that begins this segement:

Incidentally, John Law’s post-Actor-Network-Theory After Method: Mess in Social Science Research, which I’ve mentioned positively a few times here recently, has now been made available at the fabulous ever expanding scholar-hipster’s online library aaaarg.org. A few of the missing social-science pieces I mentioned work their way into Law’s book…

Thanks to Integral Options Cafe for blogging about the BBC doc, which just premiered in the UK this past week.

The objects versus relations debate has revved up again over at Larval Subjects, in the commentary responding to Levi Bryant’s Questions about the possibility of non-correlationist ethics.

The debate, as I would describe it, circles around the following question: If we agree that traditional philosophy has been too centrally premised on the relationship between humans and the world at the expense of the world itself (with all its other things, beings, entities, relations, and whatnot), then is it better to promote a philosophy that focuses on objects, that is, not just on human subjects/objects but all objects, or one that focuses on relations between things (subjects, objects, networks, processes, whatever)? The first approach is taken by object-oriented philosophers like Bryant, Graham Harman, and others; the second by relationists, such as those influenced by Deleuze, Whitehead, Bergson, and Spinoza, among others (though the exact list depends on whom you ask; a few recent and recommendable books in this latter tradition are Steven Shaviro’s Without Criteria, John Protevi’s Political Affect, and Jane Bennett’s Vibrant Matter).

Since I’ve responded to Levi’s points on his blog, I’ll restrict myself here to addressing in greater depth the question raised by Levi, Scu, and anxiousmodernman (in their comments) about the politics of relationalism.

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“clean” coal

Today is National Coal Ash Action Day, as MountainJustice.org reminds us — see the information there on what you can do about it. Meanwhile, Climate Ground Zero reports on a fascinating case unfolding in West Virginia’s coal country, where tree sitters have halted blasting of a mountaintop by Massey Coal company.

Climate justice folks have taken the old growth forest protection movement’s most direct form of direct action to a place where it’s clearly about justice, not just trees (as so many have documented, and as Google Earth provides plenty of photographic evidence of). A petition to halt the blasting can be found here. (And reading the comments can be a blast as well.)

One of the things I like about that video, incidentally (and ironically), is that it sounds like a piece of ambient drone music by someone like Nurse With Wound or Zoviet France being performed as if it were one of R. Murray Schafer’s outdoor concerts, on location where it counts. Except that here the horns are being played by real live mining company truckers. And what becomes clear here is that music can be dangerous — a force of violence, not merely to oneself (when subjecting one’s eardrums willingly) but to others. Like a lot of art that comments on atrocity, however, the sonic blasting is only a prelude to the physical blasting that awaits the landscape, or a kind of homeopathic substitute for it if the tree sitters succeed in stopping it from getting to the more destructively physical stage.

Meanwhile, President Obama, despite all the good things in his speech last night (which I generally liked a lot, and which helped renew the feelings of admiration I’ve had for him all along), worryingly continues to dither on the energy issue, speaking not only of “clean coal” as if it actually existed but of off-shore drilling and a whole “new generation” of nuclear plants, and not even mentioning sustainable energy once in a speech that should have been a programmatic reframing of reality. I understand (as I think one of the MSNBC commentators mentioned last night) that he was aiming, in part, to take the wind out of any possible response by Virginia’s governor, who gave the Republication response afterward. But please, we need more pressure on the folks in Washington…

Here’s an interesting piece on the use of GoogleEarth and GoogleMaps to disclose the reality of the 450+ mountaintops removed to access coal deposits in the United States:

Valery Lyman’s 16-minute film, One of These Mornings, captures the pain, the joy, the happiness, and the excitement embodied in the election of Barack Obama to the presidency.

Now, a year and a couple of months after that election, Ben Ehrenreich’s Slate piece on the dramatic failures (already!) of the international, but especially US, response to the Haiti earthquake disaster, Why Did We Focus on Securing Haiti Rather Than Helping Haitians?, forces us to confront the fact that changing the world is not brought about by an election. If Ehrenreich and others are right, it appears that through a combination of knee-jerk militarism, systemic racism, and the pursuit of economic interest even in the midst of tragedy, Haiti’s most needy have not been getting much of the relief that the global community has generously sent out through personal donations via social networking media alongside traditional aid channels. That’s a scandal in itself, and it calls for serious reflection on why so little has changed in this country.

The other big moment of contradiction this past week was the U.S. Supreme Court decision about corporate “personhood” and unlimited corporate contributions to political campaigns — which is the biggest single setback to democracy this country has seen in a long time. But, there being a silver lining to every dark cloud, this may also be the moment for Obama to step in and take the reins of his multiple-majority power lock and do something with them. (Why is it when Bush had to work with a Democratic majority in Congress he still managed to do so much damage, and when Obama has clear majorities in both houses, his hands are tied? We know, of course, that it’s largely because of the beholdenness of all American politicians, wimpy “moderate” Democrats no less than others, to the special interests who fund them — which the Supreme Court decision has just made that much worse.)

The decision is an easy target for Obama, and at least some of the more moderate Republicans (such as McCain, who’s initiated campaign finance reform in the past) as well as Democrats would be hard-pressed to support the decision. As he prepares for his State of the Union address this Wednesday, any American who supports him should take some time in the next couple of days to send a message to the the White House and to, at the very least, sign the MoveOn.org petition against the Supreme Court decision. For this “progressive” president to act on his promises, he needs to feel the country behind him. One step can lead to another, generating momentum for at least some of the change he had promised; but that first step has to be taken.

