Category Archives: Uncategorized

The piano, more than any other instrument, has the capacity to evoke the sound of a group of players.  In the Dave McKenna version of ‘C Jam Blues’ that I transcribed in the last post, it could be argued that … Continue reading →

The concept of food pairings is one that I’ve learned a great deal about from my wife, Amber deLaurentis, a great pianist, vocalist and songwriter who happens to be an amazing artist in the kitchen as well. In food pairing, … Continue reading →

Four of my piano students recently played in a workshop with the great Henry Butler, one of the prime exponents of the New Orleans piano style. (Many thanks Steve MacQueen and Madeline Bell from the Flynn as well as Dr. … Continue reading →

In hopes of shedding some light on the difficult balancing act of jazz comping, I have transcribed the work of two great jazz pianists who were also great accompanists (or ‘compers’.) Among other things, these comping parts by Sonny Clark … Continue reading →

A recent news story described how publishers who represent songwriters Jeff Lynne and Tom Petty contacted publishers for singer/songwriter Sam Smith about  a four-bar similarity between the melody and chord progression of Lynne and Petty’s 1989 hit song ‘Won’t Back … Continue reading →

In my Theory and Practice of Jazz Improvisation class at UVM, we study some building blocks of the bebop melodic language which Barry Harris has assembled and codified as the ‘5-4-3-2’ licks.  They are four short licks of between four … Continue reading →

My exercise ‘Jody, Donna, Four Brothers and Koko’ is the second in a series of exercises including licks from ‘Donna Lee’ (the first, ‘Midnight Donna and Reets in Paris’ is in an earlier post.)  Besides ‘Donna Lee’, other sources I … Continue reading →

The word ‘virus’ is most often associated with negative and harmful microbes, from actual diseases like pneumonia and H1N1 to the fictional virus that kills off most of the Earth’s population in the recent Planet of the Apes movies.  The … Continue reading →

This post starts with an exercise showing how typical jazz piano chord voicings for the one-bar ii-V progression are also expressed ‘horizontally’ in melodic patterns from classic bebop lines.   Below the exercise are some thoughts on how the use … Continue reading →

Charlie Parker recorded a number of solos on the chord progression to ‘What Is This Thing Called Love’.   On two of these performances, a 1952 studio version of ‘What Is This Thing’ with a big band and a live … Continue reading →