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Archive for the ‘Cinema’ Category

Ruiz goes home…

  At bottom I am speaking of nothing other than a cinema capable of inventing a new grammar each time it goes from one world to the next, capable of producing a unique emotion before every thing, every animal, every plant, simply by modifying the parameters of space and time. But this implies a constant […]

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Next week, the Media Commons project In Media Res will be hosting a theme week on Steven Shaviro’s Post-Cinematic Affect (which I wrote about here). I’ll be guest curating the discussion on Wednesday, and Steven will be responding on Friday. Here’s the full line up: Monday August 29: Elena Del Rio (University of Alberta, Canada) […]

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The new issue of Film-Philosophy is out, and it includes my article “The Anthrobiogeomorphic Machine: Stalking the Zone of Cinema.” The abstract is below. The first half of the article is an early version of the paper I gave at the recent Moving Environments conference, which encompassed material from the first two chapters of my […]

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Things to do on a Sunday in Munich… 1. Find where nature and culture (river and engineering) slam into each other in a passionate wave. Ride it. Observations: To enjoy it at all, you have to be good. Some of these guys (and women) are really good. If you stay up for more than the […]

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Here are my notes from Day 2 of the Moving Environments workshop in Munich. The same caveats apply as yesterday: they’re hastily typed up and reflect only my own interpretation of what transpired. If any of the participants would prefer not to have their ideas shared in this way, I will be happy to remove […]

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What follows are notes from the first day of Moving Environments: Affect, Emotion, and Ecocinema. These are, needless to say, my own hastily drawn up notes (and I’m still a little jet-lagged from my arrival yesterday). Forgive the point form and abbreviation inconsistencies. Any errors are my own; any wonderful ideas are other people’s, unless […]

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Nature vs. Grace?

The latest issue of Precipitate: Journal of the New Environmental Imagination — which looks like an excellent issue — includes a review of Terrence Malick’s “The Tree of Life” that reminds me how important it is to pay attention to the dialogical and heteroglossic texture of Malick’s films, and how easy it is to lose […]

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  It will take some time before I can say anything very intelligible about Terrence Malick’s The Tree of Life. But here are some initial thoughts, for what they’re worth. (1) This is the film in which Malick just lets it go, and lets it flow…

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Herzog’s cave

Cave of Forgotten Dreams is probably not an essential Werner Herzog film, and I sympathize with those (like Bill Benzon) who’d much rather just see the pictures and do without Herzog’s prattling on or the “banshee muzak,” as Bill calls it. In both the prattling and especially the banshee muzak (which is pretty good, for […]

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The artist of sublime faith (of the pantheistic, immanent kind) versus the artist of sublime cynicism. “Earth is heaven (and purgatory)” versus “Earth is evil.” With catastrophe and Kubrick’s 2001 lurking in the background of both…

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Chris Vitale at Networkologies has a great series going on Gilles Deleuze’s Cinema books. It’s rich with insights and video clips. It starts here and continues for several lengthy posts. Or scroll down the right here to the “Mini-Essays” links on “Reading Deleuze’s Cinema Books.”

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Here’s a version of something that comes late in Chapter One of my Ecologies of the Moving Image manuscript. This follows a description of Andrei Tarkovsky’s film Stalker (USSR, 1979), which I take as a kind of paradigmatic model for the process-relational framework the book develops. Here I discuss the film in its relationship to […]

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