Bosavi: Rainforest Music from Papua New Guinea
You can listen to the sounds and songs of the Kaluli, including the examples discussed by Feld in his article “A Rainforest Acoustemology,” on YouTube.
https://www.youtube.com/playlist?list=PLUSRfoOcUe4anfmSqbgkkBdHfntwLECgG
Listen (R. Murray Schafer)
Daily Sound Through Memory
As I type this blog post, my ear drums are hammered by the punching of my fingertips against the keyboard, and I curse myself for not including this essential percussion of my daily life as a sound bite in my composition. I am soothed, however, by the fact that I could list a thousand more noises I hadn’t included: my sniffly nose, the rustling leaves outside my open window, a running shower with men’s-room-reverb, the late-night busy clamor of my Chinese neighbors, the list goes on…
My composition is not arranged linearly; I layered my field recordings because I wanted to best represent how the echoing memories of my sonic daily life congregate in my mind, running into each other, creating entirely new soundscapes altogether. This, to me, is quite profound, for there is a constant stream of vibrations entering my ears and they are stored in my memory as electrical impulses which I can hear inside my head – via reminiscence – at any moment of my choosing, and sometimes not of my choosing. I then compile those electrical impulses through a hard drive external to my brain, and arrange them by viewing a visual interface and replaying them as vibrations out of a stereo, feeding this energy-transferring perpetuation of vibration to organic memory to artificial memory and back again until I have composed a project for a class in which other students are cycling through the same process, feeding the relationship between man and machine – a relationship fueled by vibrations. Lawrence English, in his article, “The sounds around us: an introduction to field recording,” articulates that “the microphone and the recording device are non-cognitive,” which emphasizes this near-symbiosis because, although our technologies do not “need,” it is necessary for humans to manipulate recordings (amplifying certain sounds, removing extraneous noise, etc.) in order for the successful transmission of “listening.”
The individual recordings of my daily life work together as layers and take on a musical quality. None of the recordings were altered other than clipping and minor volume adjustment (volume adjustment was crucial). I included samples of a documentary I watched in my sociology class called The Life and Times of Rosie the Riveter, which I recorded in class. Three of the layers are instrumental (improvised by yours truly). I spend a lot of free time playing guitar, banjo, and keyboard synthesizer, so, naturally, I included these sounds in my composition. Playing music is an invaluable stress-reliever. I also use it for relaxation and stimulation; by playing certain families of vibrations, I am psychologically affected accordingly. In listening to the collection of sounds I have put together, one can hear the mundane noises of society: slamming doors, groaning buses, talking crowds of people, and tumbling dryers to name a few. I appreciate such sounds because when I hear them in my memory, I am musically inspired. This inspiration may have led me to compose my audiography in an unorthodox manner. I am justified by my certainty that this means of composition most strongly represents my take on the sounds of daily life. What I feel is most important to get across is that the sounds of my daily life do not only occur as I hear them, but also when I remember them, which is a definitive factor of my overall sound experience. I feel that my audiography has “grain”, as Roland Barthes calls the “signifier of the level of which […] the temptation of ethos can be liquidated” (Barthes 181). In other words, when I listen to my audiography, I do not feel it appropriate to label it with adjectives and force inaccurate characteristics upon it. Instead, I feel that only the compilation can describe itself, as both a listening and reflecting experience.
Works Cited:
English, Lawrence. “The Sounds around Us: An Introduction to Field Recording.”
The Conversation. N.p., 8 Feb. 2015. Web. 11 Oct. 2015.
The Life and times of Rosie the Riveter. Dir. Connie Field. Perf. Wanita Allen, Gladys Belcher,
Lyn Childs, Lola Weixel, Margaret Wright. Clarity Productions, 1980.
Barthes, Roland, and Stephen Heath. “The Grain of the Voice.” Image, Music, Text. Noonday Press ed. 1977. N. pag. Print.
My Musical Composition
When initially delving into musical studies, music is explained in mathematical terms. There It is one of the few things that sprouting musicians can wrap their little minds around. For me the hardest of music was never playing the instrument, but rather deciphering key signature and how the notes fit into the texture of the piece. But music isn’t all in the notes on the page. It is the sounds that come as a result. Thus all sounds in a sense bear a musical quality. However, as Murray Schafer argues in “Open Ears”, although we lack ear lids, it doesn’t mean we hear every sound. The first step to give these sound musical qualities is to hear them.
