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‘You Need To Lift It’: A Visit From Henry Butler

Four of my piano students recently played in a workshop with the great Henry Butler, one of the prime exponents of the New Orleans piano style. (Many thanks Steve MacQueen and Madeline Bell from the Flynn as well as Dr. … Continue reading

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Summer Comping Trip: a play-by-play analysis of two great jazz soloist-accompanist combinations

In hopes of shedding some light on the difficult balancing act of jazz comping, I have transcribed the work of two great jazz pianists who were also great accompanists (or ‘compers’.) Among other things, these comping parts by Sonny Clark … Continue reading

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‘Ornithology’: the memory palace of two bebop masterminds

A recent news story described how publishers who represent songwriters Jeff Lynne and Tom Petty contacted publishers for singer/songwriter Sam Smith about  a four-bar similarity between the melody and chord progression of Lynne and Petty’s 1989 hit song ‘Won’t Back … Continue reading

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Charlie Parker and Alan Turing: cracking the bebop code

In my Theory and Practice of Jazz Improvisation class at UVM, we study some building blocks of the bebop melodic language which Barry Harris has assembled and codified as the ‘5-4-3-2’ licks.  They are four short licks of between four … Continue reading

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Will The Circle Be Unbroken, Part 2: an exercise and reflections on the circle of descending fifths and the dominant cycle

My exercise ‘Jody, Donna, Four Brothers and Koko’ is the second in a series of exercises including licks from ‘Donna Lee’ (the first, ‘Midnight Donna and Reets in Paris’ is in an earlier post.)  Besides ‘Donna Lee’, other sources I … Continue reading

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Viral Rhythm

The word ‘virus’ is most often associated with negative and harmful microbes, from actual diseases like pneumonia and H1N1 to the fictional virus that kills off most of the Earth’s population in the recent Planet of the Apes movies.  The … Continue reading

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Midnight Donna and Reets in Paris: anagrams, mirrors and the one bar ii-V

This post starts with an exercise showing how typical jazz piano chord voicings for the one-bar ii-V progression are also expressed ‘horizontally’ in melodic patterns from classic bebop lines.   Below the exercise are some thoughts on how the use … Continue reading

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What is this scale called: Charlie Parker, Barry Harris and the minor ii-V progression

Charlie Parker recorded a number of solos on the chord progression to ‘What Is This Thing Called Love’.   On two of these performances, a 1952 studio version of ‘What Is This Thing’ with a big band and a live … Continue reading

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Six Degrees of Bud Powell, Part ii-V-I

Continuing with the last post’s theme of Bud Powell’s influence, here are four licks that outline the major ii-V-I progression, each with a connection to Bud.  The first ii-V-I lick listed above is from the Denzil Best tune  ‘Move’ .  … Continue reading

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Six Degrees of Bud Powell

In a recent appearance on the NPR quiz show ‘Wait, Wait, Don’t Tell Me”, the actor Kevin Bacon was asked how he felt about ‘Six Degrees of Kevin Bacon’, a game which was invented by college students in the 1990s … Continue reading

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