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Fabio Gironi has a very perceptive response to the recent posts at Larval Subjects, Ecology Without Nature, and here, over Buddhism, objects, and relations.

I like his admission that “I have never been – nor [do] I plan to be—a practicing Buddhist or a ‘believer’ of any sort, but the encounter with Nāgārjuna’s philosophy was probably the most exciting intellectual encounter of my career.”

There is something wildly exciting about reading Nagarjuna, even if it may be confusing if not accompanied by a reliable guide (and even if accompanied). My own understanding of Nagarjuna comes largely filtered through his more recent anglophone translators and interpreters: Garfield, Westerhoff, and others, and I’m sure Fabio knows his Nagarjuna better than I do. But I wonder if he sells himself short by shying away from being a “‘believer’ of any sort.” I know what he means here, but I would want to raise Deleuze’s “belief in this world” as an option into an otherwise too staid picture of ‘belief.’

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Paul Ennis’s book of interviews with seven “post-Continental” philosophical “voices” is out now and orderable on Amazon. (The hard copy will be available in late October.) The seven are Graham Harman, Jeffrey Malpas, Lee Braver, Stuart Elden, Ian Bogost, Levi Bryant, and (gasp) myself.

As (U of San Diego’s) Peter Gratton’s blurb says, “Pick up this book and grab a front seat to those whose work will be in short order the landmarks of our post-Continental futures.”

(Note to the philosophically uninitiated: “Continental” refers to one of the two main traditions within academic philosophy, the other being “analytical.” The continent is Europe, since this tradition finds its main sources among French, German, Italian, and other continental European, as opposed to Anglo-American, philosophers. Wafting on the air of cappuccino, perfume, and the sound of accordions in the street, “Continental” is, simply put, more fun.)

And from Paul’s too-kind introduction:

“With Ivakhiv we get a clear indication that the division between philosophy and other disciplines will eventually give way and will do so because the academics of the future are no longer satisfied with the boundaries they have been bequeathed.”

Congrats, Paul, on getting it out, and thanks to Zero Books for making it happen, and for delivering on their promise that “another kind of discourse – intellectual without being academic, popular without being populist – is not only possible: it is already flourishing. Zer0 is convinced that in the unthinking, blandly consensual culture in which we live, critical and engaged theoretical reflection is more important than ever before.”

Inside Higher Ed has an interesting piece on the just-released National Research Council report ranking doctoral programs across the U.S. Among other things, the report is criticized for the 4-5 year time lag in producing it, its confusing methodologies, inaccuracies in data, and its disciplinary approach (which is ill-suited for evaluating interdisciplinary programs like the one I teach in).

Among the report’s more interesting general findings are the following. (Remember that the data covers doctoral research programs over the period from the early 1990s to 2005-6.)

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Does object-oriented ontology = Buddhism? Tim Morton has been making intriguing sounds to that effect, and Levi Bryant has begun to ask him the hard questions about how and whether that might be possible — of how to “square the circle” of independent substances (OOO) with Buddhism’s conditioned genesis (a.k.a. dependent arising, codependent origination).

Tim’s task strikes me as quite challenging, especially because Buddhism is conventionally thought to be as relational as philosophical traditions can get. Levi has a clear exposition of conditioned genesis, which he rightfully depicts as the cornerstone metaphysical principle on which Buddhist practice, psychology, and soteriology are all built.

It’s necessary, however, to think carefully about Buddhism’s relationality. One of the popular metaphors for thinking about conditioned origination is the idea of Indra’s jeweled net. Levi uses the image of a spider web, but the idea is the same. He writes:

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setting

David Byrne has a great, observation- and photo-rich post from Detroit (Don’t Forget the Motor City) that relates back to some of the themes I touched on when I posted about that city’s decline and potential reinvention as an near science-fictional green city. Julien Temple’s Requiem for Detroit (as David points out) provides some context for that.

I’ve been a little too busy to post here recently, but I have been adding to the Shadow Blog, and most recently I seem to be getting captivated by visually arresting posts like David’s, Transversalinflections’ Thoughts and a song (and this piece on artist Monika Cichoń), some wonderful posts from Matthew Flanagan’s Landscape suicide, Next Nature (like this compilation of bizarre oil-death-glam fashion photos), Ron Burnett’s blog, and other things in that vein.

Meanwhile, tonight’s sunset from here looked momentarily like this:

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Add to that the last slow chirps of early autumn’s few remaining crickets (their chirping slows down, at a predictable rate, as it cools), and a bat still flittering between the trees (a good sign, since their populations have dropped considerably in the last few years), and there you have it.

shooting it green

Since I write about film from an ecocritical perspective, I feel obliged to share information about the greening of filmmaking practice. Transforming Cultures has a post about that.

Here’s the trailer for Lauren Selman’s/Real Green Media‘s Greenlit, a film that, like No Impact Man, appears to fall into the “it’s the right thing to do, but aw, shucks, isn’t it hard?” genre of eco-documentary. It won’t get everyone running to the theaters, but it’s good that someone’s doing it. (There should be an abbreviation for that: “igsdi,” meaning “not my thing, but I’m glad someone’s doing it.”)