Since I do not have any classes before 11, there is rarely ever a need to set an alarm, as I will wake up naturally. Or would be the case, if my roommates would allow it. Somehow they both mange to slam the door every time the leave the room. Although I find this incredibly annoying, it does bear certain rhythmic quality, as the door can only slam as fast as the hinges allow it. The second sound is the sound of my morning shower, wake up number two. I find water to be one the most soothing musical essences on the plant. Although I have never been able to fall asleep to it, I can certainly see why. After that it is off to the Grundle for breakfast, though there is nothing discerning it from another time of day. The clattering of silverware, shuffling of feet, and overlapping conversations make it impossible to discern one sound from another so that it all just meshes together into to one wave of noise. Incomprehensible sounds such as this do have certain musical qualities to them, as utilized in songs such as “Kids” by MGMT. The fourth sound in the recording is my bike, the cranking of my chain through the gears, around and around in the one direction that will propel me forward. Sometimes I ride just for the sake of it, with no destination or purpose in mind. This is music in itself.
The next two sounds, I will admit, are actually associated with music. The first a series of breathing exercises designed to fill up the diaphragm, then fill up the excess lung space in the chest, to finally release it all in one moment. The next is a clip of me playing a piece from a seating placement several years ago. Although I did terrible in the audition, I still enjoy the piece, as it portrays both the technical ability and range of the player’s ability. As a tuba player, particularly in pep and marching bands, we are there to grove. Just as Shelley Trower in “Hearing Vibrations” uses the example of reacting to the vibrations felt throughout the body, tuba players naturally react based upon the vibrations of the ensemble. In the end it does not matter whether we play exactly the right note as long as we play at the right moment.
This next sound in the podcast is the only one I would associate with being school related. It is the sound of my pencil scratching in my notebook and the occasional shuffle of pages. Clicking my pencil, I scratch as a way for stimulation, sometimes even intentionally doing so in some sort of rhythmic form. The next sound is again directly musical related, as it is me playing the fiddle (terribly, I might add). This was a project that I picked up near the end of high school, as I realized that I my musical career could be coming to a close. I wanted to continue, and as much as I love the tuba, it is not the most versatile of instruments. So after some meddling, I eventually came to the fiddle. I say fiddle because that is the kind of music that I have chosen for myself (If one can call it that). After that is the overpowering sound my roommates’ six fans, that although noisy, do eventually lull me into a deep sleep. The final noise on my list is not one periodically heard at the end of the day for me, but rather at week’s end, as I venture forth to explore and challenge myself on a new river. In sense I kayak whitewater so that I may be humbled by the rivers immense power. Thus completes my musical composition.
Works Cited:
Schafer, Murray. “Open Ears.” Journal of Acoustic Ecology (2003): 38. Print.
Trower, Shelley. “Introduction Hearing Vibrations.” In Senses of Vibration. New York: The Continuum International Publishing Group, 2012.
Southern Comfort
When I first read the instructions for the audiography, my first instinct was to think “eh… I’ll do that later” because I had absolutely no idea where to start. There are so many sounds I hear throughout my day that I do not even think twice about, so how can 10 of these sounds hold any importance or value to me? A few days passed by and the assignment was still looming over my head. I realized that any time I would try and think about this project, I would distract myself by walking away from my desk to a more comfortable space. That is when it dawned on me that my audiography had to be centered on the theme of comfort.
No matter how upset or angry I may be, I will always dance and rap along to some of my favorite songs; it is the only stimuli that can instantly change my mood. For this reason, the first sound in my audiography is a recording of Meek Mill and Drake’s song “RICO”, which I use as the alarm on my phone to wake myself up every morning. Provided that I grew up just outside of Philadelphia, hip-hop has always been a big part of my life. Listening to rap music definitely reminds me of home and helps wake me up in the morning.
After I get up from bed, I make my way down the hall towards the showers. The white noise of the water quickly rushing out of the shower head and eventually hitting my body provides the perfect environment for me to clear my mind and forget about anything that is stressing me out.
