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Continuing from the previous post

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“For Buddhism,” Clark writes, “the negative path of the destruction of illusion is inseparably linked to the positive path of an open, awakened, and compassionate response to a living, non-objectifiable reality, the ‘nature that is no nature.’’’

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John Clark’s recent article in Capitalism Nature Socialism, “On being none with nature: Nagarjuna and the ecology of emptiness,” has gotten my neurons firing in a productive way. Clark is a political philosopher whose book The Anarchist Moment had long ago excited me about the prospect of melding together a Daoist-flavored, but Murray Bookchin-inspired eco-anarchism with a Foucauldian critique of power. Clark abandoned his Bookchinian social ecology years ago, finding Bookchin’s project too limiting (though he still sees the need to periodically inveigh against it). But it’s good to see that he is still working on a socio-ecological project that continues to synthesize, deeply and thoroughly, from eastern as well as western traditions.

This particular piece is among the best attempts I’ve seen to apply Nagarjuna’s Madhyamaka (Madhyamika) philosophy to environmental ethics, and it raises issues of relevance to ecophilosophy, the relational/objectological debate that featured here a little while ago, and eco-social liberatory practice. Since the article is only available through a personal or institutional subscription to the journal, I’m cutting and pasting some favorite passages into this post, interspersed with comments recontextualizing Clark’s argument within the philosophical currents I’ve been exploring here — specifically, Deleuze, Derrida, Lacan/Zizek, and others. What follows isn’t an in-depth philosophical analysis, and there remain many issues one could try to work out in the relationship between these different thinkers and traditions. I just wish to point out some of the resonances here. (And, sympathizing with Tim Morton’s — that Deleuzian anti-Deleuzian’s 😉 — recent lament about Derrida’s burial beneath mountains of Deleuze, I’ll briefly touch on their compatibility here, at least in a cursory way. They are both, after all, “philosophers of difference” — as one might argue Nagarjuna is, too — but I’ll be the first to acknowledge that there remain large differences, no pun intended, between their philosophical projects.)

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I’m happy to share the news (a little belatedly) that complexity theorist Stuart Kauffman will be leaving his position as director of the University of Calgary’s Institute for Biocomplexity and Informatics to take a position here with the University of Vermont’s Complex Systems Center, which, according to Grad College dean Dom Grasso, aims to become “the Santa Fe Institute of the East.” What form that may take is currently a little up for grabs, as UVM reconfigures its graduate offerings through a series of transdisciplinary research initiatives. But it’s a very safe bet that both environmental (including socio-environmental) research and complex systems research will continue to grow, and my hope is that Kauffman’s arrival may herald greater collaboration not only between those two broad fields but with humanists, philosophers, and cultural studies folks as well.

Kauffman’s books Reinventing the Sacred — see this video to get an idea of it — and At Home in the Universe both resonate well with the ideas explored on this blog (from Connolly’s immanent naturalism and Whitehead’s process thought to Deleuzian and Spinozan thought on nature and society), as I’ve posted about previously. I look forward to having him as a colleague.

Slavoj Zizek’s engagement with theologians like radical orthodoxist John Milbank continues to perplex me a little bit, but having heard him speak a few days ago with death-of-God theologian Thomas Altizer at the American Academy of Religion meeting in Montreal left me reassured me that Zizek is far from the wildest (and zaniest) mind out there. Altizer’s voice thundered through the Palais des Congres conference room as he corralled Hegel and William Blake into a kind of ecstatic rave-up on Satan and the self-annihilation of God. I’m not familiar enough with Altizer’s thinking to judge it, but it sounded a little to me like taking two parts X (in this case, Hegel), one part Y (Blake), and sprinkling in some N and M (Nietzsche and Jung?) just to see what will come of it (something, I think, about spirit’s immanence in the world through the self-annihilation of God via Christ). [sentence deleted out of respect]*

But Zizek’s big argument was the same as ever: that the relativists, postmodernists, multiculturalists, holists, pagans, buddhists, relationalists, Deleuzians, and even deconstructive theologians like John Caputo (addressed directly) are all wrong, and are really just propping up the illusory Big Other instead of releasing us into the revolutionary moment, and that what we need instead is a Leninist revolutionary force to bring about, I guess, an egalitarian utopia on Earth.

