Senior Spotlight 2019: Juliet Duncan

481 always has such a calming, supportive, and knowledgeable atmosphere and it has never ceased to inspire me as both a student and a critical thinker. The passion for knowledge and care for students is always palpable within the religion department building and I have always really appreciated that. 

juliet duncan ’19

Why did you major in Religion?

I decided to major in religion after taking a course on Religion in Film and Television taught by Professor Andrus. I loved both sides of the course so much and it reminded me of the interest I had always hard towards those topics. I decided to continue taking film and religion courses afterwards and when it came time to choose a major I committed to both!

Where do you imagine yourself in 10 years?

I see myself working in television production in some form, utilizing the skills I gained as a religion major to adopt and critique different perspectives and be more thoughtful in the ways we both create and consume different narratives. 

Imagine a first-year student has asked your advice about REL courses. What’s the one she shouldn’t dream about missing? Why?

I would say that a first- year student should make sure not to miss one of Professor Andrus’ Religion in Film and TV/Pop Culture classes because it relates more to your everyday life and allows you to see religious inspiration and thought in the secular world. It is a great introduction to religious studies for those that are not particularly religious or do not think they would be interested in it because it teaches you about the religious perspective while applying it to mundane/everyday actions/behaviors that you either don’t put much thought into or feel a strong connection to. It also demonstrates the power of storytelling across different medium and how those powers are mirrored in (or arguably stem from) religious tradition. 

If you could write any book, what would it be?

If I were to write a book it would most likely be related to the social roles and influences of television in our everyday lives. Specifically, I would analyze the life expectations TV shows create for us as well as what we seek out in allowing a storytelling medium to become so intimately enmeshed in our lives. 

Any fond memories of 481 Main Street you want to share?

My fondest memories at 481 Main all revolve around the professors there and the religion department in general. 481 always has such a calming, supportive, and knowledgeable atmosphere and it has never ceased to inspire me as both a student and a critical thinker. The passion for knowledge and care for students is always palpable within the religion department building and I have always really appreciated that. 

Senior Spotlight 2019: Quinn Cosentino

a series about our graduating seniors

On a campus consisting of massive, towering, and overwhelming structures with floor to ceiling windows and hyper-modern architecture, the Religion House has acted as a sanctum for me, precisely because it is just that, a house- a home.

quinn cosentino ’19

Why did you major in Religion?

My reasoning for choosing the major is a bit embarrassing, to be honest. When I was in high school, I was somewhat obsessed with the History Channel(or Pseudo-History Channel) show, Ancient Aliens.The show stoked a fascination in me for learning about diverse religious traditions and the cultural contexts that accompanied them. The show always lost me, though, at “it was aliens!” It was this fascination (minus the radical theory) that brought me to the Religion department my first semester, freshman year. What the Religion program offered me, however, was far more thought provoking than “fascination” and that is the reason I remained a Religion major. Passions I never knew I had, such as investigating gender and race theory, were fostered through this program and it has made me the complex thinker I am today.

Where do you imagine yourself in 10 years?

In ten years, I picture myself as a museum curator, working on projects that relate to gender theory and racialization. More specifically, I hope that I will hold a position that relates to colonialism and sainthood and saints in America. This has been the focus of the major research project I conducted in the Religion Department and it will undoubtedly follow me into my graduate program, and (with any luck) into my career. On a more personal note, I will be able to afford a dog and a mortgage.

Imagine a first-year student has asked your advice about REL courses. What’s the one she shouldn’t dream about missing? Why?

Prior to Fall Semester, 2018, I would have said the most valuable class for me was “REL 224: Seeing the Sacred” which is about the role of visuality and visionary experience in the Christian tradition prior to the Early Modern period. That class was the most valuable for me, personally, and I want to plug it here because it is incredibly engaging (and Anne Clark is, of course, amazing). In the Fall of 2018, however, I entered into Ilyse Morgenstein-Fuerst’s “REL 297: Religion and Empire.” This class explored in incredible depth how gender, race, religion and science (to name a few) functioned to advance Empire from early colonialist efforts to today. I firmly believe this class changed the way I engage with the world on a professional and personal level. I believe every human being (let alone every religion student) should be required to take this course.

