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Last man

February 3, 2012 by Adrian J Ivakhiv

I’m catching up on the news that Theo Angelopoulos died last week. Hit by a motorcycle. Now that the “last of the European modernists” (as he’s often called) is dead, where does that leave us?

Like kids searching for a father we never knew?

(Watch it all here.)

(In case you were wondering where Bela Tarr’s later style came from…)

Or the father they thought they knew:

But never did.

(Watch all four clips at once if you can.)

Angelopoulos was perhaps the premier filmmaker of the Event, the crossed-out god whose traces, fragments, ruins, relics leave us perplexed, staring into the yawning gap of His/Her withdrawal.

(Who is “us”, you ask? The ones he leaves wandering.)

 

 

 

 

 

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Posted in Cinema, Media ecology, Visual culture | Tagged Angelopoulos, modernism | 3 Comments

3 Responses

  1. on February 3, 2012 at 11:44 am dmf

    that’s as good a working definition of post-modern as I have seen.
    what is the figure/measure of authority after paternalism?


  2. on February 20, 2012 at 9:52 am joe heumann

    Huge loss, but not the last of the great European modernists, unless Godard died and nobody has announced it.


  3. on February 21, 2012 at 1:16 pm Adrian J Ivakhiv

    dmf – mm, yes, they are great images for thinking that particular thought. Landscape in the Mist (where the first clip is from) even seems to suggest that the real father is a tree, or The Tree, and that therefore while we’ll never find our real, absent father (/deity), the cycle of life goes on. Its a kind of post-theist nudge toward pantheism. Or maybe pan-atheism.

    Joe – You’re right. Godard, I suspect, will live forever.



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