A couple of recent posts by Chris Vitale and Tim Morton have rekindled my thinking about Deleuze’s crystal-image. Chris’s interesting post is about the power of crowdsourcing and video detournement in delivering a more democratic form of media politics. Tim’s brief posts share music videos and reflections on dark ecology and the timbral.
Chris describes the video detournements as “crystal-images,” where “one image acts as a germ or seed, and it crystalizes the medium its in, just like a string when you make rock candy. The result is a proliferation of possible paths the image can take, but they all echo each other.” My understanding of the crystal-image is a little different from this, but I think it’s fruitful to pursue Chris’s trajectory while combining it with the more ambient trajectory of Tim’s and Deleuze’s own thought. The crystal-image is fundamentally about time, which, for Deleuze (following Bergson), is the flow in which we find ourselves, looking back and forward at one and the same moment. Deleuze writes:
“What the crystal reveals or makes visible is the hidden ground of time, that is, its differentiation into two flows, that of presents which pass and that of pasts which are preserved.” (Cinema 2, p. 98)


