{"id":8714,"date":"2016-04-11T09:10:08","date_gmt":"2016-04-11T14:10:08","guid":{"rendered":"http:\/\/blog.uvm.edu\/aivakhiv\/?p=8714"},"modified":"2021-06-10T10:02:25","modified_gmt":"2021-06-10T15:02:25","slug":"post-cinema","status":"publish","type":"post","link":"https:\/\/blog.uvm.edu\/aivakhiv\/2016\/04\/11\/post-cinema\/","title":{"rendered":"Post-Cinema"},"content":{"rendered":"

\"Post_cinema_cover_NEW\"<\/a><\/p>\n

At long last, Shane Denson’s and Julia Leyda’s anthology Post-Cinema: Theorizing 21st-Century Film<\/a> has come out in Catherine Grant’s Reframe Books<\/a>\u00a0open-access series.<\/p>\n

\n

This mammoth\u00a0anthology features some of the leading theorists of our cinematic\/media moment including Lev Manovich, Steven Shaviro, Richard Grusin, Vivian Sobchack, Francesco Casetti, Patricia Pisters, Mark Hansen, and many others. It includes an entire section on “Ecologies of Post-Cinema” (which includes my chapter on cinema “in & beyond the Capitalocene”), as well as several rich dialogues on digital and post-cinematic politics.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

At long last, Shane Denson’s and Julia Leyda’s anthology Post-Cinema: Theorizing 21st-Century Film has come out in Catherine Grant’s Reframe Books\u00a0open-access series. This mammoth\u00a0anthology features some of the leading theorists of our cinematic\/media moment including Lev Manovich, Steven Shaviro, Richard Grusin, Vivian Sobchack, Francesco Casetti, Patricia Pisters, Mark Hansen, and many others. It includes an […]<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[688745],"tags":[293,16813,4412,123614],"class_list":["post-8714","post","type-post","status-publish","format-standard","hentry","category-cinema_zone","tag-digital-culture","tag-ecocinema","tag-ecomedia","tag-post-cinema"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4IC4a-2gy","jetpack-related-posts":[{"id":12965,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2022\/09\/27\/cinema-will-henceforth-be-godardian\/","url_meta":{"origin":8714,"position":0},"title":"Cinema will henceforth be Godardian","author":"Adrian J Ivakhiv","date":"September 27, 2022","format":false,"excerpt":"The work of Jean-Luc Godard, who passed away a couple of weeks ago through euthanasia at the age of 91, has always seemed to me to be about the possibilities of cinema as a form of thinking. Cinema's combination of sound and image, constrained by the capacities of the medium\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.screeningthepast.com\/wp-content\/uploads\/2016\/12\/Image-2-SM.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14491,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2026\/06\/11\/has-ecocinema-peaked-on-being-stalked-by-ai\/","url_meta":{"origin":8714,"position":1},"title":"Has ‘ecocinema’ peaked? On being stalked by AI…","author":"Adrian J Ivakhiv","date":"June 11, 2026","format":false,"excerpt":"Five hundred scholarly citations is not a lot in some fields (Thomas Kuhn\u2019s The Structure of Scientific Revolutions has been cited at least 167,000 times). But it\u2019s exciting to learn that my 2013 book Ecologies of the Moving Image: Cinema, Affect, Nature passed the 500 citation mark in Google Scholar,\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2026\/06\/5e18af9888b6fc5c64b89154_5-melancholia.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2026\/06\/5e18af9888b6fc5c64b89154_5-melancholia.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2026\/06\/5e18af9888b6fc5c64b89154_5-melancholia.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2026\/06\/5e18af9888b6fc5c64b89154_5-melancholia.jpeg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2026\/06\/5e18af9888b6fc5c64b89154_5-melancholia.jpeg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1231,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2010\/04\/06\/cinema-poetry\/","url_meta":{"origin":8714,"position":2},"title":"cinema poetry","author":"Adrian J Ivakhiv","date":"April 6, 2010","format":false,"excerpt":"I just discovered the video blog Cinema Poetry, which has collected twenty (so far) of the most remarkable scenes in the history of cinema. The first of the two ride films below, the Lumiere brothers' rickshaw film from an Indochinese village, is beautiful (watch it in full screen with the\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/C5XlKaii0OE\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1313,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2010\/07\/06\/writing\/","url_meta":{"origin":8714,"position":3},"title":"writing…","author":"Adrian J Ivakhiv","date":"July 6, 2010","format":false,"excerpt":"It's been slow here because I am hard at work on the manuscript of Ecologies of the Moving Image, which I had hoped to finish this summer. The first three chapters are complete or close to it; the last three and final epilogue are in various stages of semi-completion. Until\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1377,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2010\/11\/24\/manuscript-update\/","url_meta":{"origin":8714,"position":4},"title":"manuscript update","author":"Adrian J Ivakhiv","date":"November 24, 2010","format":false,"excerpt":"I'm recovering from a hard drive crash that occurred late last week. The only significant part of Ecologies of the Moving Image that I've completely lost are some fairly substantial recent revisions and additions to Chapter Six. I can reconstruct other pieces from earlier saves and from revisions made on\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1101,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2009\/07\/11\/cinematic-ecologies\/","url_meta":{"origin":8714,"position":5},"title":"cinematic ecologies","author":"Adrian J Ivakhiv","date":"July 11, 2009","format":false,"excerpt":"As ecocriticism expands and deepens in scope (of subject matter & media examined), extent (internationally), and diversity (in approaches, connections with other schools of thought, etc.), its interactions with non-literary fields such as cinema studies, theatre\/performance studies, and musicology (as I posted about recently) are starting to develop in healthy\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"stalker7.png","src":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2009\/07\/stalker7.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts\/8714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/comments?post=8714"}],"version-history":[{"count":3,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts\/8714\/revisions"}],"predecessor-version":[{"id":8718,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts\/8714\/revisions\/8718"}],"wp:attachment":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/media?parent=8714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/categories?post=8714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/tags?post=8714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}