A Desirable Gift Book

In 1857 UVM graduate (1839, 1845) Rev. John Henry Hopkins, Jr. wrote a hymn that became a beloved Christmas carol. Some accounts say he wrote “The Three Kings of Orient” (now known as “We Three Kings of Orient Are”) for a Christmas pageant at the General Theological Seminary, while others say he wrote it for his nieces and nephews in Burlington, Vermont, where his father was the Episcopalian bishop. He included it in his 1863 collection, Carols, Hymns, and Songs, and in 1865 it was issued as an illustrated seasonal gift book.

An advertisement for the gift book that ran in the December 12, 1865 issue of the Baltimore Daily Commercial noted that “each page was printed in oil colors from exquisite designs” and was available in “extra cloth gilt” for $5.00 or “morocco, gilt or antique,” for $8.00. The ad included a description from the Christian Intelligencer, “This famous carol is richly embellished by colored lithographs, six in number, representing the adoration of the Babe of Bethlehem …. The designs are good and the execution admirable,” making it “a desirable book for Christmas.”

kings-0001A search of the Burlington Weekly Free Press, Hopkins’ hometown paper, found that a local bookseller offered Three Kings of Orient for Christmas giving in 1866. Our copy was given to a Kitty Thompson by her Uncle Frank for Christmas in 1870.


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First Fall Presentation: Breaking the Deckle*


Please join us on October 11 at 5:30 pm for “Breaking the Deckle: Using the Paper Arts for Social Justice,” a presentation by Peace Paper Project’s Drew Matott.

Matott is a master papermaker with an expertise using traditional papermaking as a form of trauma therapy, social engagement, and community activism. In this presentation, he will discuss how he became involved with the paper arts and describe the genesis of the community papermaking programs he has co-founded, including Green Door Studio, Combat Paper Project, Peace Paper Project, Papermaking as Art Therapy, and Panty Pulping.

Matott directs the vision and strategy of Peace Paper Project, which utilizes traditional hand papermaking as a means of engaging communities in art practices which bring people together, broadcast their stories, and transform their fibers into meaningful art pieces. The project operates everywhere from private workshops to public demonstrations in order to perpetuate the art of hand papermaking while adapting to the needs of each specific community. Peace Paper merges its skill set of papermaking, bookbinding, printmaking, and creative writing with the unique practices and concepts of host communities as a way of empowering  collaboration.

Peace Paper Project uses papermaking and the book arts as a form of social engagement, advocacy, therapy, and community building across the globe. Since 2011, Matott has helped launch papermaking studios in Australia, India, Turkey, Ukraine, Poland, Germany, Spain, United Kingdom, and the United States.

Workshop participants pulling sheets at Kaghitane Hand Papermaking Center in Istanbul, Turkey in 2012.

Other local colleges will also be hosting Peace Paper Project activities. In Panty Pulping workshops at St. Michael’s College on October 10 and at Champlain College on October 13, participants will confront sexual and domestic violence by transforming underwear into handmade paper. Champlain will also host an exhibit from October 9-29.

Malala, made at a Panty Pulping workshop held in Eagle River, Wisconsin in 2013.

The presentation will be held in Special Collections at Bailey/Howe Library. It is free and open to the public. Refreshments will be served. For more information, email uvmsc@uvm.edu or call 656-2138.

* Deckle: a frame on the mold used to shape the pulp when making paper by hand.
-Oxford American Dictionary.

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Arbor Day Proclamations

Arbor Day Proclamation!

It’s the first Friday in May, so that means it’s Arbor Day in Vermont. For 130 years, Vermonters have joined the nation-wide effort to plant trees. Special Collections intern Perri Moreno looks at the history of Arbor Day in Vermont using gubernatorial proclamations, photographs, and newspaper articles in a short online exhibit, Arbor Day Proclamations.  View the exhibit here.

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Vermont Statehood: A Dissenting Opinion from the Allen Family

Vermont celebrates 225 years of statehood in 2016, having formally entered the Union as the fourteenth state on March 4, 1791. There was a great deal of popular support for joining the United States at the time, but it was far from the only option being considered. Some Vermont citizens favored remaining an independent state, while others advocated for joining Great Britain.

The faction headed by the Allen brothers and Governor Thomas Chittenden had held numerous diplomatic discussions over the years with representatives from Great Britain, most notably the Haldimand negotiations during the Revolutionary War. Negotiations with Britain continued long after the war, right up until Vermont’s admittance into the Union. Levi Allen, brother of Ethan and Ira, played a large role in these discussion, in no small part to protect his growing land holdings and trade activity in Quebec.