If you could write any book, what would it be?

I would definitely write a book about colonial saints and the role of sainthood in America as I mentioned earlier. I’ve also been very interested in the gender relations and expectations of Medieval and Early Modern Christianity. More specifically, I would write a book about medieval witch trials. I’ve had an informal goal for the past few years to write creatively and I’d like to write a book that’s less academic. 

Any fond memories of 481 Main Street you want to share?

I don’t have any specific memories of 481 Main, but the building has played a significant role in my collegiate life. On a campus consisting of massive, towering, and overwhelming structures with floor to ceiling windows and hyper-modern architecture, the Religion House has acted as a sanctum for me, precisely because it is just that, a house- a home. I love it because, like me, it exists on the margins of the status quo (as does the religion major itself on a science-oriented campus). When I look back and reflect on my time as an undergraduate, I don’t think I’ll remember UVM; I’ll remember 481 Main Street and the countless amazing experiences I had there.

UVM Student Research Conference 2019

As in years past, the 2019 Student Research Conference has quite a showing of Religion majors and minors! Students will give traditional conference papers, poster presentations, and a creative presentation that utilizes sound. Topics engage notions of idigeniety, imperialism, nationalism, sustainability, gender, race/racialization, sound, capitalism and tourism.

The Student Research Conference has a 12 year history at UVM and continues to grow in its scope, format, and impact. It is an all day event on Wednesday April 17 in the Davis center. We are really proud of our seven scheduled presenters. Join us if you can!

Authors & their projects (alphabetically):

Katie Arms, “Vermont’s Empire of Identity: Tracking Ideological Processes to ‘Sustainable’ Agriculture” https://scholarworks.uvm.edu/src/2019/program/70/

ABSTRACT: I was born in Vermont but I’m not a “Vermonter”. What is this statement based upon? and why do we have it? and what work is it doing knowingly or not? I attempt to trace the ideological process behind this identity claim—one that carries significant capital in terms of marketing and brand building but is also reflective of an American rural ideal that is racially and ethnically crafted and inherently gendered and nationalistic. I question why this identity is so celebrated and powerful in an effort to think about how imperialism and empire operate ideologically and economically. While Vermont appears to be a thriving “sustainable” agricultural state, it is structured to take for granted the patterns of marginalization and power that were inherent in the shaping of the identity. If we take for granted these markers of identity without critically assessing them, we will continue reiterating the hegemonic colonial metanarratives that are not “sustainable”, but are, as we know, harmful socially, environmentally, and economically.

Margaret Bennett, Alnôbak Agency in a Colonized Landscape” https://scholarworks.uvm.edu/src/2019/program/84/

ABSTRACT: The question of historical agency and sovereignty is one that cannot be easily answered, as history is dictated by agents of imperialism rather than their subjects; such is the case of the Abenaki, or Alnôbak. The Abenaki, as explained by Frederick Matthew Wiseman, are “the descendants of people who lived in Vermont, New Hampshire, and Western Maine ‘since time immemorial,’ as they said in 1766” (9). Despite their long history, spanning thousands of years in Northern America, Wiseman says that many White-Anglo settlers throughout Maine, Vermont, and New Hampshire assumed until the early twentieth century that the Abenaki had left, essentially exiled from—and Othered in—their own land. He specifically notes that “Anglo historians seem to lack research interest or tools to discover much about the Alnôbak of this time, so their lore is lacking” (118). This lack of interest in the native inhabitants of a since colonized land is not surprising, as acknowledging the original and sustained presence of a sovereign Native people could prove problematic for modern American government and legislation. Through this project, I will elucidate how the distinct yet deeply intertwined influences of race, religion, and science affected the Alnôbak and their interactions with Anglo-settlers, with an aim to understand how the Alnôbak express their agency in a colonized space.

