Archive for May, 2013

A key question for a process-relational account of a film is the question of how that film shows objects and subjects in the process of being made — how it shows subjectivation and objectivation arising together. Much of Ecologies of the Moving Image is about this, but what remains more implicit throughout the book is the way […]

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Teaching my film course (especially in its current rendition as “Ecology Film Philosophy”) and the book that goes with it (Ecologies of the Moving Image, which will be publicly available in July) — and especially teaching the Andrei Tarkovsky film Stalker, which serves as a sort of template for the book — makes me feel […]

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We’ve hit 400*

More here and here and here. We haven’t been there in (a) 55 years (b) 800,000  years (c) 3 million years (d) all of the above Can someone please turn down the thermostat? *The exclamation mark that was originally in this title bothered me; seemed too celebratory (hardly the intent). So I’ve trashed it.   […]

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