{"id":2892,"date":"2011-03-07T11:56:45","date_gmt":"2011-03-07T16:56:45","guid":{"rendered":"http:\/\/blog.uvm.edu\/aivakhiv\/?p=2892"},"modified":"2011-04-07T13:19:17","modified_gmt":"2011-04-07T18:19:17","slug":"open-movie-culture","status":"publish","type":"post","link":"https:\/\/blog.uvm.edu\/aivakhiv\/2011\/03\/07\/open-movie-culture\/","title":{"rendered":"Open movie culture"},"content":{"rendered":"

Among the freely watchable films Open Culture<\/a> includes in their 340 Free Movies Online<\/a> list are films by Tarkovsky (all of them!), Godard (Breathless, King Lear), Kubrick (Dr. Strangelove), Jarman (Caravaggio), Hawks (His Girl Friday), Bunuel (L’Age d’Or), Resnais (Hiroshima mon amour, Nuit et brouillard\/Night and Fog), Kurosawa (Rashomon, Throne of Blood), Dreyer (Vampyr), Greenaway (Rembrandt’s J’accuse), Linklater (Slacker), Reggio (Koyaanisqatsi), Errol Morris (Fog of War), Hitchcock (lots of them!), Eisenstein, Truffaut, Lynch, Scorcese, Lang, Leone, Ford; docs on Philip K. Dick, Warhol, Tarkovsky, and James Dean (by Robert Altman); Emile Cohl’s Fantasmagorie (which I referred to in my post on Steven Shaviro<\/a>), and much more.<\/p>\n

The post also includes a pretty complete list of free movie sites.<\/p>\n


\n<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Among the freely watchable films Open Culture includes in their 340 Free Movies Online list are films by Tarkovsky (all of them!), Godard (Breathless, King Lear), Kubrick (Dr. Strangelove), Jarman (Caravaggio), Hawks (His Girl Friday), Bunuel (L’Age d’Or), Resnais (Hiroshima mon amour, Nuit et brouillard\/Night and Fog), Kurosawa (Rashomon, Throne of Blood), Dreyer (Vampyr), Greenaway […]<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[689701],"tags":[],"class_list":["post-2892","post","type-post","status-publish","format-standard","hentry","category-media_ecology"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4IC4a-KE","jetpack-related-posts":[{"id":5143,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2011\/08\/04\/film-philosophy-article\/","url_meta":{"origin":2892,"position":0},"title":"Film-Philosophy article","author":"Adrian J Ivakhiv","date":"August 4, 2011","format":false,"excerpt":"The new issue of Film-Philosophy is out, and it includes my article \"The Anthrobiogeomorphic Machine: Stalking the Zone of Cinema.\" The abstract is below. The first half of the article is an early version of the paper I gave at the recent Moving Environments conference, which encompassed material from the\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2011\/08\/tarkovsky.stalker-275x207.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1895,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2010\/12\/21\/the-tree-of-life-in-pieces\/","url_meta":{"origin":2892,"position":1},"title":"The tree of life, in pieces","author":"Adrian J Ivakhiv","date":"December 21, 2010","format":false,"excerpt":"If you haven't seen the trailer for Terence Malick's forthcoming film The Tree of Life, you're just not a real cineaste, are you? What's better than burrowing analytically into the Heideggerian ecophilosophical themes of Malick's films (Badlands, Days of Heaven, The Thin Red Line, The New World -- before making\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2010\/12\/5-275x145.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12025,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2021\/08\/11\/through-an-anthroposcenic-glass-darkly\/","url_meta":{"origin":2892,"position":2},"title":"Through an Anthropo(s)cenic Glass, Darkly","author":"Adrian J Ivakhiv","date":"August 11, 2021","format":false,"excerpt":"My thinking about the Anthropocenic predicament continues to be informed, even haunted, by Andrei Tarkovsky's films Solaris and Stalker, along with their literary predecessor novels by (Lviv-born) Stanis\u0142aw Lem and the Strugatsky brothers, respectively. Two keynote talks I've been invited to give this October -- one for Ukraine's Congress of\u2026","rel":"","context":"In "Anthropocene"","block_context":{"text":"Anthropocene","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/anthropo_scene\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2021\/08\/leaving-sign-600x450-1.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2021\/08\/leaving-sign-600x450-1.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2021\/08\/leaving-sign-600x450-1.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3675,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2011\/04\/29\/stalking-the-cinema-stalking-the-world\/","url_meta":{"origin":2892,"position":3},"title":"Stalking the cinema stalking the world","author":"Adrian J Ivakhiv","date":"April 29, 2011","format":false,"excerpt":"Here's a version of something that comes late in Chapter One of my Ecologies of the Moving Image manuscript. This follows a description of Andrei Tarkovsky's film Stalker (USSR, 1979), which I take as a kind of paradigmatic model for the process-relational framework the book develops. Here I discuss the\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2011\/04\/tarkovsky.stalker-275x207.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11576,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2021\/02\/13\/zone-as-metaphor-metaphor-as-zone\/","url_meta":{"origin":2892,"position":4},"title":"Zone as metaphor, metaphor as Zone","author":"Adrian J Ivakhiv","date":"February 13, 2021","format":false,"excerpt":"My book Ecologies of the Moving Image takes Andrei Tarkovsky's Zone, so richly depicted in his celebrated 1979 film Stalker, as a kind of master metaphor for how cinema works and, by implication, how art in general works: it beckons its receiver into following it into a zone where, at\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2021\/02\/stalker-1979-002-00m-ln4-dog-running-through-water_0-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2021\/02\/stalker-1979-002-00m-ln4-dog-running-through-water_0-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2021\/02\/stalker-1979-002-00m-ln4-dog-running-through-water_0-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/blog.uvm.edu\/aivakhiv\/files\/2021\/02\/stalker-1979-002-00m-ln4-dog-running-through-water_0-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6700,"url":"https:\/\/blog.uvm.edu\/aivakhiv\/2013\/05\/22\/stalking-the-book\/","url_meta":{"origin":2892,"position":5},"title":"Stalking the book…","author":"Adrian J Ivakhiv","date":"May 22, 2013","format":false,"excerpt":"Teaching my film course (especially in its current rendition as \"Ecology Film Philosophy\") and the book that goes with it (Ecologies of the Moving Image, which will be publicly available in July) -- and especially teaching the Andrei Tarkovsky film Stalker, which serves as a sort of template for the\u2026","rel":"","context":"In "Cinema"","block_context":{"text":"Cinema","link":"https:\/\/blog.uvm.edu\/aivakhiv\/category\/cinema_zone\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/24.media.tumblr.com\/tumblr_lm8hnuT66W1qhqfw3o1_1280.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts\/2892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/comments?post=2892"}],"version-history":[{"count":2,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts\/2892\/revisions"}],"predecessor-version":[{"id":3325,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/posts\/2892\/revisions\/3325"}],"wp:attachment":[{"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/media?parent=2892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/categories?post=2892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.uvm.edu\/aivakhiv\/wp-json\/wp\/v2\/tags?post=2892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}