Spring 2019 Courses: Religious Literacy

NEW COURSE!!

We are excited to offer this new course on Religious Literacy, taught by Professor Trainor.  Whether you want to better understand the role of religion in current events, or you want to dive deeper into debates such as the relationships between religion and science or religion and law that are central to how we understand life today, this is the course for you.  You will also be asked to consider how the study of religion might help shape your life after college–how it fits in with a variety of careers, such as politics, medicine, law, counseling, journalism, or the arts, and also how it provides preparation for living in an increasingly globalized world.

COURSE DESCRIPTION: Religious literacy entails a basic understanding of the history and contemporary manifestations of religion, including central texts (where applicable), beliefs, and practices as they are shaped by particular social, historical and cultural contexts, as well as the ability to discern and explore the religious dimensions of political, social and cultural expressions across time and place. While all Religion courses speak to issues of religious literacy, this course takes religious literacy as its primary site of investigation. This course is designed, therefore, to introduce students to key topics in the study and application of religious literacy, such as theories and histories of the term itself, public expressions of religion, and profession-specific engagements with religion. For example, during the middle unit of the course, students will undertake a case study of “mindfulness” in North America, exploring its development as a “secular” phenomenon, its uses in medical, educational, and entrepreneurial settings, and its ties (historic and contemporary) to religious practices, texts, and beliefs. This intermediate-level course asks questions about religion in ways that are consistent with contemporary methods and theories in this field and prepares students to apply what they learn to a variety of possible professional settings.

Spring 2019 Courses: Islam & Race

NEW COURSE!

Islam & Race is a new course in Religion
and counts toward University D1 requirements.
Why this course? Why now?
Hate crimes are on the rise against every minority. We have seen calls to ban refugees, ban immigrants, and ban Muslims. We talk about countries as “Muslim states.” When we hear “Muslim” we think “terrorist.” Many Sikh Americans who wear turbans are victims of anti-Muslim crimes.
All of these grim facts reflect a racialization of religion—a process that collapses many identities, ethnicities, languages, nationalities into one overarching race. We can’t understand things like an uptick in hate crimes, how Sikhs are prominent victims of anti-Muslim violence, how whole countries can be seen as the same as each other because of religion, how very different communities are seen as the same, and how “Islamophobia” became real without understanding how Islam and race are conflated, constructed, and operate.

COURSE DESCRIPTION

Islam is not a race—religions are not races—but Islam and religions can and are racialized. In this course, we examine how Islam and Muslims (those who practice Islam) come to be seen as a cogent race. The racialization of Islam and Muslims is global, and in this course we will reference transnational and historical patterns of race, religion, and Islam, but we focus on North America to keep our scope maintainable. The course takes theoretical ideas (definitions of race and religion and the racialization of religion) and explores them in case studies related to Muslims—and those imagined to be Muslims—in North America. We explore notions of “whiteness,” “brownness,” and “blackness” as they play out for Muslims as well as Islamophobia, surveillance, and the category of “Muslim” itself.  This intermediate-level course asks questions about Islam and race in ways that are consistent with contemporary methods and theories of the study of religion and the study of race, preparing students to apply what they learn to other religion courses, other religious traditions, and in daily experiences of a world marked by religious and racial identifiers.

COURSE HIGHLIGHTS

  • Examination of “whiteness,” “brownness,” and “blackness” through primary and secondary materials as well as a lot from films, TV, Twitter, and music!
  • Guest lecturers via Skype and (fingers crossed) in person
  • Skills-focused assignments: writing for multiple audiences; assessment of sources; creative and independent project

COURSE OBJECTIVES

  • Students will develop an awareness of “race” as it relates to North America and Islam/Muslims, which includes historical and contemporary issues .
  • Students will develop an appreciation for their own assumptions of race, religion, and Islam.
  • Students will come to understand the intersection of race, religion, and Islam, including how these ideas come to affect people’s lives, community structures and practices, and institutions.
  • Students will develop critical thinking skills that will empower them to discern diverse viewpoints analytically, thoughtfully, and rigorously.
  • Students will work on transferrable skills, such as critical reading and writing, in order to interpret and evaluate course materials, popular culture, as well as books, articles, media, and more.