Levi was sent to England in 1789 by his brothers and Governor Chittenden with instructions “to Assure the British Court that Vermont was truly from local situation as well as inclination firmly attached to them.” In addition, Levi pursued a number of commercial opportunities including an effort to provide the Royal Navy with ship timber. Levi attempted to return via the St. Lawrence, but the captain diverted the ship to Georgia due to weather conditions. Returning to London to protect his return cargo in early 1791, Levi belatedly learned of Vermont’s entrance into the Union.


When Levi finally discovered the news, he was incredulous. In a letter written from London to his wife Nancy and his brother Ira dated August 20, 1791, Levi complains, “I am in a very disagreeable Situation here, having no Advices for more than twelve months from either, or any Other from Vermont. Reports are that Vermont have Joined federal Congress, which neither myself nor any the Friends of Vermont here Credit, as we cannot think You have So much alter’d from Your former fixed Opinions, and so contrary to Your real Interest.”


Later in the letter, after discussing various business and political questions, Levi reiterates his opposition in even stronger terms, “hope in the name of Common Sense, you have not, and in the name of almighty God, you will not join Congress. Gov C—-n, my deceased Brother, Yourself, Col. Lyon, Clark, Enos, Hitchcock, Spafford’s, Coit, Eben! &c &c &c all being fully determined to the Contrary when I left you.”


Levi, and others who preferred becoming a part of Great Britain, were attracted to the idea for economic reasons. Lake Champlain and the St. Lawrence River were major trade routes for northwestern Vermont, and whether Vermont became a part of the United States or Great Britain had great implications for commercial relations with partners along this route to the north. Levi returned to Vermont in the 1790’s and continued to pursue land and trade opportunities in Quebec, but like his brother Ira fell into a great deal of debt, ultimately dying in prison in Burlington in 1801. This letter from Levi and many more can be found in the Allen Family Papers in Special Collections.


Contributed by Chris Burns,
Curator of Manuscripts and University Archivist 

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Spring 2016 Programs–March 1 and 17


MARCH 1, 5:30
In and Out of Print

On March 1 at 5:30, Special Collections will host UVM art professor Steven Kostell for a discussion of his work investigating forms of mediation, production and collaboration through explorations in art, design and the artist book.

Steven Kostell is an intermedia artist and designer whose work explores the convergence of traditional and experimental techniques in print and digital media, resulting in hybrid forms. His work is grounded in material-based production and image processing, involving papermaking, printmaking, artist books, and multi-channel audio/video installations.

Kostell’s work has been exhibited nationally and internationally at such venues as the Center for Book and Paper at Columbia College, Chicago; the Qijiang International Printmaking Festival, Chongqing, China; Ozu Washi Gallery and the Oji Paper Museum, Tokyo, Japan; New Forms Festival, Vancouver, BC and the Laura Haber Gallery, Buenos Aires, Argentina. He received his BFA from Indiana State and his MFA from Arizona State University. Before coming to Vermont, Kostell taught at the University of Illinois Urbana-Champaign.


MARCH 17, 5:30
Public Monuments: The Politics and Processes of Commemoration

Bill Lipke and Bill Mares will present an illustrated lecture summarizing the research which they undertook for their recently published book on commemorative monuments from the American Revolutionary War to the present, Grafting Memory. In their essays, Lipke and Mares explore the evolving practices that allow memories to pass through generations. From monuments to cemeteries, paintings and living memorials, they present diverse examples, including many close to home, like Burlington’s Battery Park, to those farther away, like national cemeteries in France.

Bill Lipke is UVM professor emeritus in Art History and a former director of the Fleming Museum. He has written about landscape painting and modern architecture. Bill Mares has been a journalist and high school teacher, and has fifteen books to his credit on subjects ranging from beer and coffee to Vermont politics.

Both presentations will be held in Special Collections, Bailey/Howe Library. They are free and open to the public. For more information, email uvmsc@uvm.edu or call 656-2138.

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Burlington’s First City Market

Since 2002, shoppers have been buying groceries at Onion River Co-op’s City Market on South Winooski Avenue in Burlington, Vermont. The store is very successful, with over 11,000 members/owners and thousands of shoppers every day. Prompted by a photo in our Burlington photograph collection, I recently investigated the short history of Burlington’s first city market, also located on South Winooski Avenue, and found that it did not fare as well.

