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Archive for the ‘MediaSpace’ Category

Those who missed the panel on “Post-Cinema and/as Speculative Media Theory” at last week’s Society for Cinema and Media Studies conference in Montreal will be able to view the videos of the talks at medieninitiative. Steven Shaviro, Patricia Pisters, Mark Hansen and I entertained a standing-room only crowd (see the audience spilling out into the hall here). The first […]

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My musical, intellectual, and ecocultural interests would not have evolved the way they did without Daevid Allen — beat poet, musical visionary, and psychedelic rocker who died last week at age 77. Here’s a personal account of why. In the background are the social, material, and ecological connections that I intend to examine more closely in […]

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One of my pet musicological theories is that the years 1967-74 were the most creative 7-year period in the history of musical humanity. Why those years? The social and technological revolutions of the 1960s — civil rights, the women’s movement, the counterculture and anti-Vietnam War movements, the sudden unifying singularity of television and mass (and […]

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My review of Graham Harman’s recent book Bruno Latour: Reassembling the Political, has been published online in the journal Global Discourse. It’s part of a book review symposium, which will be accompanied (in the print issue) by the author’s reply to his interlocutors. The journal has been publishing a lot on Latour’s political theory (see here). I especially […]

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It’s been a while since I’ve posted anything about music here. But as I’ve gotten thinking and writing about it again, under the “ecomusicology” rubric, expect more of it on this blog. It’s a satisfying return for me (I studied music theory, composition, and performance as an undergrad and continued it semi-professionally for a little while afterward). This […]

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A few quick reflections on the Charlie Hebdo affair… 1. In the age of social media, we are all producers of images and meanings. The difference is only a matter of degree. 2.  In a globalized world, those who traffic in media ought to have some knowledge of the cultural and ethical implications of their trafficking. 3. […]

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The latest issue of the open-access Cinema: Journal of Philosophy and the Moving Image, an issue devoted to “Gilles Deleuze and Moving Images,” includes a review by Niall Flynn of my book Ecologies of the Moving Image. Another recent review of EMI can be found in the The Journal of Ecocriticism. And I’ve mentioned the Environmental Humanities […]

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A journalist asked me to say something about the use of animal mascots for commercial purposes. In an email, she wrote: “What does a brand owe an animal mascot, especially one at risk? For instance, polar bears face rapid habitat loss, yet Coke has only donated $2 million to the WWF for conservation efforts. There’s also Kellogg’s […]

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I am about to travel to Asheville, North Carolina, for the Ecomusics and Ecomusicologies conference, to be held from Thursday through Monday at the University of North Carolina Asheville. The international conference, which has become an annual event (it met previously in Brisbane, Australia, and in New Orleans), brings together theorists and researchers with performers and practitioners. Panels on topics including “musical […]

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This week’s theme in my “Environmental Literature, Arts, & Media” class is apocalyptic rhetoric. (I’m loosely following Greg Garrard’s list of tropes in Ecocriticism, but adding, amplifying, and amending to be more artistically inclusive.) Because it’s a fun topic (and deadly serious, too), I thought I’d post a few of the videos we’ve been watching […]

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