THE BEAT THAT CHANGED HIP-HOP

The Beat that Changed Hip-Hop

By Abra Clawson and Lindsay Chaplin

The Roland TR-808’s interface is easy to use, as it has color-coded dials and buttons.

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The genres of Hip-Hop, House, Techno, and R&B were changed forever because of the machine.

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Arthur Baker, Producer of Planet Rock

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Matt Black, from the British duo Coldcut

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Additionally, the full videos we pulled interviews from can be found at

https://www.youtube.com/watch?v=VCJReSDmqkg

and

http://www.synthtopia.com/content/2012/04/27/the-history-of-the-roland-tr-808/

BIBLIOGRAPHY:

Alexander G. Weheliye. “”Feenin”: Posthuman Voices in Contemporary Black Popular Music.” Social Text 20, no. 2 (2002): 21-47.

Beverly May. 2000. “Participatory Theatre: The Experiential Construct of House and Techno Music Events.” Canadian Theatre Review no. 103: 8. Academic Search Premier, EBSCOhost.

“CAKEWALK.” Electronic Musician 1 Dec. 2004. Computer Database.

Gavin Mueller. “Miami bass.” Grove Music Online. Oxford Music Online. Oxford University Press.

Geeta Dayal. “Roland TR-808.” Grove Music Online. Oxford Music Online. Oxford University Press.

Geeta Dayal and Emily Ferrigno. “Electronic Dance Music.” Grove Music Online. Oxford Music Online. Oxford University Press.

“Golden State of Mind.” Electronic Musician 1 Feb. 2005. Computer Database.

Hillel Schwartz. “BANG (a Beginning).” In Making Noise: From Babel to the Big Bang & beyond, 18–36. Brooklyn, NY: Zone Books, 2011.

Ingrid Brainard, Gretchen Schneider, Don McDonagh, and Sally R. Sommer. “Social Dance.” In The International Encyclopedia of Dance. : Oxford University Press, 1998.

“iPhoning It In.” Electronic Musician 1 June 2009. Computer Database.

Justin A. Williams. “Dr. Dre.” Grove Music Online. Oxford Music Online. Oxford University Press.

KNAVE, BRIAN, and MYLES BOISEN. “Kiskin’ IT.” Electronic Musician Feb. 1999: 33. Computer Database.

Lily Moayeri. “Music production on an epic scale: how three interactive scores, 241 tracks, and 17 radio stations came together in one blockbuster game.” Electronic Musician Mar. 2014: 19+. Computer Database.

“LINPLUGRM IV 4.05 (MAC/WIN).” Electronic Musician 1 Aug. 2004. Computer Database.

Oliver Wang. “Beat-making.” Grove Music Online. Oxford Music Online. Oxford University Press.

Roland Barthes. “The Grain of the Voice.” In Image, Music, Text, translated by Stephen Heath, 179–89. Noonday Press, 1977.

“ROGER LINN DESIGNADRENALINN II.” Electronic Musician 1 Mar. 2004. Computer Database.

Steve Wilkes. “ROLAND MC-505 GROOVEBOX.” Electronic Musician Mar. 1999: 156. Computer Database.

Steve Wilkes. “ZOOM RHYTHMTRAK 234.” Electronic Musician June 1999: 172. Computer Database.

“The History Of The Roland TR-808.” Synthtopia. April 27, 2012.

“The Old Two and Four.” Electronic Musician 1 Aug. 2003. Computer Database.

“The Shape of Things That Hum – Roland TR-808.” YouTube.

Tony Ware. “Propellerhead Reason 7 digital audio workstation: what was not a DAW, now is; Reason 7 has grown into a capable and comprehensive audio production tool, appealing to a wide range of multimedia production pros.” ProAudio Review June 2013: 24+. Computer Database.

“VIRTUAL WORKSTATIONS.” Electronic Musician 1 Mar. 2003. Computer Database.

“Whitney Houston – I Wanna Dance With Somebody.” YouTube.

“Wind Blowing through Trees.” YouTube.

“WIZOO.” Electronic Musician 1 Oct. 2002. Computer Database.

4 thoughts on “THE BEAT THAT CHANGED HIP-HOP

  1. McKenna

    I really liked the creativity that you guys pulled into this podcast, and I think this has a lot to do with the way you organized it, your enthusiasm when you speak, the music that is played in the background while you talk, and the clips of the person’s voice when you refer to a quote. I think the connection you made between the wind in the rainforest and the drone sound of the drum was a really valuable comment and a cool way to look at the TR-808, especially as a cultural artifact. It was also interesting to learn about the TR-808 because I didn’t know what it was before this, and I didn’t realize it was so vital to the hip hop sound, though it probably played a dominant role in some of the music I listen to.

  2. zack bochicchio

    The music in the background made this super easy to listen to. Also Marvin Gaye is dope so like… go you guys. Also the connections made between the drone of music and the drone of wind in the rain forrest was super cool. The speaking is very clear and sounds rehearsed and well annunciated.

  3. Eryka Collins

    I really like how you had the music in the background of your podcast while you were talking! It made it very upbeat and easy to listen to. Like Emily said, I like how you added the examples of the rainforest after you mentioned it. It flowed very nicely. Your podcast sounded like a news segment and I thought that that was very cool. Overall, it was very informative and enjoyable to listen to!

  4. Emily Downing

    This was incredible! The podcast was very intriguing from the start. Your intro hooked me in, and I really like how you included music playing in the background as your spoke. Also transitions from the man-made sounds to nature sounds were great. For example, at one point your podcast was talking about the connection from the beat in hip-hop to the sounds of the rainforest. It was helpful that you actually included a clip of the rainforest after you explained your connection! Great job, and I thoroughly enjoyed listening to this.

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