My research examines the relationship between the music of the Red Hot Chili Peppers and the cultural trends of Los Angeles from the early 1980s to present day. The intent of this investigation of connection was, initially, to uncover the impact of the city’s social and political shifts on the style and genre of the band’s productions. As my work progressed, I began to focus in on the relevance of the Los Angeles soundscape, using what I had already gathered to interpret the correspondence between sound and place. It became apparent that the auditory backdrop of the city has changed in accordance with its various sociopolitical alterations. Knowing this, I argued that changes in the Los Angeles culture—effectively, change in place—prompted change in its accompanying soundscape, which was causatively related with the evolution of the Red Hot Chili Peppers’ music.
During the 1990s, when the song Under the Bridge was written and recorded, Los Angeles was heavily ridden with crime and drug abuse. The soundscape was filled with the sounds of the urban bustle of life, but also the sounds of the struggling Los Angeles Police Department. Sirens, gunshots, and screeching tires were all far from uncommon, each contributing to the auditory interpretation of melancholy. Under the Bridge mirrors such despondency, with its downbeat tempo and tortured vocals, which contain lyrics referencing the desperate condition of substance addiction.