I like watching Zizek perform and enjoy his post-Yugoslav sense of humor, and I think his big Lacanian thought is a very good one to have around — on ecological matters no less than on others (though there’s an incoherent desperation in his writing on ecology that makes me glad Tim Morton is around to tell us more clearly what Zizek would like to say). But I can’t help wondering if there’s a kind of continuity — not of ideas, but of sensibility — developing between his (and Alain Badiou’s) ultra-Left neo-Orthodoxy and other orthodoxies, like the Radical Orthodoxy of Milbank and of Philip Blond, spiritual gurus for some of the “red Tories” among David Cameron’s soon-to-be-ruling Conservatives in the UK, and maybe even the Radical Traditionalists that have influenced the European New Right (including the neo-‘Pagans’ among them such as Russia’s Aleksandr Dugin and France’s Alain de Benoist). I haven’t read Zizek’s/Milbank’s Monstrosity of Christ (being, quite honestly, a little afraid of it), only reviews of it; but it does seem to me that all of these neo-orthodoxies are fervently anti-liberal, both in liberalism’s economic (neoliberal) and its cultural variants, and are either sour on democracy, or at least merely utilitarian in their approach to it.

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This blog was added to the Directory of Best Green Blogs earlier today. To honor that I thought I would re-post a link to one of my favorite climate change related videos: the plastic bag polar bears emerging from the subway vent and melting back into them (i.e., the Environmental Defense Fund NYC subway ad campaign video, with music by Stars of the Lid).

(But do we still say “Save the Planet” these days? Can someone come up with a better three-word slogan?)

And then there’s GP2 (the Great Pacific Garbage Patch, a.k.a. the Pacific Trash Vortex), and the artists who are out there now. This from Midway Atoll, near the apex of the North Pacific Gyre:

http://www.youtube.com/watch?v=7iBq4_IM9DA&hl=en&fs=1&

Folks, do something. First about greenhouse gases, then about the impending ocean aquacalypse, and global poverty, and everything else. Enjoying every minute of it while you’re doing it.

(For some reason, this didn’t go out over Google Reader, so I’m re-posting it…)

The Speculative Realist blogosphere has been abuzz over the relationship between ontology and politics. Nick Srnicek’s post at Speculative Heresy – and the many comments on it – provide a good entry point to this discussion. Nick has wisely redrawn his initial arguments in ways that represent the counter-arguments quite well, so that both (or all) sides seem smarter and more clear-headed coming out of the process than going into it — which is what good philosophizing should be about.

The key, as he presents it, is to define politics in a viable and useful way: is it just about relations between humans and other humans (as he first assumed), or is it about ‘the way of being-with amongst entities’, ‘the act of deciding exclusion and inclusion,’ ‘the space of the im/possible’ (a Derridean formulation that needs more clarification, so see Nick’s elaboration on it), or something else. Nick argues that “if we’re not careful, everything becomes politics, and nothing gets changed. Art becomes intrinsically political. Ineffective protests become political (rather than spectacle). Writing blog posts becomes political! Politics – if it is to mean anything, and if it is to escape the nihilism and apoliticism that Nina rightly criticizes – must have a narrower definition than these neutered conceptions of the political.

I agree with Nick that the definition of ‘politics’ should not be fully subsumed within the definition of ‘art’ (or ‘philosophy’ or religion’ or ‘science’ or ‘nature’ or anything else) — losing the distinctiveness of each of these terms renders the world less distinct and gives us a weaker grasp on things. But art, philosophy, etc. can still be political, and identifying overlaps between these categories can do important work for us.

Politics, to my mind, is about relationality — ‘the way of being-with amongst entities’, ‘the act of deciding exclusion and inclusion,’ etc. — but it doesn’t just describe that relationality; it affects it. Something becomes political to the extent that it effects change in relations, and specifically in power relations — that is, to the extent that it opens up, closes down, or somehow reorients or reconfigures capacities (one’s own and/or others’) for acting and for effecting change in the world.

