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Archive for the ‘Cinema’ Category

Those who missed the panel on “Post-Cinema and/as Speculative Media Theory” at last week’s Society for Cinema and Media Studies conference in Montreal will be able to view the videos of the talks at medieninitiative. Steven Shaviro, Patricia Pisters, Mark Hansen and I entertained a standing-room only crowd (see the audience spilling out into the hall here). The first […]

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The latest issue of the open-access Cinema: Journal of Philosophy and the Moving Image, an issue devoted to “Gilles Deleuze and Moving Images,” includes a review by Niall Flynn of my book Ecologies of the Moving Image. Another recent review of EMI can be found in the The Journal of Ecocriticism. And I’ve mentioned the Environmental Humanities […]

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The third edition of the Environmental Humanities Book Chat features a discussion of my Ecologies of the Moving Image. Discussants include the Royal Institute of Technology’s Anna Åberg, organizer of the “Tales from Planet Earth” film festival and conference, Seth Peabody of Harvard University (and a Rachel Carson Center fellow), and moderator Hannes Bergthaller of National Chung-Hsing University (Taiwan) and Würzburg […]

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The Media and Environment Scholarly Interest Group just won the prize for best attended business meeting at the Society for Cinema and Media Studies. Or so we were informed by the SCMS interest group liaison present at the meeting. This year’s SCMS featured what to my mind was by far the largest assemblage of panels and papers […]

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Readers of this blog know that my recent book presents what’s essentially a Whiteheadian (and Peircian) theory of cinema. (A theory, not the theory. And when compared to something as deeply Whiteheadian in its details as, say, Donald Sherburne’s A Whiteheadian Aesthetic, mine is, at best, “inspired by Whitehead.”)

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50 years

A. O. Scott’s article on the Abraham Zapruder film of JFK’s assassination captures something of the 50-year transition from the first cinéma vérité president (Kennedy) to a world in which everyone is their own cinéma vérité celebrity — stars and legends in our own minds. The Zapruder film in a sense predates all that — it comes […]

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I did a double-take when a producer from BYU Radio — Brigham Young University’s faith-and-values based talk radio station, which broadcasts to millions around the world through Sirius XM satellite radio — approached me for an interview about Ecologies of the Moving Image. I presume the majority of listeners are members of the Church of […]

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Society & Space interview

Society and Space has posted a conversation/interview that Harlan Morehouse carried out with me in early October. While it’s focused on Ecologies of the Moving Image, we talk about plenty of other things — nature and culture, the eco-humanities, the Anthropocene, ontology, critical geography, Buddhism, Zizek, Peirce, nationalism, withdrawn objects, and more. And plenty of […]

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The following is reblogged, excerpted and modified, from e²mc. How do films deal with historical atrocities? And how might they enable them in the first place? The Act of Killing is Joshua Oppenheimer’s chilling documentary about the perpetrators of the mass murders committed by the Suharto regime’s paramilitary death squads in mid-1960s Indonesia. The filmmakers […]

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Cross-posting from e2mc: I’ve begun teaching a course on film and ecology and using my book Ecologies of the Moving Image as the main text. Since the topic is related to the theme of this blog, and since I’ll be creating reading guides and posting links to film clips and related materials for my students, […]

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It arrived a few days ago. Feels good to grasp in the hand: thick, solid, “capacious” (as Steven Shaviro says in one of the cover blurbs). And Tarkovsky has rarely looked as green as on the cover. But I’ve already found an indefensible oversight:

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It will be quite an event for Peirce scholars. My proposed paper will be on applications of Peirce to film theory, and in particular the two neo- (quasi-?) Peircian approaches that I present in Ecologies of the Moving Image. The first of these builds on Sean Cubitt’s three-part typology of the image (pixel–cut–vector, which I […]

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