{"id":374,"date":"2015-11-18T16:07:11","date_gmt":"2015-11-18T20:07:11","guid":{"rendered":"http:\/\/blog.uvm.edu\/vlbrenna-sound2015\/?p=374"},"modified":"2015-11-18T16:07:11","modified_gmt":"2015-11-18T20:07:11","slug":"the-beat-that-changed-hip-hop-2","status":"publish","type":"post","link":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/2015\/11\/18\/the-beat-that-changed-hip-hop-2\/","title":{"rendered":"THE BEAT THAT CHANGED HIP-HOP"},"content":{"rendered":"

The Beat that Changed Hip-Hop<\/p>\n

By Abra Clawson and Lindsay Chaplin<\/p>\n

The Roland TR-808\u2019s interface is easy to use, as it has color-coded dials and buttons.<\/span><\/p>\n

\"Roland_TR-808_large\"<\/a><\/p>\n

The genres of Hip-Hop, House, Techno, and R&B were changed forever because of the machine.<\/span><\/p>\n

\"night-club-clubbing-jobs-abroad\"<\/a><\/p>\n

Arthur Baker, Producer of Planet Rock<\/span><\/p>\n

\"A-4158-1228812134.jpeg\"<\/a><\/p>\n

Matt Black, from the British duo <\/span>Coldcut<\/span><\/i><\/p>\n

\"mattb\"<\/a><\/p>\n

Additionally, the full videos we pulled interviews from can be found at<\/span><\/p>\n

https:\/\/www.youtube.com\/watch?v=VCJReSDmqkg<\/span><\/a><\/p>\n

and<\/span><\/p>\n

http:\/\/www.synthtopia.com\/content\/2012\/04\/27\/the-history-of-the-roland-tr-808\/<\/span><\/a><\/p>\n

<\/p>\n

BIBLIOGRAPHY:<\/span><\/p>\n

Alexander G. Weheliye. “”Feenin”: Posthuman Voices in Contemporary Black Popular Music.” <\/span>Social Text<\/span><\/i> 20, no. 2 (2002): 21-47. <\/span><\/p>\n

Beverly May. 2000. “Participatory Theatre: The Experiential Construct of House and Techno Music Events.” Canadian Theatre Review no. 103: 8. Academic Search Premier, EBSCOhost.<\/span><\/p>\n

“CAKEWALK.” <\/span>Electronic Musician<\/span><\/i> 1 Dec. 2004. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

Gavin Mueller. “Miami bass.” <\/span>Grove Music Online<\/span><\/i>. <\/span>Oxford Music Online<\/span><\/i>. Oxford University Press.<\/span><\/p>\n

Geeta Dayal. “Roland TR-808.” <\/span>Grove Music Online<\/span><\/i>. <\/span>Oxford Music Online<\/span><\/i>. Oxford University Press.<\/span><\/p>\n

Geeta Dayal and Emily Ferrigno. “Electronic Dance Music.” <\/span>Grove Music Online<\/span><\/i>. <\/span>Oxford Music Online<\/span><\/i>. Oxford University Press.<\/span><\/p>\n

“Golden State of Mind.” <\/span>Electronic Musician<\/span><\/i> 1 Feb. 2005. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

Hillel Schwartz. \u201cBANG (a Beginning).\u201d In <\/span>Making Noise: From Babel to the Big Bang & beyond<\/span><\/i>, 18\u201336. Brooklyn, NY: Zone Books, 2011.<\/span><\/p>\n

Ingrid Brainard, Gretchen Schneider, Don McDonagh, and Sally R. Sommer. “Social Dance.” In <\/span>The International Encyclopedia of Dance<\/span><\/i>. : Oxford University Press, 1998. <\/span><\/p>\n

“iPhoning It In.” <\/span>Electronic Musician<\/span><\/i> 1 June 2009. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

Justin A. Williams. “Dr. Dre.” <\/span>Grove Music Online<\/span><\/i>. <\/span>Oxford Music Online<\/span><\/i>. Oxford University Press.<\/span><\/p>\n