Although I love music and showers, my morning would not be complete without a cup of coffee. The sound of my Keurig making coffee is included in the audiography because it represents the true start of my day. Without coffee, my brain is mush.
Coffee in hand, I make my way over to the bus stop. The next sound is a recording from the inside of the Redstone Express. Listening to people talk on the bus and hearing the squeaks and creeks of the busses reminds me of taking the bus to school every day back at home, which is definitely a comforting reminder of life in PA.
When I am all finished with my classes, I make my way back to Redstone via the Ankle Express (walking). When I make it out of the tunnel by the Davis Center, I am met with a long stretch of quiet, lonely land. This absence of sound is important to me because it is one of the only times throughout my day where I can get some time away from people and noise for a little.
I inevitably end up snacking when I get home from a long day of school, so I included the sound of a wrapper crackling in my audiography. Of course, food is an extremely comforting substance that everyone enjoys. As a result, it is obvious why I included it in a recording of comforting sounds.
Once I am done with my snack, there is nothing I want to do more than to just sit back and hang out with my friends. For this reason, I decided to include the sounds of video games playing because that is typically where we all migrate to in order to forget about the day.
When I was younger, I was always taught the importance of eating dinner together as a family. Similarly at UVM, I always make sure to bring my friends with me to dinner so we can all eat and talk together. The loud chatter of students in Simpson certainly reminds me of my family talking around the dinner table back at home.
Once dinner is finished, the worst part of the day pulls around: homework time. I always listen to music while doing homework because, as i mentioned earlier, hip-hop music is extremely comforting to me because of the memories that are tied to the songs and culture. As a result, my second to last sound is the scratching of my pen against paper as I am doing homework. Young Thug’s “Check” is also playing in the background.
The last sound that I decided to include in my audiography is the click of my bedside lamp as I turn it off for the night. When I hear this noise, I instantly calm down knowing that the day is finally over and that I can get some rest.
Similar to Barthes’ analysis of “The Grain”, or the idea that people are heavily influenced by music, I feel like there is a grain to everyday life. Sure, not all sounds contain words that can be interpreted/ understood, but they nevertheless change our feelings and perception of the world around us. I believe that the comforting sounds I chose for my audiography are a fair and accurate representation of what I believe my grain in life is at UVM.
Works Cited:
Barthes, Roland. “The Grain of the Voice.” (1997): 179-89.
Williams, Robert Rihmeek, and Aubrey Drake Graham. R.I.C.O. Meek Mill Ft. Drake. Vinylz, 2015. Youtube. Web. 4 Oct. 2015.
Williams, Jeffrey Lamar. Check. Young Thug. London on Da Track, 2015. Youtube. Web. 5 Oct. 2015.
Sounds:
- RICO by Meek Mill ft. Drake
- Shower
- Keurig Machine
- Redstone Express
- Quiet walk back to Redstone
- Sound of plastic wrapper crackling
- Playing video games
- Dinner at Simpson
- Check by Young Thug plays while I’m writing in Sharpie on paper (hw, start at 2:17)
- Sound of me turning off my light next to my bed
Capoeira: The Dance of Freedom
Documentary about capoeira to supplement the article by Greg Downey:
The Sounds of My Life
Hearing is a sense that is forgotten at times. We do not realise what we are listening to and we do not appreciate the sounds around us. After being assigned this project I became fully aware of all of my surrounding sounds and actually started to listen. I was surprised at the amount of sounds that go on around me that I do not notice or think about. I enjoyed picking out the sounds that I believe are important in my everyday life, I am so used to doing these things that I forget to sit back and just listen. The first sound on my podcast is the sound of my coffee maker, it’s such a familiar background sound that I don’t even hear it anymore. My four flight decline down to the first floor is another sound that I forget about, as my foot hits each stair I am just thinking about if I am going to be late to class or how aggravating it is to walk down four flights of stairs. I was stuck in my thoughts not listening to the sounds around me. I’m glad I can now appreciate the sounds of my life.