Spring 2019 Courses: Comparing Religions

This course uses three “case study” religions to explore the questions of “What is religion?” and how can we begin to compare religions? We’ll look at stories, rituals, beliefs, and social roles from Buddhism, Islam, and Navajo religion, using the theories of scholars of religion. We’ll explore how religion can be intensely personal, involving visions and experiences that change a person, and change the course of history. We’ll grapple with the ways religions shape our understanding of what it means to be good or evil, and what it means to be a human, or a god, or an animal, and what happens to us after we die. We will work together to explore the diversity we find within religious traditions, reflecting complicated relationships between religion and culture, demonstrating that religion, far from being a fixed object that we can pin down, is fluid over time and across the globe.

Spring 2019 Courses: Introducing Islam

Islam is, in our post-9/11 world, a feature of the daily news; nearly 2 billion people worldwide identify as Muslims; and Muslims have been a part of the American religious landscape since the slave trade moved Muslim Africans to our shores. No doubt, this is an historic and yet timely topic, very much worthy of our attention. But how much do you really know about Muslims or Islam? This course examines the history of Islam, focusing especially on its variation over time and location. By examining practices and writings of Muslims in multiple locations, we will complicate the idea that Islam is a discrete, universal set of ideas, practices, or beliefs.

Spring 2019 Courses: Religion, Health, & Healing

NEW COURSE!

Professor Brennan is excited to offer a new intro-level course on “Religion, Health, and Healing” this spring. Given Professor Brennan’s areas of expertise, the course will emphasize religious cultures found on the African continent. However, the case studies considered center on the role of religion in ideas about health and healing, as well as how disease and illness are interpreted and acted on through religious means.

COURSE DESCRIPTION:

This course is a comparative and cross-cultural exploration of the relationships between religion, health, and healing. Through a consideration of case studies from the US, South Africa, Niger, Ethiopia, and Egypt (among others), we will examine how religion shapes people’s understanding of health and well-being and provides them with a means of interpreting and responding to illness, suffering, and death. Drawing upon interdisciplinary approaches that include religious studies, anthropology, history, music, and ethnic and gender studies, we will consider the diversity of ways in which religion both reflects and shapes ideas about health, well-begin, illness and disease. We will consider topics such as: spirit possession and altered states of consciousness, the importance of sound and music to healing processes, issues of race, gender, and sexuality in relation to religious worldviews and healing systems, and the possibilities and potentials for integrating indigenous healing practices with Western bio-medicine.

COURSE OBJECTIVES

• Students will develop an awareness of the diversity of attitudes towards religion, health, and healing in both Euro-American and non-European cultural contexts.

• Students will develop an appreciation for the assumptions upon which their own ideas about religion, health, and healing are based.

• Students will come to understand the intersection between religion and healing in a variety of contexts, including how such ideas came to be, how ideas about religion and healing are articulated in a variety of forms including ritual, biography, and political action, and how they are represented in a variety of media including scholarly writing, popular media, and films.

• Students will develop critical thinking skills that will enable them to analyze information and evaluate arguments from diverse viewpoints and multiple perspectives.

• Students will develop critical reading and writing skills that will allow them to interpret and apply the knowledge acquired in this class.

Alumni Spotlight: Jillian Ward ’11

MIND, BODY AND SPIRIT*

If a university education is meant to build not just a career but a productive and meaningful life, Jillian Ward’s UVM experience provides a compelling example. A native of Woodbridge, Conn., Ward ’11 was interested in entering the helping professions and declared psychology as her UVM major. It wasn’t until her second semester that she took an introduction to Asian religions class. She liked it so much, she took a few more religion courses, including sections on African religion and Buddhism. After a while she realized she was accumulating enough credits to earn a double major.

“They were the best classes I ever took, so I just kept taking them. By the time I got to upper level classes, I felt this amazing sense of community shared by a small cohort of students and professors.”

When it came to deep discussions, developing ideas for a thesis project or getting advice on writing and other academic projects, it was mostly faculty in the religion department whom she turned to for guidance. “The department became a sort of a sanctuary for me,” she said.

After UVM, Ward graduated from the University of San Diego with a master’s degree in nursing, and now works as a trauma and neurology RN at Sharp Memorial Hospital in San Diego. The perspectives she gained in her religion courses at UVM, and her interest in yoga, have informed her holistic approach to healing. “I did yoga at UVM and enjoyed it. Then I did it more intensely as a way of dealing with the stress of graduate school. I received my certification as a RYT (registered yoga teacher) and teach part time at Core Power YogaI. Now I see yoga as a key part of providing care that treats the patient’s mind, body, and inner spirit.”

As she becomes grounded in her career, Ward is looking forward: “My goal is to work in palliative care and hospice nursing…One of the reasons why my experience in the religion department was so powerful was the passion the instructors—every one of them—had for the subject matter and for their students,” Ward recalls. “They showed me how important it is to find something to be passionate about.”

