Category Archives: Uncategorized

‘Weathervane’ is a tune I composed based on the chord changes to the standard ‘Yesterdays’ by composer Jerome Kern and lyricist Otto Harbach.  Some charts for the tune are below. It is inspired by the melodic language of Charlie Parker, … Continue reading →

Suzi Stern is a gifted and innovative jazz vocalist from the Austin, Texas area. While she has quite a range of recordings available, I discovered her work through the 2000 album ‘Inside Stories’, which I found while searching for vocal … Continue reading →

‘Mary Lou at the Savoy’ is a tribute to the great jazz pianist, composer and educator Mary Lou Williams (1910 – 1981), whose career spanned most of the twentieth century and who influenced and contributed to every major era of … Continue reading →

My tune ‘Birdhouse’ (click on the title to hear a recording by my quartet Birdcode) is based on the chord changes of Sonny Rollins’ ‘Pent-Up House’ and is inspired by melodic language from a particular group of tunes and players … Continue reading →

My students often ask me: ‘how can I get better at comping?’ or ‘how can I get better at playing with singers?’  In developing my response to these important questions over the years, I’ve found that it’s fascinating to look … Continue reading →

I recently watched a PBS documentary called ‘The American Epic Sessions’,  which features the producer and guitarist Jack White resurrecting a Western Electric recording lathe from the early twentieth century for modern-day use.  ‘The American Epic Sessions’ is the concluding … Continue reading →

‘That Thing You Said’ is a bebop-style melody line that I composed on the chord changes to Cole Porter’s ‘What Is This Thing Called Love’.  (Thanks to jazz singer Linda Oats for coming with the tune’s title after hearing it … Continue reading →

‘Silverbird’ is a melody line I composed on the chord progression of the jazz standard ‘There Is No Greater Love’.  This line is meant to demonstrate key aspects of the bebop melodic style, including its balance of arpeggiation and step motion, … Continue reading →

Above: Jack Teagarden, Dixie Bailey, Mary Lou Williams, Tadd Dameron, Hank Jones, Dizzy Gillespie and Milt Orent around the piano at Mary Lou Williams’ apartment / Below: the same group in a different order around the phonograph (i.e. turntable)   … Continue reading →

The exercise notated in the pdf and demonstrated in the keyboard video above combines one-octave major scales using a ‘seven up and down’ pattern with a progression that could be called the two-bar ii-V-I or ‘short’ ii-V-I.   Briefly, a major … Continue reading →