KNAVE, BRIAN, and MYLES BOISEN. “Kiskin’ IT.” <\/span>Electronic Musician<\/span><\/i> Feb. 1999: 33. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

Lily Moayeri. “Music production on an epic scale: how three interactive scores, 241 tracks, and 17 radio stations came together in one blockbuster game.” <\/span>Electronic Musician<\/span><\/i> Mar. 2014: 19+. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

“LINPLUGRM IV 4.05 (MAC\/WIN).” <\/span>Electronic Musician<\/span><\/i> 1 Aug. 2004. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

Oliver Wang. “Beat-making.” <\/span>Grove Music Online<\/span><\/i>. <\/span>Oxford Music Online<\/span><\/i>. Oxford University Press.<\/span><\/p>\n

Roland Barthes. \u201cThe Grain of the Voice.\u201d In <\/span>Image, Music, Text<\/span><\/i>, translated by Stephen Heath, 179\u201389. Noonday Press, 1977.<\/span><\/p>\n

“ROGER LINN DESIGNADRENALINN II.” <\/span>Electronic Musician<\/span><\/i> 1 Mar. 2004. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

Steve Wilkes. “ROLAND MC-505 GROOVEBOX.” <\/span>Electronic Musician<\/span><\/i> Mar. 1999: 156. <\/span>Computer Database<\/span><\/i>. <\/span><\/p>\n

Steve Wilkes. “ZOOM RHYTHMTRAK 234.” <\/span>Electronic Musician<\/span><\/i> June 1999: 172. <\/span>Computer Database<\/span><\/i>.<\/span><\/p>\n

“The History Of The Roland TR-808.” Synthtopia. April 27, 2012.<\/span><\/p>\n

“The Old Two and Four.” <\/span>Electronic Musician<\/span><\/i> 1 Aug. 2003. <\/span>Computer Database<\/span><\/i>.<\/span><\/p>\n

“The Shape of Things That Hum – Roland TR-808.” YouTube.<\/span><\/p>\n

Tony Ware. “Propellerhead Reason 7 digital audio workstation: what was not a DAW, now is; Reason 7 has grown into a capable and comprehensive audio production tool, appealing to a wide range of multimedia production pros.” <\/span>ProAudio Review<\/span><\/i> June 2013: 24+. <\/span>Computer Database<\/span><\/i>.<\/span><\/p>\n

“VIRTUAL WORKSTATIONS.” <\/span>Electronic Musician<\/span><\/i> 1 Mar. 2003. <\/span>Computer Database<\/span><\/i>.<\/span><\/p>\n

“Whitney Houston – I Wanna Dance With Somebody.” YouTube.<\/p>\n

“Wind Blowing through Trees.” YouTube.<\/p>\n

“WIZOO.” <\/span>Electronic Musician<\/span><\/i> 1 Oct. 2002. <\/span>Computer Database<\/span><\/i>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The Beat that Changed Hip-Hop By Abra Clawson and Lindsay Chaplin The Roland TR-808\u2019s interface is easy to use, as it has color-coded dials and buttons. The genres of Hip-Hop, House, Techno, and R&B were changed forever because of the machine. Arthur Baker, Producer of Planet Rock Matt Black, from the British duo Coldcut Additionally, […]<\/p>\n","protected":false},"author":3090,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[123],"tags":[424,69730,69729,48870,501,116,69682,69670,48770,69713,69728],"class_list":["post-374","post","type-post","status-publish","format-standard","hentry","category-podcasts","tag-barthes","tag-cultural-artifact","tag-edm","tag-hip-hop","tag-music","tag-podcast","tag-racial-relations","tag-schwartz","tag-sound","tag-sound-object","tag-tr-808"],"_links":{"self":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/posts\/374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/users\/3090"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/comments?post=374"}],"version-history":[{"count":1,"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/posts\/374\/revisions"}],"predecessor-version":[{"id":381,"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/posts\/374\/revisions\/381"}],"wp:attachment":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/media?parent=374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/categories?post=374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-sound2015\/wp-json\/wp\/v2\/tags?post=374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}