After classes I like to walk down to the waterfront and over to North beach, I find it very soothing to just sit and listen to the crashing of the waves and the rustling of the trees. Another part of my day that I find soothing and peaceful is in yoga. My favorite part is when the teacher instructs us to do om. This is when the entire class puts their hands at heart center and simultaneously says ‘om’. While my hands are on my chest I can feel the vibrations of this word while also feeling the vibrations of everyone else chanting. This always awakens me and gives me a burst of energy. Shelley Trower discusses the topic of feeling sound through vibrations in “senses of vibration”.
It was very strange to record things that go on during the day and go back to the recordings later and listen to them again and experience them in a new way. In “In the Sounds Around Us”, Lawrence English explains how field recordings open up a new way to perceive sound differently.
This assignment has opened up my mind about the sounds in my life. I now listen as I am making my coffee or taking a shower. These sounds i have recorded are events that happen in my life everyday and I hardly noticed them, it is amazing to finally appreciate the sounds in my life
Sounds in my podcast:
- Making coffee in my keurig, very important part of my day. It gets me moving
- Walking down four flights of stairs on my way to class
- Lounging on North beach, my favorite time of the day because it relieves any stress i had from my classes
- Shopping around city market, it is interesting listening to all of the noises going on at once, as i played this recording back I didn’t remember all of the other sounds, I just remembered the conversation I was having.
- Doing my homework outside with my friends while listening to music
- Dining hall
- Frisbee practice, this is another part of my day that I really look forward to, it’s nice to exercise with a big group of friends. Frisbee has a lot to do with sound, there are up calls on which you rely on teammates voices telling you where the frisbee is because your back is turned and there is an entire language filled with rules and regulations on the game.
- Yoga class
- Hanging out in my friends dorm listening to him play guitar
- Shower
Trower, Shelley. “Introduction Hearing Vibrations.” In Senses of Vibration. New York: The Continuum International Publishing Group, 2012.
English, Lawrence. “The Sounds around Us: An Introduction to Field Recording.” The Conversation. http://theconversation.com/the-sounds-around-us-an-introduction-to-field-recording-36494.
The New Mundane
The New Mundane – Eryka Collins
There are so many sounds that pass you by every single day, but do you hear them? Having this be my first year at the University of Vermont, I hear a lot of sounds in my new everyday life here. As I listen back on them, it’s interesting to really hear things that I don’t really pay much attention to. It’s like when Schafer mentions in, “Open Ears”, that we don’t have lids for our ears, but we don’t hear every single thing either. In my podcast, I focus on the mundane sounds of my life here at UVM. And although they are mundane noises, some of them were not apart of my life prior to coming to UVM. The sounds in this take you through a day in my life here, allowing you to almost picture it with each sound that happens.
I start my podcast off with the sound of my alarm going off. It starts the majority of my mornings here, and with that, I found it fitting to start my podcast off with it. Next, I follow my morning routine with walking to the bathroom and taking a shower. After that, I started recording more of my morning. The next sound is walking downstairs in my dorm’s stairwell. This sound frequents my day, as I travel up and down these stairs multiple times in one day. Walking down the stairwell you can hear other residents of the building. Although this is now a norm for me, its quite different from my average life back home. Walking down the stairs at my apartment consists of silence except for my feet stomping down the stairs. Now, it consists of my feet stomping down the stairs and the noises of people’s conversations. After I walk downstairs, I walk over to my bike and ride it to my classes. I ride my bike everywhere and it is my main source of transportation on and off campus. Next in my morning, I usually stop and get coffee at Henderson’s, which has become my new home. Coffee is the reason I can get through my long days here at UVM. The next sound is the swirling of iced coffee, which is what I get whenever I buy coffee, no matter the temperature outside. The sound of the iced coffee is something that I hear almost everyday. After coffee, I start my classes. My favorite class this semester, so far is music theory, so I recorded a small part of the lecture. Once I’m finished with my classes for the day I walk back to my dorm to do my homework. The sounds of people walking past me as I walk back to my room after classes are something that is in constant background of my new reality here at UVM. Its something that I realized I tune out. After listening back on it, there are a lot of sounds that are around me that I never really realized that are there. Listening through the microphone from my phone made me realize how much more there is to listen to and allowed me to listen with new ears like what English says in their article called, “The Sounds Around Us”. In it, English says that microphones don’t have the capability to tune things out like human ears do, so it gives you a new aural experience. Once I’m back in my room, I start doing homework while listening to music, which explains my next sound which is me typing and my music playing on in the background. After a long day of classes and studying, my day ends with dinner in the dining halls with my friends and that is also what is the last sound on my podcast. Although things like these sounds are apart of my everyday life, some of them are still new to me and my new world here at UVM.