This seems circular, but I’m trying to be consistent here with a process-relational ontology. To say that ‘politics’ is about ‘effecting change in the ways change can be effected’ is to render politics open in a world that is itself open. If voting cannot effect change, then it is not (any longer) political; or rather it is negatively political to the extent that it closes down the possibility for change, for instance, by creating the illusion that one is making change when one isn’t. Politics, by this definition, consists of those adjustments, negotiations, and struggles by which we reconfigure power in the world (where power is not just ‘power over’ but power-to, power-with, etc.). This can be done through art or philosophy, i.e. through the expression or conceptual formulation of new or different ways of relating, to the extent that these then affect actual relations in the world. But it is not identical with them.

And it can be not only between humans, since humans aren’t the only entities acting within a shared world. But humans have been pretty effective at changing others’ capacities for acting on their worlds, so politics – cosmopolitics, in Stengers’ terms – should today be about the nonhuman as well as the human .

Derek Wall at the eco-lefty Another Green World has just alerted us to an excellent piece new Nobel Laureate Elinor Ostrom has written on the climate change debate. Please read it, ye Copenhagen-bound.

http://www.youtube.com/watch?v=kdz555JBIwY&hl=en&fs=1&

Also published at Indications.

Having just written a piece for Environmental Communication about the promises and pitfalls of cognitive science-based approaches to communicating about issues like climate change, I can’t help commenting on this video and blog post that arrived this morning on my blog reader from identity campaigning, re-posted from Cognitive Policy Works. The piece both captures and fails to capture salient issues in this debate…

The author, Joe Brewer, gets it right in arguing that the video successfully applies the following “lessons” from cognitive science:

1) That our thinking works in visual and embodiment-based metaphors: Yes, the video employs the graphic physical embodiment of such metaphors portrayed through movement, gesture, dress, etc.

2) That it “makes climate change sexy”: Yes, it does this through the way it elicits, solicits, and interpellates the viewer in a process of desire, a directional build-up whereby we want to “finish the job” of stripping the supermodel. It’s left up to us to do that in our imagination. It’s now in our hands, like a video-game joystick. (Take that where you will…) This point is made by Brewer’s second (“sexy”) and fourth (image schemas) arguments. (The latter, his “balance” and “source-path-goal” schemas, are a fancy way of saying that the metaphors are based in the capacities of the body — for movement toward a goal, for balance, etc.)

3) That it’s effective marketing. Indeed. At 160,000 views as I write, it’s now had 50,000 more views since he wrote his piece.

But his point that it “deconstructs the fashion industry” is wishful thinking on Joe’s part. It plays along with that industry, adding fuel to its workings. (Underwear ads are just as much a part of the industry as are ads for jeans and fur coats, and provoking viewers’ desires to see naked bodies doesn’t take anything away from clothing manufacturers’ ability to sell those bodies clothes.) It adds to the normalization of a certain body image for women: all the models are unhealthily tooth-pick thin women, and all follow the script of how sexy women are supposed to look at their audience of unseen voyeurs. (And did anyone else notice that the more they strip, the more they look 15 years old?) Of course, there’s nothing to stop others from doing alternative versions of this featuring non-white models, male strippers, transvestites, or anything else — which is the argument of the pro-porn feminists, the green fashionistas, et al.

But another thing that strikes me is that the final take-home verbal message — “If you want to see 350, our natural state, you have to get your politicians to act now” (emphasis added) — is not conveyed in a visually or metaphorically effective way. When it comes to graphically embodying any kind of action (other than stripping, or being stripped), our cognitive (embodied, visual, metaphorical) mind is left at the door.

The first text comment below the video when I watched it was dagrimreefah’s “This media cartel sure is doing a great job on all of you livestock” — which is probably intended as a witty interjection of climate denialism, but there’s a more general point that could be made with that. A quick glance at the rest of the comments tells us a few interesting things:

(1) Most of them refer to the physiques of the models (some of them, wisely, asking to see more — not less clothing, mind you, but just more healthy flesh covering their bones);

(2) Of those that refer to the science of climate change, a large number deny it and/or politicize it with anti-Obama rhetoric (or with critiques of his compromises); and

(3) Not a single one seems to get the metaphor of “supermodels” being both the women displayed and the ways — the only ways — in which we actually know about climate change itself and the role “350 parts per million” plays in it.