Katherine Brennan, “Tout a Changé! The Spectre of Islam in a (Secular) Catholic France” https://scholarworks.uvm.edu/src/2019/program/379/

ABSTRACT: Beyond simply a category of explanation, religion is a category of contestation. Despite the instability of the category of religion, governments worldwide participate in signifying what does and does not count in their laws and legal systems. The systems of law in France provide no exception. French laws reflect a desire to differentiate church and state, or laïcité. However, beneath the surface, particular institutions remain privileged. France is a country that claims secularity, yet within that secularity lies an institutional understanding of what religions are and what that means for the law. Legal systems in France are saturated with Catholic undertones, and laws regarding religion disproportionately affect minority religious communities under the masquerade of neutrality. Thus reflecting anxieties emerging from the encroaching “other” which are obscured by labels such as ‘Islamophobia.’ In this project, I examine legal efforts to differentiate religion and non-religion with a focus on recent court cases around school lunches and the rights of religious minorities.

Abra Clawson, “Sounds from a Dream Place: Politics, Religion, and Tourism in Kagbeni, Nepal” https://scholarworks.uvm.edu/src/2019/program/352/

ABSTRACT: Kagbeni, Nepal is a town which sits at a series of overlapping crossroads. With the restricted region of Upper Mustang to the north, and a popular pilgrimage site to the east, the town is constantly being shaped by globalization, religious and cultural identities, and tourism. I explore each of these forces in turn, centering my analysis around the mode of sound. This project combines anthropological methods of participant observation with theories from sound and religious studies in order to present a new way of understanding the forces shaping Kagbeni. How does sound claim space, and how does it reshape the communities who live in Kagbeni? In order to better answer these questions, I have curated a series of sound compositions to accompany this project. Each composition focuses on a theme: politics, religion, and tourism. Taken as a series, along with a written analysis of daily life in Kagbeni, these sound compositions draw attention to the ways that outsiders perceive the Loba community who lives there, and how these perceptions impact the lives of the Loba in turn.

Quinn Cosentino, “Native Saints: Hagiography and Racialization in Colonial New France” https://scholarworks.uvm.edu/src/2019/program/254/

ABSTRACT: In October, 2012, the Catholic Church canonized Kateri Tekakwitha, an Iroquois convert to Christianity who lived in the 17th Century in modern day New York and Quebec. The actual story of Kateri, colonial sainthood, and the missions of the French Jesuits, however, is one that illuminates a discursive warfare whereby Jesuit missionaries used sainthood to assert gender roles that they relegated to distinct racial groups. These gender roles perpetuated a traditional medieval discourse that justified imperial invasion. The martyrdom hagiographies and Jesuit Travelogues I investigated expose this discursive operation. Martyrs were portrayed as physically effeminate to highlight the brutality of the Iroquois as well as spiritually heroic and masculine to justify their control of the North American landscape (which was a feminine force that needed male protection). Other hagiographies operated to endow the Jesuits with a sense of collective identity with Old World Catholicism. This set them apart from and above their native neighbors who, in hagiographies, were often treated as objects to accentuate the white saint’s holiness, either as villains to overcome or as lost souls to convert.

Through motifs of martyrdom, Catholic collective identity and gendered landscape, the Jesuits created a mythic narrative that enforced a racialized state, glorifying white Christian identity and vilifying native identity. While this rhetoric created a nearly infallible conception of race (then and now), the Jesuits were challenged by the category of native saint. Native saints abandoned their indigeneity, but were still not considered to be on the same tier of perfection as European saints because of their inherent racial otherness. My project locates the discursive machinations behind the creation and maintenance of that racial otherness and, through investigating native sainthood, exposes the ultimate fallacy of race as an absolute, heterogeneous category.

