{"id":991,"date":"2017-06-06T13:32:28","date_gmt":"2017-06-06T17:32:28","guid":{"rendered":"http:\/\/blog.uvm.edu\/tgcleary\/?p=991"},"modified":"2017-06-06T13:32:28","modified_gmt":"2017-06-06T17:32:28","slug":"making-the-changes-on-short-forms-part-2-polly-wolly-doodle-a-musical-cousin-of-iko-iko","status":"publish","type":"post","link":"https:\/\/blog.uvm.edu\/tgcleary\/2017\/06\/06\/making-the-changes-on-short-forms-part-2-polly-wolly-doodle-a-musical-cousin-of-iko-iko\/","title":{"rendered":"&#8216;Making the changes&#8217; on short forms, part 2: Polly Wolly Doodle (a musical cousin of Iko Iko)"},"content":{"rendered":"<p>I was going to make this a post about the New Orleans standard tune &#8216;Iko Iko&#8217;, but then realized it is a copyrighted tune, so I decided to go with &#8216;Polly Wolly Doodle&#8217;, which uses the same chord progression and is in the public domain.\u00a0 As it turns out, &#8216;Polly Wolly&#8217; was recorded by two prominent jazz vibraphonists, Red Norvo and <a href=\"https:\/\/www.youtube.com\/watch?v=EpYAaLtL3Qk\" target=\"_blank\" rel=\"noopener noreferrer\">Terry Gibbs<\/a>; the Gibbs version features a great solo by a pianist named Alice McLeod, who would later marry John Coltrane and become Alice Coltrane.\u00a0 In any case, this progression allows you to focus on dealing with just two chords, F (or F7) and C or (C7), otherwise known as the &#8216;tonic&#8217; and &#8216;dominant&#8217; chords in the key of F.<\/p>\n<p>The arrangement of Polly Wolly Doodle below is based on <a href=\"https:\/\/www.youtube.com\/watch?v=pNaMKdsMDTM\" target=\"_blank\" rel=\"noopener noreferrer\">a version I recorded<\/a> with <a href=\"https:\/\/musicforsprouts.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Chris Dorman<\/a>, a Vermont singer-songwriter who is also a gifted performer of children&#8217;s music.\u00a0 The rhythmic pattern in the left hand is what musicians in the Latin traditions (Latin Jazz, son, salsa, etc.) call &#8216;3-2 clave&#8217;, although in those musics the pattern is played on a pair of wooden sticks while the chord instruments play a different pattern known as guajeo or montuno.\u00a0 When this pattern is used as part of a chordal accompaniment pattern in a rock context, it is often called the &#8216;Bo Diddley beat&#8217; after the singer and guitarist Bo Diddley who used it in a number of classic guitar parts.\u00a0 The scale outline shows three different ways to approach the progression and suggests a way to use part of the &#8216;Bo Diddley beat&#8217; in the left hand as a &#8216;question&#8217; and answer it with melodic phrases in the right hand.\u00a0 This idea is taken from my transcription of Henry Butler&#8217;s solo on &#8216;Some Iko&#8217;, a tune based on the New Orleans standard &#8216;Iko Iko&#8217; he recorded with trumpeter Steven Bernstein.\u00a0 A link to &#8216;Some Iko&#8217; and my transcription of the beginning of Butler&#8217;s solo can be seen in <a href=\"http:\/\/blog.uvm.edu\/tgcleary\/2015\/11\/03\/you-need-to-lift-it-a-visit-from-henry-butler\/\" target=\"_blank\" rel=\"noopener noreferrer\">my post on Butler&#8217;s visit to UVM<\/a>.<a href=\"http:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/polly-wolly-doodle.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-993\" src=\"http:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/polly-wolly-doodle-791x1024.jpg\" alt=\"\" width=\"640\" height=\"829\" srcset=\"https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/polly-wolly-doodle-791x1024.jpg 791w, https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/polly-wolly-doodle-232x300.jpg 232w, https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/polly-wolly-doodle-768x994.jpg 768w, https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/polly-wolly-doodle.jpg 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><a href=\"http:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/iko-polly-scales-combined.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-994\" src=\"http:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/iko-polly-scales-combined-791x1024.jpg\" alt=\"\" width=\"640\" height=\"829\" srcset=\"https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/iko-polly-scales-combined-791x1024.jpg 791w, https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/iko-polly-scales-combined-232x300.jpg 232w, https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/iko-polly-scales-combined-768x994.jpg 768w, https:\/\/blog.uvm.edu\/tgcleary\/files\/2017\/06\/iko-polly-scales-combined.jpg 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was going to make this a post about the New Orleans standard tune &#8216;Iko Iko&#8217;, but then realized it is a copyrighted tune, so I decided to go with &#8216;Polly Wolly Doodle&#8217;, which uses the same chord progression and &hellip; <a href=\"https:\/\/blog.uvm.edu\/tgcleary\/2017\/06\/06\/making-the-changes-on-short-forms-part-2-polly-wolly-doodle-a-musical-cousin-of-iko-iko\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":865,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-991","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/posts\/991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/users\/865"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/comments?post=991"}],"version-history":[{"count":5,"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/posts\/991\/revisions"}],"predecessor-version":[{"id":1011,"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/posts\/991\/revisions\/1011"}],"wp:attachment":[{"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/media?parent=991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/categories?post=991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uvm.edu\/tgcleary\/wp-json\/wp\/v2\/tags?post=991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}