The city purchased land for a market before 1865, but progress was slow. In his 1867 annual report, Mayor Wales acknowledged that there was disagreement about the need for a public market, but he felt that once established it would be a great blessing, and urged the alderman to experiment in a prudent way. The following year, Mayor Ballou was more blunt, saying that the city should move on the market or sell the land.


The City Market lot east of White Street (now Winooski Avenue) between College and Main Streets can be seen in this section from an 1869 map.

Although Ballou didn’t mention the market in his 1869 report, the aldermen had chosen to move. On December 3, 1869, the Burlington Free Press announced that the city market building was nearly completed and ready for occupancy. The announcement provides a good description of the site, the building, and the first vendors.

The new market site and its surrounding grounds were created by an ambitious program to fill a deep hollow that ran through the growing city center. The newspaper anticipated that more filling would be undertaken to make room for vendors and customers.

The brick building, one of many designed by master carpenter and contractor Elmore Johnson, was 104 feet long and 51 feet wide. A deck above the roof provided light and ventilation. Stalls lined both sides of a 14-foot wide main hall. A second hall ran east-west through the center of the building. The 12 x 18 foot stalls were separated by 7-foot partitions. Each stall had a sliding door and a cellar under it. The building was lighted with gas, and water came from the city aqueduct. All of the stalls had been rented. Eight were devoted to meat, several to groceries and general merchandise, one to fish, and one to refreshments.


City Market is the long brick building in the lower right. Main Street runs through the center of the photo, which was taken between 1882 and 1887. The ravine east of the market was still being filled.

Shortly after the building was completed, the city council passed a city market ordinance that established rules for its operation and created the position of superintendent of markets to manage the market and collect rent. In his 1870 annual report, Mayor D. C. Linsley was optimistic about the market’s future. The following year, Mayor L. C. Dodge proclaimed that while he had not originally supported the market, the city needed to make it successful.


Some vendors who rented stalls at the City Market advertised in the Burlington Free Press.

In February 1870, the Burlington Free Press acknowledged that produce sellers were beginning to appreciate the market. At least one vendor, “Berry Man” Joseph Chauvin, did exceptionally well. In the summer of 1871, he sold 9,500 quarts of blueberries, strawberries,  raspberries, and blackberries, and the following summer, he sold an astonishing 14,400 quarts of blueberries.

Unfortunately, merchants preferred the growing downtown to the west, and the stall rents collected by Superintendent F. Smith failed to cover market expenses. In his 1872 annual report, Mayor Dodge complained about the “very unsatisfactory state of affairs.”  He told the city council that it was time to “kill or cure.” Their cure involved leasing the market building. In October 1873 the market ordinance was repealed, and after an initial rental failed, local attorney and businessman Levi Underwood leased the market building for ten years. His plans must not have succeeded, because by the early 1880s, one observer noted that the market had grown “into disfavor, was abandoned, and now stands unoccupied.”

For the next several decades, city departments used the building for storage and work space. The city market grounds also included a much more successful city scale, used by wood, hay and other vendors. The city leased land on the College Street side for a building that housed a skating rink (1884) and later a store, and then built the Fletcher Free Library there. The Chittenden County jail was built on the Main Street side of the lot in 1887. In 1925, the old city market building (which then housed the Street Department) was torn down to make way for the new Central Fire Station.


The city market building (center) in 1925, just before it was demolished to make way for a new fire house. The Fletcher Free Library can be seen at the left, and the jail is on the right.

Contributed by Prudence Doherty,
Public Services Librarian

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Views of Saint Helena

While preparing for a presentation on book illustrations this summer, we came across a rare volume of prints in our Rare Book collection that has special historical significance today (October 15).  George Hutchins Bellasis’s Views of Saint Helena (London: printed by John Tyler, 1815) contains six hand-colored aquatint landscapes, each measuring approximately 9 inches by 14.5 inches, of the island that became the final home of the deposed emperor Napoleon. He would spend the last six years of his life in exile on Saint Helena.

St. Helena, taken from sea.

St. Helena, taken from sea.

Napoleon stepped ashore on Saint Helena on October 15, 1815. It was the final act of a long drama that had turned Europe upside down, as Napoleon built and defended an empire against a series of coalitions led by Great Britain. Once before, in 1814, Napoleon had been defeated and captured, only to escape exile on the Mediterranean island of Elba in 1815. His final defeat at Waterloo in June 1815 led to the determination of his British captors to imprison the emperor in a place where escape was virtually impossible.