Juliet Castleman Duncan, “Male Representations of Female Sanctity: Thomas of Cantimpré and Lutgard of Aywières”https://scholarworks.uvm.edu/src/2019/program/213/

ABSTRACT: Medieval manuscripts concerning the daily lives and miraculous experiences of living saints contain a great deal of information on how devout Catholics interpreted and understood religious practice and bodily suffering. These manuscripts were written by either the saints themselves, or a scribe and confessor of the saint. In this presentation I examine one such manuscript, Thomas of Cantimpré’s vita of Lutgard of Aywières, in order to understand how medieval fasting practices and conceptions of the body contributed to ideals of female piety in medieval England. In particular, I utilize feminist theories on medieval texts to explore how male scribes writing about female saints contributed to these ideals and thus reinforced gender norms within the catholic church. Based on the emphasis in these texts on Lutgard and other female saints taking on the role of Christ’s virgin bride, I argue that the emphasis placed on female bodily suffering depicted in these texts reflect a societal desire for a more passive female subject. My investigation of this case sheds light on how religious texts attempt to structure religious and social behavioral norms within a society as a whole.

Eliana Fox, “Colonialism in Israel/Palestine: Bedouin Indigeneity & Racialized Religious Definitions” https://scholarworks.uvm.edu/src/2019/program/249/

ABSTRACT: The area that is now deemed as the state of Israel has a complex colonial history. From the Ottoman Empire to the British Empire, this region has always been occupied by a form of colonial power. Indigenous Bedouin people inhabited this region before and alongside these empires, and since Ottoman times have been treated as an internal colony of each empire. With this massively influential history, it should come as no surprise that Israel itself has now become a colonial state. In an exertion of its colonial might, Israel has maintained the internal colony status of indigenous Bedouin people through the decimation and claiming of their spaces.Through processes of imposing racialized, religious categories on Bedouins, the Israeli government defines them as people who are outside of the “normal” body politic, stripping them of rights and humanity. This dehumanization allows Israel to justify its claim to Bedouin spaces. In claiming Israeli authority over these spaces, the government subsequently redefines them as Jewish. The Israeli government imposes a strict definition of white Jewishness to place, completely undermining Bedouin cultures and lifestyles that are deeply tied to land they have inhabited for thousands of years.

Alumni Spotlight: Rebecca Friedlander ’17

Rebecca Friedlander

Rebecca Friedlander ’17

Besides her suitcase and backpack, Rebecca Friedlander ’17 had a lot of intellectual interests to unpack when she arrived at UVM as a first year student in 2013. She was curious about psychology and archaeology—her family paid regular visits to the Chicago Science Museum and she participated in digs near her native Chicago.

To fully explore her options, she enrolled in UVM’s Integrated Humanities Program, which offers a series of courses that studies topics in-depth, from several different disciplinary perspectives. Participants live and learn together. By sharing the same intellectual journey under the same roof, she developed close relationships with her peers and faculty mentors.

It was just the sort of academic experience Friendlander was looking for. She had attended Stevenson High School in North Chicago was interested in pulling up stakes and exploring a new environment. UVM popped up as an option during her college search, and a visit to campus confirmed her early impressions—a substantial research university that projected a friendly, progressive vibe. “I ended up meeting a lot of professors on Admitted Student Day,” she recalls. “They were really impressive people, but also very down to earth.”

The program exposed her to courses she otherwise might have overlooked, and she was fascinated by her class in religion. It led her to take more religion courses, and she was especially inspired by classes with professors Ilyse Morgenstein Fuerst and Vicki Brennan. “The professors in the department really helped me grow as a person,” she said. “They pushed you academically, while at the same time being very approachable.”

Freindlander completed a double major in anthropology and religion at UVM, and after taking a year off to carefully explore her options, she enrolled in a master’s program in archaeological biology at Brandeis University. She’s interested in paleopathology (particularly osteology, the study of the structure and function of bones) in sites in mesoamerica, particularly those that were invaded by the Spanish. “I want to use the scientific aspects of archaeology to broaden our anthropological understanding of past cultures.”

Now in her first year at Brandeis, her current plan is to earn a PhD and teaching in higher education. She’s convinced that her broad liberal arts background has made her a better learner and deeper thinker.