Now someone tell me what the dominant color is in this trailer… (Giordano Bruno would say it’s under the spell of Venus, which he thought a good thing.)

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“immanence is itself real, or reality itself. It is nothing other than reality in the making. But this reality is not reducible to actuality: what is actual may be rational, as Hegel claimed, but reality is also virtual, and it is with virtual singularities that philosophy is concerned. As a result, to think immanently is to render thought immanent to reality, to its chaotic becoming, its variations, and its vibrations. It amounts to constructing an image of thought that is not posited in advance, independently of the real itself, and orienting it from the start, but that grows from within the real, or Being.”

– Miguel de Beistegui, Immanence: Deleuze and Philosophy, p. 192

just sitting there

My favorite line in Patrick Groneman’s account of a group of Buddhist meditators’ attempt to bear witness, by just sitting, amidst the rival armies of 9-11 protestors in downtown New York City (anti-mosque, pro-mosque, et al) is the passer-by yelling

“This is New York, don’t just sit there…stand up and say what you believe in.”

Which made me think: Isn’t that what blogging is — everyone standing up and waving their beliefs for everyone else to see?

Ideally, of course, it isn’t that. Saying something is only one part of communicating; listening is the second, and attending to the ecology of speaking and thinking — the links made up of one’s interlocutors, the things spoken of and those left unsaid, the feeling and impulse giving rise to the speaking, and so on — is the third.

Nathan at Dangerous Harvests has a good wrap-up of the debates over Socially Engaged Buddhism that have followed this summer’s symposium on that topic. (See also Fly Like a Crow.)

Meanwhile, this video, shared by Santi Tafarella, stages the encounter between the “two Americas” in a way that leaves me a little uncomfortable (because of the ethical issues the experiment raises) but that at least gives us some figures: 6 for (racism), 13 against (and willing to act in defense of a Muslim American’s rights), and 22 not willing to stand up and say what they believe, or much of anything. That’s a majority. Definitely not New York.

The entire regular-price catalog of Indiana University Press is on sale today for 60% off. (Don’t worry — they’ not going under, as far as I know. They do it every once in a while.) That includes my first book, Claiming Sacred Ground, which should be going for $10 today. Grab it while it lasts. Details here.

field of dreams

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I just watched Amy Hardie’s recent film The Edge of Dreaming, a documentary about a year in her life during which this science documentarian and self-proclaimed skeptic becomes haunted by a series of dreams that appear to foretell her own death before the year is over. The film becomes an exploration of neuroscience, the meaning and function of dreams and of death (she interviews neurologists and dream researchers Irving Weissman, Adam Zeman, Mark Solms, and others), and the relations that connect and give our lives meaning.

The film treads carefully over the question of what dreams are, leaving open various interpretations: that they are the mind’s meaningless narrative elaborations of random electrochemical brain activity, the efforts of the mind to consolidate new experiences with memories, the uncensored emotional and intuitive currents of our lives turned into neural/narrative pathways, etc.

I watched it knowing almost nothing about where it will go, or even if the filmmaker survives, and I think the film is best seen that way. But it’s worth mentioning that it takes an unexpected, though (thankfully) understated, ecopsychological twist toward the end: it suggests connections between Hardie’s awareness of the damage done by coal mining to the otherwise beautiful Scottish borderlands where she lives, and the extended field of uncensored intuitive currents that dreams allow access to. The latter is a variation of interpretation #3 above, which the film ultimately favors (structurally), and which echoes ecopsychology’s central thesis — that we intuitively/unconsciously sense what’s wrong with the ecological relations making up the world around us.

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Andrew Ray over at Some Landscapes has been posting about experimental landscape films, including Chris Welsby‘s Wind Vane, Tree, and other “landscape-generated landscape films”; Sarah Turner’s Perestroika; the “Land Art for the landless” films/performances of Francis Alÿs; and others.

Catherine Grant writes about Turner’s hypnotic and haunting Perestroika at filmanalytical. “Films think,” Turner says, “they embody theory affectually” (in which she is echoing Film-Philosophy founding editor Daniel Frampton’s Filmosophy).

From Ray:

“the film’s ‘extreme psychogeography’ culminates in the narrator’s vision of Baikal, the deepest lake in the world ‘and the zero-point of Siberia’s status as a weathervane of global warning, landscape and mind’, as ‘a lake of fire awaiting the final sunset’.”

For Turner, as Sophie Mayer recounts, “the IPCC report before Copenhagen stated that the Amazon rainforest will burn when the temperature rises two degrees. ‘It’s a cultural real that is outside a Western imaginary because we don’t live in the extremes of climate change.'”

Here’s a piece of it:

Excerpt from Perestroika (©2009 Sarah Turner) from Catherine Grant on Vimeo.

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