{"id":184,"date":"2017-09-22T21:02:56","date_gmt":"2017-09-23T01:02:56","guid":{"rendered":"http:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/?p=184"},"modified":"2017-09-22T21:15:16","modified_gmt":"2017-09-23T01:15:16","slug":"into-o%e1%b9%a3ogbo-from-an-outside-perspective","status":"publish","type":"post","link":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/2017\/09\/22\/into-o%e1%b9%a3ogbo-from-an-outside-perspective\/","title":{"rendered":"Into O\u1e63ogbo From An Outside Perspective"},"content":{"rendered":"<p><span style=\"font-weight: 400\">The African diaspora is a religion composed of multiple religions and was stripped from its roots during the slave trade. Communities were forced out of their homeland and shipped all over the Americas. The forceful movement of these people stripped individuals of their origins and identity. Two young American women traveled to O\u1e63ogbo to be initiated as priestesses to the goddess O\u1e63un. Their journey to O\u1e63ogbo brought to life their heritage, \u201cI actually consider myself to be an American African because it wasn&#8217;t by choice. So much of our knowledge was taken away, so much of our religious faith was taken away, our names were taken away. We were blank canvases and there is no power in not knowing who you are or not knowing where you come from. This journey, coming back here, means that I\u2019m taking back that power, that I\u2019m taking back that identity and I\u2019m walking in that. I\u2019m walking in who I am\u201d (Eaton). Practitioners of the African diaspora religion tend to focus on the positives of their movement and think in an optimistic view for finding their origin. They find positivity in traveling to O\u1e63ogbo, they notice that their religion and culture has managed to spread all over the world and they still manage to find their way back to their origin. <\/span><\/p>\n<p><span style=\"font-weight: 400\">O\u1e63ogbo is the largest city in Nigeria and is the heart of the African diaspora religion. It is known as Yoruba land and brings thousands of pilgrims every August to the O\u1e63un-O\u1e63ogbo festival. This festival is in honor of O\u1e63un who is the African goddess of beauty, love, prosperity, order, and fertility. Worshipers of the Yoruba religion and tourists pack the streets of O\u1e63ogbo learning and joining in on traditions of the African diaspora.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The festival begins with the welcoming of local Orisha. Orisha are spirits that reflect the supreme divinity. Each person practicing the Yoruba religion have their own personal Orisha that they worship. Worshiping one\u2019s Orisha is done with personal offerings and an altar devoted to their spirit. \u201c<\/span><span style=\"font-weight: 400\">Her devotion placed her body in spiritual affinity with the ancient image of a woman kneeling before an altar like circle in the area of ancient Djenne, an image dated to the Middle Ages\u201d<\/span><span style=\"font-weight: 400\"> (<\/span><span style=\"font-weight: 400\">Thompson). Prayer and worship to your individual Orisha are very important in the African diaspora religion. Personal altars serve as a divine hope for those who pray to them. Each personal altar is expressed with offerings, dedication, and sacrifice.<\/span><\/p>\n<p><span style=\"font-weight: 400\">As a community, the lighting of an ancient lamp represents the welcoming of O\u1e63un in the Yoruba kingdom. A significant part of the lighting ceremony is when the King and other political leaders come together to dance around the fire to welcome O\u1e63un. The presence of the King and political leaders represents the union between political powers and spiritual powers. The significance of the dance around the fire has to do with the importance of dance in the Yoruba religion. Music and dance is a major component in the African diaspora. It is not only an artistic expression but a way to praise the spirits. In the lighting ceremony at the O\u1e63un-O\u1e63ogbo festival, royalty dance around the fire to represent the union between political powers and spiritual powers. <\/span><\/p>\n<p><span style=\"font-weight: 400\">Privately, priests come together in a sacred ceremony to bless new priests. These newly blessed individuals are asked to give their hair to their Orisha as a way to symbolize all the negative powers leaving and the new growth to be positive and blessed. The <\/span><span style=\"font-weight: 400\">If\u00e1, which is the scripture of the