“Both human development and religion are very closely intertwined–they inform each other,” she said. “Studying both gave me multiple areas of human understanding to draw on.”

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Spring 2019 Courses: African Gods/Western Museums

NEW COURSE!!

Professor Brennan is excited to offer a new course that will bring Rel@UVM students into conversation with the curators at the UVM Fleming Museum! With the museum scheduled to renovate its Africa and Ancient Egypt Gallery over the next two years, students in this seminar will have an opportunity to help research some of the objects in the museum’s collection and to provide input into how the museum might organize the display of objects in the gallery.

COURSE DESCRIPTION: This seminar will examine African indigenous religions from the perspective of material culture in order to understand how the colonial encounter between Africans and Europeans impacted the creation, use, interpretation, and display of religious objects. At the same time, we will investigate how African religious objects have been displayed and interpreted in Euro-American museums. In doing so we will explore how African religious objects were transformed into “art” as well as the ways in which the value and authenticity of such objects are determined by different participants, including practitioners, scholars, museum professionals, and museum visitors. We will draw on a variety of media—including hands-on workshops with objects from the Fleming Museum’s collection—in order to consider the impact and interpretive work that the display of African religious objects has on the viewer in the Western museum.

Alumni Spotlight: Jillian Ward ’11

MIND, BODY AND SPIRIT*

If a university education is meant to build not just a career but a productive and meaningful life, Jillian Ward’s UVM experience provides a compelling example. A native of Woodbridge, Conn., Ward ’11 was interested in entering the helping professions and declared psychology as her UVM major. It wasn’t until her second semester that she took an introduction to Asian religions class. She liked it so much, she took a few more religion courses, including sections on African religion and Buddhism. After a while she realized she was accumulating enough credits to earn a double major.

“They were the best classes I ever took, so I just kept taking them. By the time I got to upper level classes, I felt this amazing sense of community shared by a small cohort of students and professors.”

When it came to deep discussions, developing ideas for a thesis project or getting advice on writing and other academic projects, it was mostly faculty in the religion department whom she turned to for guidance. “The department became a sort of a sanctuary for me,” she said.

After UVM, Ward graduated from the University of San Diego with a master’s degree in nursing, and now works as a trauma and neurology RN at Sharp Memorial Hospital in San Diego. The perspectives she gained in her religion courses at UVM, and her interest in yoga, have informed her holistic approach to healing. “I did yoga at UVM and enjoyed it. Then I did it more intensely as a way of dealing with the stress of graduate school. I received my certification as a RYT (registered yoga teacher) and teach part time at Core Power YogaI. Now I see yoga as a key part of providing care that treats the patient’s mind, body, and inner spirit.”

As she becomes grounded in her career, Ward is looking forward: “My goal is to work in palliative care and hospice nursing…One of the reasons why my experience in the religion department was so powerful was the passion the instructors—every one of them—had for the subject matter and for their students,” Ward recalls. “They showed me how important it is to find something to be passionate about.”

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Shakir Stephen ’15

INTELLECTUAL JOURNEY LEADS TO NYU*

Shakir Stephen was born in Montreal and grew up in Southeast London, and his intellectual journey reflects a broad set of interests and potential career paths. After working in as an academic coach in Burlington for three years after graduation, he is bound for New York University where he begins an M.A. program in religion.

Stephen was a talented science student, and his interests in high school seemed to lead him towards the STEM disciplines. “The educational system in the UK is different: the choices for undergraduate study are narrower, and you need to make a decision about your path for studies at a pretty young age, around 16.”

Stephen declared physics as his major upon entering UVM, but something was tugging him  towards the humanities. In his first year at UVM he took several liberal arts courses and found his home in the religion department.

“I took a course on the bible with Anne Clark and she really focused on writing, which I was OK at but because I was concentrating on the sciences I was a little rusty,” he recalls. “She emphasized how important writing was for success in college and beyond, and that really resonated with me.”