Climate change models are highly sophisticated, complex pieces of science that deserve a bit more discussion. Riffing on that, however, would take away from the project of making hegemonic (“common-sensifying”) the message about climate change. But I would argue that part of making that message broader is playing up its science (just to raise awareness of how we know about climate change) and, secondly, playing up its ethics and politics: its potential (and already claimed) victims, its costs, and the vested interests on both sides (“old energy” on one, new entrepreneurialism on the other).

Okay, I’m asking too much of a simple 90-second ad. But discussing the ad seems useful, even if it contributes to the viral spread of something I’m ambivalent about…

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Just a quick note to let readers know about a new blog that looks in many ways to be a kindred spirit to this one: Violent Signs, subtitled “Immanence, Art, and Ecology,” is maintained and moderated by Tim Matts, a Ph.D. candidate at Cardiff, who intends the blog to serve as a forum “for those working with or curious about materialist philosophies of immanence” and to “focus on contemporary strands of poststructuralist thought with an emphasis on the dynamic ‘encounters’ or ‘interface territories’ that subtend and insist between literature, philosophy, psychoanalysis, art, cinema, ecology and technology.” In its range of themes, depth of thought, and attractive and evocative visual aesthetic, it’s a welcome addition to the eco/geo/philosophical blogosphere.

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I loved Spike Jonze’s Where the Wild Things Are, so I’ve compiled a list of some useful online resources about the film, book, and author (mostly for my own sake, so I can easily access them if and when I might get around to writing more about it). Just to summarize what I like most about the book and the film:

– Its existential realism: play, fun, mischief, friendship, love, loss, fear, loneliness, change, beginnings and endings… all there, in a kind of holistic mix that brings them all into reflective perspective.

– Its extended-family cameraderie/communalism: Max’s “wild things” are a social network of flawed but hearty characters, kinda like reality. And they like to pile on top of each other.

– Its valorizing of the imagination as a place to play (and work) things out, to figure out one’s emotions & responses to things, a place for practice (in the sense of preparing for reality, but also in the Buddhist sense of practice being everything).

– That they eat their kings (at least up until Max comes along). Kings need to know their place!

– Max’s performance is great.

– Finally, there’s the East European Jewishness of the characters (or call it their Italianness, their Slavicity, whatever) — I mean that quality of being emotionally and bodily there, present, expressive, close to the surface but resonant in the depths, which can be a troubling thing for those not used to it, but which can be lovely. In the film, this is in the the facial, bodily, and emotional expressivity of the acting (if animatronically enhanced puppet/costume/creatures can be said to act). There’s a soulfulness to these characters that stays with you long after Max leaves the island.

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I couldn’t resist re-posting this video animation by Blu and David Ellis.

There’s something about the flare-up over Carlin Romano’s Chronicle of Higher Ed article “Heil Heidegger!” that manages to crystallize both the virtues and the potential utter barrenness of the web as a site for direct philosophical action (i.e., constructive debate that contributes, however marginally, to philosophy).

Romano’s article takes advantage of the forthcoming publication of a translated text by Emmanuel Faye to deliver what he imagines will be a death-blow to Heideggerian studies. Heidegger, Romano claims, was not only a Nazi, in a brief and passing phase of his career, at a time when many Germans were caught up with the political zeitgeist astir in their country and before the really twisted stuff started happening (pogroms and death camps and all). No, he was the philosopher of Nazism, somehow responsible for it through and through.

To anyone who has taken time to study Heidegger, it sounds like a silly argument, or at least a dramatically overdrawn one. So it fails — if one reads the readers’ comments, which at the time of my writing this post have nearly reached a hundred. But if one doesn’t read the comments — which is more likely the case with readers of the Chronicle — or if one reads them with that skepticism that, among American readers, is all too typically directed at pointy-headed philosophers, “continentalists,” theory-headed “academic leftists,” and the like — then the article succeeds. CHE has made its point: Heidegger is out.

The reactions the article has elicited, both in the comments and on other philosophy blogs, have been understandably steaming hot. Reading them makes one feel like a bicyclist silently passing by a massive car pile-up, at which drivers are screaming at each other, taking sides and forming alliances, lobbing pieces of glass and metal at each other, or throwing remains of broken-up cars into a big bonfire and waiting for a cop or an ambulance who, like Godot, will never materialize. It’s a little like the eight-minute traffic jam in Godard’s mock-apocalyptic Weekend (see above).

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