This week’s theme in my “Environmental Literature, Arts, & Media” class is apocalyptic rhetoric. (I’m loosely following Greg Garrard’s list of tropes in Ecocriticism, but adding, amplifying, and amending to be more artistically inclusive.) Because it’s a fun topic (and deadly serious, too), I thought I’d post a few of the videos we’ve been watching […]
Archive for the ‘ImageNation’ Category
Cross-posting this piece by Emil from A(s)cene. Taylor’s coral reef art is beautiful. See also the discussion of Donna Haraway’s “String Figures” lecture and Bruno Latour’s 11 theses on capitalism.
Just as environmental media have a penchant for the spectacle of “disaster porn,” so does political media reveal a strong attraction to what Politico’s Sarah Kendzior, in “The Day We Pretended to Care About Ukraine,” calls the “apocalypstickle.” An ugly word for political observers’ weird fascination with apocalyptic imagery. Brueghel, Bosch . . . and […]
A. O. Scott’s article on the Abraham Zapruder film of JFK’s assassination captures something of the 50-year transition from the first cinéma vérité president (Kennedy) to a world in which everyone is their own cinéma vérité celebrity — stars and legends in our own minds. The Zapruder film in a sense predates all that — it comes […]
The following is reblogged, excerpted and modified, from e²mc. How do films deal with historical atrocities? And how might they enable them in the first place? The Act of Killing is Joshua Oppenheimer’s chilling documentary about the perpetrators of the mass murders committed by the Suharto regime’s paramilitary death squads in mid-1960s Indonesia. The filmmakers […]
It arrived a few days ago. Feels good to grasp in the hand: thick, solid, “capacious” (as Steven Shaviro says in one of the cover blurbs). And Tarkovsky has rarely looked as green as on the cover. But I’ve already found an indefensible oversight:
The above is (a) beautiful, (b) ugly, (c) neither beautiful nor ugly in itself (nor anything else in particular), or (d) _________ (fill in the blank)? It’s a view (on a particularly hazy day) of the Sheffield wind power project in northeast Vermont, as seen from Crystal Lake State Park beach outside the town of […]
Here are my introductory comments to the 2010 documentary Waste Land, delivered yesterday at the Fleming Museum in Burlington and shown in connection with the exhibition High Trash, which runs until May 19.
Ecologies of the Moving Image is a book of ecophilosophy that happens to be about cinema, and about the 12-decade history of cinema at that. What makes it ecophilosophy? It is philosophy that is deeply informed both by an understanding of ecological science and an interdisciplinary appreciation for today’s ecological crisis. Why cinema?
The following is an article I originally wrote in 1989, or maybe 1988, after seeing three films by Ukrainian poetic cinema master Yuri Illienko (a.k.a. Iurii/Yurij/Jurij Ilyenko/Ilienko/Illyenko/Il’yenko). Two of the films — A Well for the Thirsty and Eve of Kupalo Night, or St. John’s Eve — had languished unseen under Soviet censorship for some […]