Stephen discovered that religion was an ideal prism that brought together perspectives from other disciplines that interested him, including history, philosophy,  sociology and anthropology. At the same time he developed critical thinking, reasoning, writing and presentation skills important for any post-graduate undertaking.

Stephen works as an academic coach at Mansfield Hall in Burlington, an organization offering academic support to college-aged students with learning differences and executive functioning challenges. “These are often high functioning people with executive challenges who need help building skills that set them up for success sin higher education,” Stephen explains.

The job draws on Stephen’s broad educational background, and he’s discovered that he’s a talented teacher. He sought out religion department members Kevin Trainor and Ilyse Morgenstein Fuerst for advice on graduate programs and he settled on NYU. He received a fellowship that covers tuition and fees for the two-year program.

“If it feels right I’d consider going on to get my PhD. Eventually I see myself in the education field in some capacity.”

See a post Shakir Stephen wrote before he left UVM for NYU!

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Kathryn Meader ’15

Skills for Success

When Marshfield, Mass., native Kathryn Meader began burrowing into her college search as a high school junior, one thing in particular about UVM stood out: The university’s first-year Integrated Humanities Program (now called the Liberal Arts Scholars Program, or LASP).

“I had already declared history as my major, and I was attracted by the idea of living and studying with 30 other students who shared my interests,” she said. “I felt like I had 30 new friends the moment I arrived on campus.”

LASP encourages students to wrestle with life’s big questions through an intensive multi-disciplinary approach. Students live in the same Living/Learning Center residence complex, so conversations in the classroom tend to spill over into meals, community activities and events throughout the year.

“We took three courses each semester—in English, History and Religion,” Meader explained. “Professor Sugarman, who was my teacher for fall semester religion course, told me ‘yeah, I think you are really a religion major at heart.’”

The twin majors gave her complementary perspectives on her interest in medieval Christianity, and her research on the twelfth-century abbess, Heloise d’Argenteuil.

The intensive emphasis on critical thinking, writing, and communication–she cites her involvement in the annual Student Research Conference as sharpening her presenting skills—began with her IHP experience and continued on throughout her UVM education. After graduating in 2015 with the religion department’s Outstanding Senior Award, she got a job as a development assistant at the UVM Foundation. She has since been promoted to assistant director of annual giving, and she credits her academic preparation as a key to her success.

“The anthropological reading you do in religion courses help you to consider perspectives outside your own experience,” she says. “ I think that training really helps me in my current work. In the writing that I do every day, it’s important to think about how the recipient is going to read it. This way of thinking also definitely helps me to tell other people’s stories in ways that are inspiring, and effective.”

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Simeon Marsalis ’13

GRAD PLUMBS UVM EXPERIENCE, HISTORY IN DEBUT NOVEL
– By Tom Weaver, Vermont Quarterly, Spring 2018

Simeon Marsalis arrived on the UVM campus in 2009 focused on playing varsity basketball. Though he stepped away from the game after his sophomore season, Marsalis stayed at the university to earn his degree in religion in 2013 and had the rare opportunity to sit among his fellow graduates for a commencement address from his own father, famed musician Wynton Marsalis. Post-graduation, Marsalis has lived in cultural capitals New York City and New Orleans, but Burlington’s hooks remained set within the creative center of his mind. Last year, Catapult Books published Marsalis’s first novel, As Lie Is To Grin, which follows a protagonist named David on a nonlinear journey from his home in New York City to the University of Vermont, and back again.

Between the writing required in his courses and the journaling and fiction he tackled in his free time, Marsalis was well on his way as a writer by the time he graduated. “My work with the Religion Department was essential to my growth as a writer,” he says.

photo: Chris Buck

Post-graduation, Marsalis has lived in cultural capitals New York City and New Orleans, but Burlington’s hooks remained set within the creative center of his mind. This past October, Catapult Books published Marsalis’s first novel, As Lie Is To Grin, which follows a protagonist named David on a nonlinear journey from his home in New York City to the University of Vermont, and back again.