They chose well: Saint Helena was, and remains, one of the most remote inhabited places on earth. Located about 1,200 miles west of Africa and 1,800 miles east of South America, Saint Helena is still a British territory, with a current population of about 7,750.

Thanks to an eight-month visit to Saint Helena by soldier and artist George H. Bellasis, a certain segment of the British population soon got to see what the newly-famous island looked like. Bellasis, a young officer in the 19th Light Dragoons of the British East India Company, had been put ashore on Saint Helena in 1804 when he became too sick to continue his voyage home from India. While he recuperated, Bellasis made sketches of the dramatic island landscape. Eleven years later, when the location of Napoleon’s new home was disclosed, Bellasis arranged to have six of his sketches etched and printed in Views of Saint Helena. Artist Robert Havell used the aquatint process to make the prints, giving the illustrations a rich texture. Each of the prints was then hand-colored.

Plantation House, the country residence of the Governor.

Plantation House, the country residence of the Governor.

Bellasis obtained 263 subscribers for Views of Saint Helena (including Queen Charlotte and other members of the royal family), suggesting that at least this many copies were printed, though only 31 are currently listed in the bibliographic database Worldcat. He dedicated the book to Arthur Wellesley, Duke of Wellington, Napoleon’s recent nemesis on the battlefield, who, in 1804, had been colonel of the 19th Light Dragoons in India. The provenance of UVM’s copy of Views of Saint Helena is unknown.

Contributed by Jeffrey Marshall,
Director, Special Collections

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Our Fall Lecture Series


We are pleased to announce our fall lecture series, which will feature presentations on historical landscapes. Robert McCullough will talk about tracing bicycle history on the land, and Jeffrey Marshall will look at Burlington’s once prominent ravine.

Good Roads and Good Sidepaths
Wednesday, October 21, 2015, 5:30 pm

Robert McCullough’s new book, Old Wheelways: Traces of Bicycle History on the Land,  explores the “golden age of American bicycle touring” at the end of the nineteenth century. In conjunction with the library’s current exhibit, Cycling through the News, Professor McCullough will talk about the bicyclists who shaped and reshaped American culture from 1880 to 1900. These cyclists introduced an independent and dependable means of overland travel, propelled a campaign to improve the nation’s pitiful network of roads, swayed park planners, and even set into motion the modern engineering technology essential to the development of automobiles and airplanes.  They constructed a far-flung network of bicycle paths to satisfy their exploratory impulses.  Wheelmen and wheel women also assembled a substantial body of geographical literature, illustration, and photography. Their vivid descriptions of American places made them some of the country’s keenest observers of suburban and rural landscapes.

Robert L. McCullough is Associate Professor of Historic Preservation at UVM, and the author of The Landscape of Community: A History of Communal Forests in New England and Crossings: History of New England Bridges.


A Ravine Runs Through It: Topography and Function in 19th Century Burlington
Wednesday, November 18, 2015 at 5:30 pm

One of the most notable features of Burlington’s landscape in the nineteenth century was a deep ravine that ran from the Old North End across downtown and into Lake Champlain.  Although much of the ravine was filled in by the beginning of the twentieth century, parts of it are still clearly visible today.  Special Collections director Jeffrey D. Marshall will discuss the significance of the ravine in Burlington’s development as a city, using photographs from the department’s extensive collection.

Both presentations, which are free and open to the public, will take place in the Special Collections reading room. Refreshments will be served. For more information, email uvmsc@uvm.edu or call 656-2138.

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Vermonter Henry Stevens, Jr., Joins Yale’s “Skull & Bones” Secret Society

stevens006Bookseller Henry Stevens, Jr. (1819-1886) achieved distinction as a builder of library collections in a career that took him from his home in Barnet, Vermont, to London, where he spent most of his life after graduating from Yale in 1843. As the letters in our Henry Stevens Papers suggest, his success relied to some extent on the network of contacts he developed in college—including the exclusive undergraduate societies he was invited to join. Yale’s undergraduate “secret societies” are the focus of researcher David Alan Richards, a semi-retired lawyer in New York City, who discovered that Stevens belonged to the Skull and Bones Society and served as librarian in one of Yale’s literary societies.