Work Cited:
- English, Lawerence. “The Sounds around Us: An Introduction to Field Recording.” (2015)
- Schafer, Murray. Open Ears. Print.
- Wild Horses – The Rolling Stones
Converse Style
The Day in the Life of a College Student: Converse Style
By Lindsay Chaplin
Hearing is an ability that we all take advantage of; we consider the slight rumbling of trucks and mechanical hums of a heater to be a nuisance, when in fact they’re a blessing in disguise. Within Sound and Society, various texts such as “The Voice of the Grain” by Barthes, and “Open Ears” by Schafer have open my eyes (and ears) to how sound has impacted my daily life. In fact, my perspective now has caused me to become more appreciative of all vibrations. With this new-found perspective, my classmates and I have the task to record ten prominent sounds here at the university and explain not only the significance of the sound, but also to contextualize it with our readings from class.
Waking up in the frigid rooms of Converse, nothing sounds more appealing than a nice hot shower. Just by reading the word “shower,” you can already imagine the sound of the hissing water panging against the floor. Similarly, the tapping of footsteps, a creak and lock of a door and the murmuring of voices in a library are all something that we are familiar with; it’s just a matter of how much we pay attention to it. In Hudspeth’s “The Energetic Ear” he states: “Moreover, like many manmade feedback systems, the active process exhibits gain control: it can be turned up or down as circumstances dictate,” (Hudspeth, p. 50). This leads to the idea that despite the ability to focus on particular sounds, we won’t always have the ability to isolate ourselves from sound. As I write this paper I can hear people locking their doors, the bass of music through the floors, and murmuring voices in the background all at once. Yes, it can be an annoyance, but without those sounds my life would be filed with unbearable silence. We all have to face it: we all want what we can’t have. There will always be a constant battle between what is considered to be “noise” or “sound,” and it all has to do with how you decide to perceive it.
In the piece, “Senses of Vibrations: A History of the Pleasure and Pain of Sound,” Shelly Trower discusses the idea that hearing is not just one sense, but a full body experience for individuals. Looking from this perspective, many vibrations can be a pleasant experience. For an example, listening to ringing of the phone until a loved one answers is a comforting moment as they greet us with a warm “hello.” A particular song can also cause a swelling of emotions, whether that is of happiness or sadness. Within my Podcast that I created, I used the theme song from Scrubs because, although it is short, it brings me joy knowing that I can relax and unwind to a great comedy. In addition to this, “The Grain of the Voice,” by Roland Barthes, the idea of “the grain” illustrates the presence (or lack thereof) technicality, uniqueness, and mind and soul of the performer in their piece; each individual can experience a sense of pleasure or emptiness towards music, it is just a matter of having a connection. The song “Hello, I’m in Delaware,” by City and Colour, is a song that I would consider to have “the grain” regardless of when or where I listen to it due to the numerous emotions it evokes.; it grabs my attention, the singer relaxes me with his soothing voice, but yet my mind wanders from a distance thinking about my past in relation to the lyrics.
Each of the examples that I have presented all hold value to me, regardless of how small the sounds are. Similar to Schafer’s ideas in terms of how our history has been influenced by both opened and closed ears, as students at University of Vermont, we have the power to not only change how we view vibrations as a whole, but impact how our peers view campus sounds.
Citations
Trower, Shelly. “Introduction: Hearing Vibrations.” Senses of Vibration: A History of the Pleasure and Pain of Sound. N.p.: n.p., n.d. 1-12. Print.
Hudspeth, A. J. The Energetic Ear. N.p.: n.p., n.d. 50. Print.
Scrubs the Complete Season Seven. ABC, 2007.
Barthes, Roland. The Grain of the Voice. N.p.: n.p., n.d. N. pag. Print.
City and Colour. Hello, I’m in Delaware. 2005. MP3.