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Shakir Stephen ’15

INTELLECTUAL JOURNEY LEADS TO NYU*

Shakir Stephen was born in Montreal and grew up in Southeast London, and his intellectual journey reflects a broad set of interests and potential career paths. After working in as an academic coach in Burlington for three years after graduation, he is bound for New York University where he begins an M.A. program in religion.

Stephen was a talented science student, and his interests in high school seemed to lead him towards the STEM disciplines. “The educational system in the UK is different: the choices for undergraduate study are narrower, and you need to make a decision about your path for studies at a pretty young age, around 16.”

Stephen declared physics as his major upon entering UVM, but something was tugging him  towards the humanities. In his first year at UVM he took several liberal arts courses and found his home in the religion department.

“I took a course on the bible with Anne Clark and she really focused on writing, which I was OK at but because I was concentrating on the sciences I was a little rusty,” he recalls. “She emphasized how important writing was for success in college and beyond, and that really resonated with me.”

Stephen discovered that religion was an ideal prism that brought together perspectives from other disciplines that interested him, including history, philosophy,  sociology and anthropology. At the same time he developed critical thinking, reasoning, writing and presentation skills important for any post-graduate undertaking.

Stephen works as an academic coach at Mansfield Hall in Burlington, an organization offering academic support to college-aged students with learning differences and executive functioning challenges. “These are often high functioning people with executive challenges who need help building skills that set them up for success sin higher education,” Stephen explains.

The job draws on Stephen’s broad educational background, and he’s discovered that he’s a talented teacher. He sought out religion department members Kevin Trainor and Ilyse Morgenstein Fuerst for advice on graduate programs and he settled on NYU. He received a fellowship that covers tuition and fees for the two-year program.

“If it feels right I’d consider going on to get my PhD. Eventually I see myself in the education field in some capacity.”

See a post Shakir Stephen wrote before he left UVM for NYU!

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Kathryn Meader ’15

Skills for Success

When Marshfield, Mass., native Kathryn Meader began burrowing into her college search as a high school junior, one thing in particular about UVM stood out: The university’s first-year Integrated Humanities Program (now called the Liberal Arts Scholars Program, or LASP).

“I had already declared history as my major, and I was attracted by the idea of living and studying with 30 other students who shared my interests,” she said. “I felt like I had 30 new friends the moment I arrived on campus.”

LASP encourages students to wrestle with life’s big questions through an intensive multi-disciplinary approach. Students live in the same Living/Learning Center residence complex, so conversations in the classroom tend to spill over into meals, community activities and events throughout the year.

“We took three courses each semester—in English, History and Religion,” Meader explained. “Professor Sugarman, who was my teacher for fall semester religion course, told me ‘yeah, I think you are really a religion major at heart.’”

The twin majors gave her complementary perspectives on her interest in medieval Christianity, and her research on the twelfth-century abbess, Heloise d’Argenteuil.

The intensive emphasis on critical thinking, writing, and communication–she cites her involvement in the annual Student Research Conference as sharpening her presenting skills—began with her IHP experience and continued on throughout her UVM education. After graduating in 2015 with the religion department’s Outstanding Senior Award, she got a job as a development assistant at the UVM Foundation. She has since been promoted to assistant director of annual giving, and she credits her academic preparation as a key to her success.

“The anthropological reading you do in religion courses help you to consider perspectives outside your own experience,” she says. “ I think that training really helps me in my current work. In the writing that I do every day, it’s important to think about how the recipient is going to read it. This way of thinking also definitely helps me to tell other people’s stories in ways that are inspiring, and effective.”

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Simeon Marsalis ’13

GRAD PLUMBS UVM EXPERIENCE, HISTORY IN DEBUT NOVEL
– By Tom Weaver, Vermont Quarterly, Spring 2018

Simeon Marsalis arrived on the UVM campus in 2009 focused on playing varsity basketball. Though he stepped away from the game after his sophomore season, Marsalis stayed at the university to earn his degree in religion in 2013 and had the rare opportunity to sit among his fellow graduates for a commencement address from his own father, famed musician Wynton Marsalis. Post-graduation, Marsalis has lived in cultural capitals New York City and New Orleans, but Burlington’s hooks remained set within the creative center of his mind. Last year, Catapult Books published Marsalis’s first novel, As Lie Is To Grin, which follows a protagonist named David on a nonlinear journey from his home in New York City to the University of Vermont, and back again.

