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Archive for the ‘Manifestos & auguries’ Category

Here are my thoughts on the US election, and on the challenges it presents us, in four parts. 1. The informational catastrophe, and the sadness of it For all the reasons to be dismayed about these elections, there’s one that saddens me most. It’s that all the people (me among them) who’ve given their professional […]

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My talk at the recent “Apocalyptic Anxieties” conference, at Simon Fraser University in Vancouver, is available for viewing at the SFU Institute for the Humanities YouTube page, or below. Here is an abstract of the talk: From the Angel of Apocalyptic History to the Optimism of the Will: Climate Hope within States of Urgency Apocalyptic […]

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I’m delighted to formally announce that I have accepted an offer to take up the position of J. S. Woodsworth Chair in the Humanities at Simon Fraser University in Vancouver, Canada, beginning next year. (Simon Fraser recently, once again, took the top spot among comprehensive universities in Macleans’ Canadian university rankings.) The chair is named after J. S. Woodsworth (1874-1942), […]

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Like atoms and galaxies, days are full of space. What if the ways you take up this space—the pauses, transitions, and gaps between doings—shapes the world as much as the doings?* Do we fill the space with restless preoccupation? Death drive compulsions? Nervous uncertainty? Or curious delight at the poignancy of each thing?** What if […]

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To put things in the simplest terms possible: The global climate precariat — all of those whose lives and communities are endangered by the storms, floods, droughts, hurricanes, wildfires, and wars produced or intensified by a destabilizing global climate system — are a vast segment of humanity. It is growing daily. Together, the global precariat […]

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This post continues the ethical and political thinking I have shared in some of my eco-theoretical manifestos and asketological writings (including parts of Shadowing the Anthropocene). Its interest in ‘non-fascist life’ takes its lead from critical analysts of fascism including Wilhelm Reich, Erich Fromm, Michel Foucault, Gilles Deleuze and Félix Guattari, and more recent writers […]

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I’ve sometimes imagined I would throw a big party when I turn sixty, the kind of party I used to throw in my twenties, when there was plenty to celebrate and plenty of people to celebrate with. (One of those was the ‘End of the World party’, which tells you the kinds of things we […]

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Some of the best art exhibitions today show that the socially engaged art world is undergoing two shifts that some of us in the environmental humanities have been advocating for some time: they ecologize and they decolonize. An excellent example of this is the second edition of the Toronto Biennale of Art, currently wrapping up […]

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Marking the passage of the seasons from summer to winter and back again is something people have done for millennia. Seasons are reliable — anyone living outside the equatorial band will continue to have colder and warmer seasons, probably for the rest of our lives. But many of us are realizing that larger cycles may […]

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My thinking about the Anthropocenic predicament continues to be informed, even haunted, by Andrei Tarkovsky’s films Solaris and Stalker, along with their literary predecessor novels by (Lviv-born) Stanisław Lem and the Strugatsky brothers, respectively. Two keynote talks I’ve been invited to give this October — one for Ukraine’s Congress of Culture, to take place in […]

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When we look back at this time a few decades hence, what changes will we take the pandemic of 2020-21 to have ushered in? How will it have transformed work, recreation, travel and transportation, food, politics, and everything else? The following are some initial thoughts toward a hopeful eco-justice based perspective on how the world […]

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Fans of Mark Rothko’s color field paintings frequently comment on the spaciousness, immersiveness, and liminality of those works: the way you can stand in front of them and feel as if you are being bathed in some transcendent force that is irreducible to anything else. Great art is (supposed to be) like that: it simply […]

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