After leaving Burlington, Marsalis found himself frequently returning to study the architecture on campus. The book includes beautifully detailed descriptions of some of UVM’s most notable buildings. Marsalis also spent many hours combing the university archives to research the school’s blemished racial past, which plays a central role in protagonist David’s character development.

“It is about a freshman in college who questions the reasons why he has arrived at that particular university,” the author says, discussing the book’s plot. “He begins to research his own reasons for attending that university, and discovers an alumni ritual with a deeply personal resonance. The campus itself is its own character within the novel. I couldn’t have written this novel if I had not gone to UVM.”

Marsalis’s family roots, surrounded by musical artists, helped instill the confidence and work ethic to pursue a career in writing. “Watching my father and grandfather and uncles all those years allowed me to see the amount of work it takes to make it as an artist,” he says. “It helped me see art not as an abstract pursuit, but as an approachable entity. I had a very real connection to the amount of time it takes to hone an art. I didn’t see it as something that was foreign and unapproachable. I saw it as a distinct language that you had to learn, but once you learn that language, that’s where the freedom and play comes in.”

Spending weekends at his father’s house growing up, Marsalis also saw the amount of work required to make a living off of one’s art. “My father practices obsessively, it was all day,” says Marsalis. “There was always something to work on, whether it be the next piece, refining an old piece, or anything else. As an artist, it can be maddening because there is something you could be working on literally every second of the day. Seeing him and that work ethic, it originally really had an impact on the way I played basketball, because it made me see my goals in that sport as an attainable thing that had to do with work more so than something esoteric like talent or luck. More recently, I place my belief in work and work ethic as a way to develop my writing talent and to cultivate some of my own luck as an artist.”

Between the writing required in his courses and the journaling and fiction he tackled in his free time, Marsalis was well on his way as a writer by the time he graduated. “My work with the Religion Department was essential to my growth as a writer,” he says.

Since the book’s release, Marsalis has traveled widely—Seattle to Austin to Boston and many points between—to promote his novel at readings and festivals. The book has been well-received and got a cover-blurb boost from noted UVM poet/professor Major Jackson. “There are so many people at UVM who have been a big help to me,” says Marsalis. “Obviously Major Jackson, but also Sean Witters and so many people from the Religion Department, like Vicki Brennan and Kevin Trainor.”

Alumni Spotlight: Thomas Mackell ’18

Learning that is Deep and Collaborative*

“At UVM I was studying philosophy at first, which lacked a direct confrontation with a lot of social justice and political issues that religion classes offer, so I added religion as another major. I was exposed to works like Tomoko Masuzawa’s The Invention of World Religions and Saba Mahmood’s Agency, Performativity, and the Feminist Subject, two of the best things I’ve read for any class . . .

“One of the most rewarding experiences at UVM was the work I did as part of professor Vicki Brennan’s classes, which resulted in a museum exhibit ‘Spirited Things‘ held in the fall of 2017. The exhibit included sacred objects from the Yoruba religion of West Africa, and other offshoots of Yoruba in the Americas developed by enslaved Africans who blended their spiritual practices with those of their captors. First, I took a religion seminar in the spring prior to the exhibit where we did a lot of research to prepare for the exhibit. In the fall I took another course concentrating on ethnography of museum visitors who were largely unfamiliar with these religions. The context of a Western museum typically implies that these objects must be very old and come from faraway places–therefore they are usually exhibited mainly for their value as natural history. However, in ‘Spirited Things’ many of the objects came from the contemporary Afro-Atlantic diaspora including cities like L.A. and New York. These objects were imbued with power and meaning for ritual purposes, and revered in their own right . . .

“A small statue of the Afro-Cuban goddess Yemayá, manufactured in China in 2014 and picked up by Matory in a Los Angeles botanica, served as the inspiration for independent research.For me it inspired an independent study centering around one of the objects in the exhibit, a statue of Yemaya. I ended up publishing a paper ‘Yemayá on Display: Post-Colonial Contact Zones in the Museum,’ and made a presentation at a spring symposium.”

–Thomas Mackell ’18

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!