Yoruba people, contains the history, practices, beliefs, and traditions written. <\/span><span style=\"font-weight: 400\">Priests<\/span><span style=\"font-weight: 400\"> foretell the future using the If\u00e1 allowing individuals like the new <\/span><span style=\"font-weight: 400\">priests<\/span><span style=\"font-weight: 400\"> to rewrite their story and pray for the things that they want. <\/span><\/p>\n<p><span style=\"font-weight: 400\">An important site of worship in <\/span><span style=\"font-weight: 400\">O\u1e63ogbo <\/span><span style=\"font-weight: 400\">is <\/span><span style=\"font-weight: 400\">O\u1e63un\u2019s sacred grove. Many shrines are placed here and it contains the sacred river where many sacrifices are made to O\u1e63un. A tradition of the African Diaspora religion is to worship history. At O\u1e63un\u2019s sacred grove in O\u1e63ogbo, Nigeria, it is the origin of O\u1e63un\u2019s power. This is why during the O\u1e63un-O\u1e63ogbo festival this grove is the spotlight of worship. Another part of history they worship is their past kings. The ceremony of the crowns involves the crowns of the past 18 kings that have ruled O\u1e63ogbo. Each is blessed by the community and by O\u1e63un. <\/span><\/p>\n<p><span style=\"font-weight: 400\">An important component of the African diaspora religion is clothing fabrics. It is believed that the patterns and colors of one&#8217;s clothes are associated with your Orisha. Those who take part in making the clothing, like those who make indigo clothing, are seen as O\u1e63un\u2019s disciples. All these traditions give the African diaspora community a sense of engagement in their beliefs. Simple objects like prayer bells bring traditions to life and allow the worshipers to connect with their Orisha. Humans and Orishas are meant to be connected and the Orisha\u2019s goal is to help reinforce humanity&#8217;s role that humans and animals thrive and survive. <\/span><\/p>\n<p><span style=\"font-weight: 400\">In all, the African diaspora religion has many traditions and customs. These traditions and customs include a variety of aspects of the gathering of thousands of pilgrims to celebrate the O\u1e63un-O\u1e63ogbo festival which includes the custom of the King and other political figureheads dancing around the fire at the lighting ceremony. Even the clothing fabrics individuals wear have specific patterns and color that indicate their association with their Orisha. These traditions and customs, and the extent to which worshipers follow and practice them indicate how strongly the religion has survived and thrived since its\u2019 slavery times in which the African diaspora religion was stripped of its\u2019 roots. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Eaton, Leo, and Bruce Feiler. \u201cOsun-Osogobo.\u201d <\/span>University of Vermont Libraries,<span style=\"font-weight: 400\"> Kanopy, 2014<\/span><\/p>\n<p><span style=\"font-weight: 400\">Thompson, Robert Farris. <\/span>Face of the Gods Art and Altars of African and the African Americas.<span style=\"font-weight: 400\"> The Museum for African Art, 1993.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>-Louisa D&#8217;Amico<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The African diaspora is a religion composed of multiple religions and was stripped from its roots during the slave trade. Communities were forced out of their homeland and shipped all over the Americas. The forceful movement of these people stripped individuals of their origins and identity. Two young American women traveled to O\u1e63ogbo to be [&hellip;]<\/p>\n","protected":false},"author":4542,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[138],"tags":[],"class_list":["post-184","post","type-post","status-publish","format-standard","hentry","category-reflections"],"_links":{"self":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/posts\/184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/users\/4542"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":1,"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/posts\/184\/revisions"}],"predecessor-version":[{"id":201,"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/posts\/184\/revisions\/201"}],"wp:attachment":[{"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/media?parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/categories?post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uvm.edu\/vlbrenna-rel095fall2017\/wp-json\/wp\/v2\/tags?post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}