The college years are the most enjoyable years for many people. However, with the academic pressures that come with college, they can also be the most stressful. Hearing about taxing college classes from my friends, I decided going coming into UVM that I would emphasize relaxation in my life. I have discovered that sound has a profound impact on how I am able to relax in any given situation.
One way I am able to relax is by engaging in activities that directly involve creating sound. For example, my boyfriend and I were in the musical “Pippin” together in high school. Sometimes we just break out into a song from the show. I find that relaxing because singing is a way for us to let loose. When I sing with my boyfriend, I am engaging in semantic listening. “I call semantic listening that which refers to a code or language to interpret a message” (Chion 50). This is necessary in order for us to stay together in the song. Another time I make noise to have fun is at UPlayers, the UVM theater club. Sometimes we do improvisation exercises that emphasize the role of sound. This requires causal listening because I have to know who is making the noise, but there’s no specific word meaning involved. Causal listening is listening with the purpose of identifying the source of a sound (Chion 48). My dance class is another time when listening is important. I am able to relax in dance class because it gives me the opportunity to achieve expressive freedom. Sometimes we listen to music without words when we are coming up with a composition. When this happens, I am engaging in reduced listening. This refers to listening just for the purpose of analyzing the sound, not the cause or the specific meaning (Chion 50). This is the best type of listening in this situation because it allows me to connect with the music on a deeper level.
Sometimes, when I am a contributor to a group noise being created, I can hear the sound, but I don’t really listen. An example of this is when I’m at the Marché. There are a lot of people talking, including myself and my friends, as well as the sound of eating, walking, and usually some music in the background. However, until I recorded this event, I didn’t realize that all these sounds were being made. I noticed that I associate these sounds with relaxation. This is useful information because now I can actively seek out that crowd noise to calm down. “Luckily, we can train our listening just as with any other skill” (Horowitz 2). My goal is to train my ears to recognize crowd noise on a more conscious level. Spending time with my friends over the summer is another time I get to wind down. When we go downtown, we always talk at the same time. I want to train my listening to appreciate what everyone is saying.
I also use sounds for relaxation when I am less involved in making the sound, and more of an observer. This often happens when my boyfriend tells me about a video game he likes. I listen semantically, not really having much to add. This gives me a nice break from having to think of things to say. Paying attention in these situations is important to my relationship. “Listen to your significant other’s voice…the emotions carried in the harmonics. You may save yourself a couple of fights” (Horowitz 2). I am also able to relax when I’m listening to music, like my favorite song “Be OK” by Ingrid Michaelson, or to the opening music of my favorite TV show, “Numbers”. In these situations I engage in reduced listening to relax, so that I can sit back and appreciate what I hear. I also observed that when I’m brushing my teeth and showering, I engage in causal listening to relax. The familiarity of the water running on my hair and the brush scrubbing my teeth is very comforting. Overall, making sure I listen is a helpful tool in relaxation. Using semantic, causal, or reduced listening can be most effective depending on the situation.
- Singing Pippin
- Dance Class
- Video Game Story
- “Be OK”
- “Numbers” Theme
- Brushing Teeth
- Showering With a Cold
Chion, Michael. “The Three Listening Modes.” The Sound Studies Reader. Comp. Jonathan Sterne. New York: Routledge, 2012. 48-53. Print.
Chisholm, Kenneth. “Counterfeit Reality.” Numbers. CBS. 11 Mar. 2005. Television.
Horowitz, Seth. “The Science and Art of Listening.” New York Times 9 Nov. 2012: n. pag. Print.
Michaelson, Ingrid. “Be OK” YouTube. YouTube, 04 Sept. 2008. Web. 10 Feb. 2013.