Bones_logo The Skull and Bones Society, restricted to a handful of senior undergraduates, has among its members many distinguished alumni, including both major candidates in the 2004 presidential election, George W. Bush and John Kerry. Since its founding in 1832 this society has admitted only fifteen members annually, and these members are selected at the end of their junior year by the graduating senior members. David Richards’s forthcoming book will examine Yale’s secret societies, beginning with Phi Beta Kappa and progressing through Skull and Bones, Scroll and Key, and others into the modern era.

Henry Stevens, Jr., became the first and arguably the greatest Americana book and manuscript dealer. He collected Americana for the British Museum Library and Europeana for great American collectors, including James Lenox in New York and John Carter Brown in Rhode Island. The Henry Stevens Papers in Special Collections holds a collection of letters from young Stevens to his parents back in Vermont, and in one of these (dated August 6, 1842) he proudly announced his election to Skull and Bones:

There is a club that has existed in college for many years, made up of only 15 Students called the Skull and Bones Society. I have been elected as one of these 15. It is considered one of the greatest compliments that can be paid a student by his fellows to elect him to this honorary society. Two members of the faculty belong to it and several ministers of all denominations, both in New Haven and New York Washington and all over the country. Nearly every one of its members that have been out of college as long as 5 years are distinguished men. There are at least 10 young active [lawyers] in New York that belong to it. We meet once a week and often many of these old members are present and it is very interesting. The night before commencement many from Boston, Hartford, New York, Phila & Washington are coming on to attend an annual meeting. It will be a glorious time. One member in Congress will I expect be with us. I will tell you more of it when I see you.

If membership in Skull and Bones conferred success upon its privileged members, Henry Stevens, Jr., was certainly a prime example.

Contributed by Jeffrey Marshall,
Director, Special Collections

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Touring Old Mill With Local School Children

I recently had the opportunity to lead a group of six Edmunds Elementary second graders on a tour of Old Mill. The students were from the classrooms of Mrs. Bellevance and Ms. McMorris, and were visiting as part of a curriculum unit called “If These Buildings Could Talk.” The goal of the unit was to connect the students with the history of their community by learning about historic buildings and the ways they have been used.

Old Mill Visit

Chris Burns, Curator of Manuscripts and the University Archivist, is on the far right.

The tour started on the University green with an overview of the long history of Old Mill, drawing on Special Collections resources to illustrate the many changes to the building over time. A quick timeline of Old Mill’s history includes the following:

1802 – Original College Building constructed on site of Old Mill.
1824 – Fire destroyed College Building.
1825-1829 – North, South, and Middle College buildings constructed, with eight-foot fire breaks in between them. Middle College was topped with a Gold Dome.
1846 – North, South, and Middle College buildings were joined, and the long building was soon known as “the Mill” and eventually “Old Mill.”
1882 – Old Mill underwent a major renovation, with funds provided by John Purple Howard. Front and side facades were completely rebuilt, a fourth floor with dormers was added, and the dome was replaced by a tower.
1918 – A fire caused major damage to Old Mill. The fourth floor was closed off and the dormers were removed.
1957-1958 – Lafayette was constructed and Old Mill’s interior was altered.
1995-1997 – Old Mill and Lafayette undergo major renovations, which include restoring the fourth floor and bringing back the dormers to Old Mill.

UVM’s Historic Preservation program has produced two online histories of Old Mill that are great sources for anyone looking for further information on the building, available here and here.


Old Mill circa 1835

As we toured the outside of the building, the students took note of many details on and around Old Mill, including Lafayette’s cornerstone, the UVM Boulder, the bust of John Purple Howard, the sundial, and the bell that used to hang in the tower.

Our tour of the inside included a stop in the John Dewy Memorial Lounge to look at the four stained glass windows and a trip up to the tower with its stunning views of campus, Burlington, Lake Champlain, and the Adirondacks. A little know fact about the tower is that it houses a webcam used to document haze levels in Burlington. You can view the images from the webcam here. The site also has a handy guide to landmarks visible from the tower when looking toward the lake.


Upon returning to school, the students spent the next few weeks creating eBook reports and a three-dimensional model. They did a wonderful job on the model, paying close attention to architectural details such as the stained glass windows. While most of the students we work with are enrolled here at UVM, this was a great opportunity to contribute to the education of some younger minds and dig a little deeper into the history of Old Mill.

Contributed by Chris Burns,
Curator of Manuscripts and University Archivist

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