Real change is not brought about by a single election, nor by the expression (audacious or otherwise) of hope. It’s brought about by the hard work of enacting that hope into practice. Once the conditions are set for a moment of good feeling like that embodied in Valery Lyman’s film, we need to ensure these remain not just moments but movements, the moments of jubilation being the froth spraying off the tops of the waves, whose repeated breaking on the shores of our consciousness changes that collective consciousness. Hope needs to be set into motion along multiple vectors — cultural and institutional — and at multiple scales. But it requires political leadership, and leadership, in a system of politics as financially corrupted as this one, only comes with repeated kicks from behind. Friendly, soft, but persistent kicks.

Thanks to Ron Burnett for sharing the Vimeo link. Of the bloggers I’ve read commenting on the Supreme Court decision, Sara Robinson’s at Campaign for America’s Future, Chris Vitale’s at Orbis Mediologicus, and Brendan Demelle’s at Ecological Buddhism provide inspiring and interesting perspectives. And see Rebecca Solnit’s piece on the disaster of media coverage of Haiti.

exquisite corpse

Michael Bérubé’s In praise of humility is so good I can’t resist posting a link to it. Why, indeed, has the Obama revolution lost its steam? I think Bérubé must be aiming for Andrei Codrescu‘s job as NPR’s occasional commentator extraordinaire. Read it and weep (at least until you realize what’s going on).

Incidentally, Bérubé’s latest book The Left at War is well worth reading and discussing, even if one doesn’t agree with all of it. And, incidentally, the title of this post, which refers to a Surrealist method of collective anti-authorship, isn’t intended as a comment on Bérubé’s piece but rather about what he is describing. Politics as a stumbling around in the dark, a piecing-together from the bits left by the last guy, with no idea what will come of it. At least Codrescu has the good sense to smell it and marvel at its texture.

“Shoot” as in film, photograph, capture and display, but also fly with them, shoot the rapids of their movement, accompany them, become starling. These mesmerizing videos of moving masses of starlings, “murmurations” as they’re called, like other YouTube animal videos, tell us as much about the phenomenon being watched as about those watching it.

It all gets going here at around the 3’20” mark. But it would be nice if we were given some alternative soundtrack options. Like this one, with no commentary, just a few intertitles, set to the music of Jan Garbarek and the Hilliard Ensemble:

I like the interplay between still shots and motion sequences, and even the traffic moving beneath them, and the sound of the traffic, adds a nice touch.

Bill Oddie’s video is as much about the starlings as about its quietly awestruck observer, with his whispered play-by-play, Qigong-like imitative acrobatics, and the way he holds his hands up for warming to the blue TV-screen light of the starling-filled sky:

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Gilles Deleuze’s cinema books make for difficult reading, and if one is to make headway into them, it helps not only to know something about Bergsonian philosophy, Piercian semiotics, and (a lot about) the history of film, but also to have clips at hand of the films Deleuze discusses. Fortunately, Corry Shores has been very helpfully compiling such clips, accompanied by excerpts from the books, at his Deleuze Cinema Project 1 blog site.

The two books are books of philosophy centered on the moving image — a term that is somewhat redundant in a Deleuzian/Bergsonian framework, for which everything is (in) movement and becoming, and in which the image, which is both visual and auditory, is part of the very texture, or nature, of things. Deleuze, in other words, does not distinguish between a thing and its representation; rather, there are things, which are always in motion, in process, in becoming, and these things appear as “images,” which can be visual, auditory, etc., depending on the sensory equipment that is brought to them. Since the images are always in motion, it is cinema, the art of the moving image, that has best come to capture this quality of world-in-motion. The books are primarily dedicated to articulating Deleuze’s Bergsonian (and Piercian) schema and to setting out a fairly detailed typology of images. Its historical argument — that a shift after World War II allowed for the emergence of the “time-image”, which comes to supplement and ultimately supplant the “movement-image” — can be taken, albeit loosely, or left, but its ontological underpinnings are original, powerful, and I believe very useful for an emergent eco/geophilosophy.

Marcy Saude’s 5 or 6 minutes on cinematic time is a nice short video discussing Deleuze’s “time-image” concept over clips from Rosselini’s Umberto D, Bela Tarr’s Satantango and Gus van Sant’s Gerry:

As I see it, there are at least three reasons why Deleuzian film theory should be of interest to ecophilosophy. The first is the same reason why Deleuze is of interest more generally: because in providing one of the most coherent and self-consistent accounts of the world as process and change, his philosophy helps us understand the ways that things — i.e. relational systems from the molecular to the social to the ecological — come together and drift apart, territorialize and detteritorialize, with us, psycho-biological processes that we are, caught amidst them and acting from within them upon them (and upon ourselves).

The second reason is Deleuze’s Bergsonian and Piercian (and somewhat biosemiotic) focus on the image and its nature as carrier of affect. This brings imagination — the perception of things as not only a passive “reception” of what is “out there” but also an active reconception and engagement with the images and image-affects — to the center of cultural and environmental theory. Environmentalism needs a better understanding of how images do their work in the world; Deleuze can help with that.

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