Cross-posting this piece by Emil from A(s)cene. Taylor’s coral reef art is beautiful. See also the discussion of Donna Haraway’s “String Figures” lecture and Bruno Latour’s 11 theses on capitalism.
Posted in Anthropocene, Eco-culture, Visual culture | Tagged aesthetics, Anthropocene, coral reefs | 1 Comment »
This ad is making the rounds, but in case you haven’t seen it yet, here it is. It is brilliant.
As Jeff Beer puts it, the stock video footage firm Dissolve illustrates the “marketing strategy equivalent of paint-by-numbers” by putting its own goods to the words of Kendra Eash‘s brilliant McSweeney’s piece.
Posted in Media ecology | Tagged Adbusters, culture jamming, Dissolve, media | 2 Comments »
The Media and Environment Scholarly Interest Group just won the prize for best attended business meeting at the Society for Cinema and Media Studies. Or so we were informed by the SCMS interest group liaison present at the meeting.
This year’s SCMS featured what to my mind was by far the largest assemblage of panels and papers on all manner of environmental/ecological themes: analyses of filmic representations of nature, disasters and catastrophes, animals and nonhumans; theoretical excursions in ecocinema, eco-aesthetics, toxic and “energetic” media, frontier and extraction imaginaries, and more; and eco-materialist analyses of production processes, data backup systems, and other things. Some of these were sponsored by the M & E interest group; many were not.
Posted in Cinema, Eco-culture, Media ecology, Uncategorized | Tagged film, media | 1 Comment »
Emil plunges us further into the inhuman nature of tsunamis, earthquakes, ethics, and modern subjectivity, over at A(S)CENE.
Posted in Anthropocene, Philosophy | Tagged Anthropocene, Nigel Clark | Leave a Comment »
Or, process-relational ecocriticism 2.0
Two of the courses I’m currently teaching — the intermediate-level “Environmental Literature, Art, and Media” and the senior-level “The Culture of Nature” — require introducing an eco-critical framework appropriate to a wide range of artistic forms, from literature to visual art, music, film and new media.
The process-relational framework developed in Ecologies of the Moving Image is synthetic and holistic in its scope, but it is too advanced for introducing in itself — accompanied by the philosophical underpinnings it requires — in these undergraduate classes. So I’ve been forced to rethink its categories to make them both more accessible and more broadly applicable.
Posted in Eco-theory | Tagged ecocriticism, Ecologies of the Moving Image, epistemology, Guattari, music, Ontology, Peirce, three ecologies, visual art | 10 Comments »
UKR-TAZ announces a new mission:
The concept of the TAZ, or temporary autonomous zone, comes from “ontological anarchist” writer and poet Hakim Bey (Peter Lamborn Wilson). It is intended to indicate a space of liberation, a space which is at once physical and real, if temporary, and metaphysical — a space of consciousness outside of the mental frames of social structure, from which a reimagination of the world may proceed.
Posted in Politics | Tagged Maidan, TAZ, Ukraine | 2 Comments »
For all the complaints many of us in the U.S. heard or voiced about the cold, this past January was the fourth warmest on record, and the 38th consecutive January and 347th consecutive month (almost 29 years) that global temperatures have been above the average for the 20th century.
Posted in Climate change, Eco-culture | Tagged weather | 1 Comment »
“Power to the millions, not to the millionaires” (#Leftmaidan)
Three forms of democracy vie with each other in Ukraine today.
The first of these is what we might call authoritarian democracy. This is a hybrid of democracy and authoritarian rule, in which partially developed democratic institutions can be relatively easily played off against each other by the powers-that-be to maintain their rule.
Posted in Politics | Tagged anarchism, direct democracy, Politics, revolution, Ukraine | 3 Comments »
Just as environmental media have a penchant for the spectacle of “disaster porn,” so does political media reveal a strong attraction to what Politico’s Sarah Kendzior, in “The Day We Pretended to Care About Ukraine,” calls the “apocalypstickle.”
An ugly word for political observers’ weird fascination with apocalyptic imagery. Brueghel, Bosch . . . and heightened internet traffic.
Posted in Politics, Visual culture | Leave a Comment »
“COUNTRY UNDER RECONSTRUCTION. SORRY FOR THE INCONVENIENCE.” (from Ukrainian anarchist group Blackmaidan)
“It is as if, for a moment, the ‘projection’ of the outside world has stopped working; as if we have been confronted momentarily with the formless grey emptiness of the screen itself…” (Slavoj Zizek, describing the scene outside a traveling couple’s window in Robert Heinlein’s “The Unpleasant Profession of Jonathan Hoag”)
Posted in Politics | Tagged activism, post-Soviet, provocation, revolution, Russia, Ukraine | 14 Comments »
Posted in Uncategorized | 1 Comment »
Since I was traveling at the time, I failed to note an interesting story that got covered in the science press about the organizational support and funding behind the climate denial movement.
As reported in articles in Scientific American, The Guardian, and elsewhere, a recent peer-reviewed study published in Climatic Science by sociologist Robert Brulle supports many claims that have been made by environmental scientists and activists documenting the organizational support and funding behind the climate denial movement — a close to $1 billion a year machine of nearly 100 organizations.
Most revealingly (or rather, obscuringly), denialism has been able to cloak its funding sources behind what have effectively become “money laundering” operations like Continue Reading »
Posted in Climate change, Eco-culture, Politics, Science & society | Tagged climate denialism, global warming | 1 Comment »
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