Between the writing required in his courses and the journaling and fiction he tackled in his free time, Marsalis was well on his way as a writer by the time he graduated. “My work with the Religion Department was essential to my growth as a writer,” he says.

photo: Chris Buck

Post-graduation, Marsalis has lived in cultural capitals New York City and New Orleans, but Burlington’s hooks remained set within the creative center of his mind. This past October, Catapult Books published Marsalis’s first novel, As Lie Is To Grin, which follows a protagonist named David on a nonlinear journey from his home in New York City to the University of Vermont, and back again.

After leaving Burlington, Marsalis found himself frequently returning to study the architecture on campus. The book includes beautifully detailed descriptions of some of UVM’s most notable buildings. Marsalis also spent many hours combing the university archives to research the school’s blemished racial past, which plays a central role in protagonist David’s character development.

“It is about a freshman in college who questions the reasons why he has arrived at that particular university,” the author says, discussing the book’s plot. “He begins to research his own reasons for attending that university, and discovers an alumni ritual with a deeply personal resonance. The campus itself is its own character within the novel. I couldn’t have written this novel if I had not gone to UVM.”

Marsalis’s family roots, surrounded by musical artists, helped instill the confidence and work ethic to pursue a career in writing. “Watching my father and grandfather and uncles all those years allowed me to see the amount of work it takes to make it as an artist,” he says. “It helped me see art not as an abstract pursuit, but as an approachable entity. I had a very real connection to the amount of time it takes to hone an art. I didn’t see it as something that was foreign and unapproachable. I saw it as a distinct language that you had to learn, but once you learn that language, that’s where the freedom and play comes in.”

Spending weekends at his father’s house growing up, Marsalis also saw the amount of work required to make a living off of one’s art. “My father practices obsessively, it was all day,” says Marsalis. “There was always something to work on, whether it be the next piece, refining an old piece, or anything else. As an artist, it can be maddening because there is something you could be working on literally every second of the day. Seeing him and that work ethic, it originally really had an impact on the way I played basketball, because it made me see my goals in that sport as an attainable thing that had to do with work more so than something esoteric like talent or luck. More recently, I place my belief in work and work ethic as a way to develop my writing talent and to cultivate some of my own luck as an artist.”

Between the writing required in his courses and the journaling and fiction he tackled in his free time, Marsalis was well on his way as a writer by the time he graduated. “My work with the Religion Department was essential to my growth as a writer,” he says.

Since the book’s release, Marsalis has traveled widely—Seattle to Austin to Boston and many points between—to promote his novel at readings and festivals. The book has been well-received and got a cover-blurb boost from noted UVM poet/professor Major Jackson. “There are so many people at UVM who have been a big help to me,” says Marsalis. “Obviously Major Jackson, but also Sean Witters and so many people from the Religion Department, like Vicki Brennan and Kevin Trainor.”

Alumni Spotlight: Thomas Mackell ’18

Learning that is Deep and Collaborative*

“At UVM I was studying philosophy at first, which lacked a direct confrontation with a lot of social justice and political issues that religion classes offer, so I added religion as another major. I was exposed to works like Tomoko Masuzawa’s The Invention of World Religions and Saba Mahmood’s Agency, Performativity, and the Feminist Subject, two of the best things I’ve read for any class . . .

“One of the most rewarding experiences at UVM was the work I did as part of professor Vicki Brennan’s classes, which resulted in a museum exhibit ‘Spirited Things‘ held in the fall of 2017. The exhibit included sacred objects from the Yoruba religion of West Africa, and other offshoots of Yoruba in the Americas developed by enslaved Africans who blended their spiritual practices with those of their captors. First, I took a religion seminar in the spring prior to the exhibit where we did a lot of research to prepare for the exhibit. In the fall I took another course concentrating on ethnography of museum visitors who were largely unfamiliar with these religions. The context of a Western museum typically implies that these objects must be very old and come from faraway places–therefore they are usually exhibited mainly for their value as natural history. However, in ‘Spirited Things’ many of the objects came from the contemporary Afro-Atlantic diaspora including cities like L.A. and New York. These objects were imbued with power and meaning for ritual purposes, and revered in their own right . . .

“A small statue of the Afro-Cuban goddess Yemayá, manufactured in China in 2014 and picked up by Matory in a Los Angeles botanica, served as the inspiration for independent research.For me it inspired an independent study centering around one of the objects in the exhibit, a statue of Yemaya. I ended up publishing a paper ‘Yemayá on Display: Post-Colonial Contact Zones in the Museum,’ and made a presentation at a spring symposium.”

–Thomas Mackell ’18

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!