Category Archives: Uncategorized

Terry Town Line (or, could I write a countermelody about Clark Terry?)

‘Terry Town Line’ is a bop line I composed based on the changes to ‘I Could Write A Book’ by Richard Rodgers and Lorenz Hart.  The tune is dedicated in part to my mother, Roddy O’Neil Cleary, who for a … Continue reading

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Talking and taking the words away: a visit from Stefon Harris (The State of the Blues, Part 2)

In a recent master class with my students at UVM, Stefon Harris talked about the connection between language and melody in an improvised solo.  While discussing the performance of a student group, he said: ‘The details of rhythm are connected … Continue reading

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Harmonic Moss, Part 5: The ‘B’ form voicing of the minor ii-V-i progression

The voicing which Phil Degreg calls the ‘B form’ of the minor ii V i progression starts with a clear demonstration of why Thelonious Monk referred to the minor 7 flat five chord as a ‘minor sixth chord with the … Continue reading

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Harmonic Moss, Part 4: the ‘A’ form voicing of the minor ii-V-i progression

The previous posts in the ‘Harmonic Moss’ series dealt with various voicings, scale outlines and various melodic patterns for the major ii-V-I progression. Although I have another post, ‘What Is This Scale Called?’, which deals with scale choices over the … Continue reading

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Harmonic Moss, Part 3: Route 37, a voicing-based melodic line

This melody line  combines patterns from the posts on one-bar ii-V progressions (‘Give it up for the root (position pattern)s‘ and ‘Midnight Donna and Reets in Paris‘)  and with those introduced in the posts on longer ii-V-I patterns (Harmonic Moss … Continue reading

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Simple Paris Dancers: a bop-style rhythm changes

‘Simple Paris Dancers’ is a through-composed bebop-style melody line on the ‘Rhythm Changes’ progression. ‘Rhythm Changes’ refers to the chord changes from the George and Ira Gershwin tune ‘I Got Rhythm’, which has been used by jazz players in many … Continue reading

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Everybody's Inside Blues: 'making the changes' in a blues line

‘Everybody’s Inside Blues’ is a through-composed melody line on the twelve-bar ‘jazz blues’ progression.  A concert chart for the tune is below; here’s a link to a recording of it from a gig I played with guitarist Steve Blair and … Continue reading

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You Are Here: a melodic study on ‘All The Things You Are’

‘You Are Here’ is a tune I composed based on the chord changes of the Jerome Kern/Oscar Hammerstein tune ‘All The Things You Are’.  (Recordings and charts for it are below.)   One of the ways I use this tune is … Continue reading

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Harmonic Moss, Part 2: The ‘B form’ voicing of the major ii-V-I (including a scale outline and various melodic patterns)

The ‘B form’ voicing of the major ii-V-I prominently features the 9th degree of the minor 7th chord which functions as the ii.  I find it a useful exercise to apply this voicing to tunes which both use major ii-V-I … Continue reading

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Harmonic Moss, Part 1: The ‘A form’ voicing of the major ii-V-I (including a scale outline and related melodic patterns)

This series of blog posts is titled ‘Harmonic Moss’ as it deals with rootless chord voicings, and moss is sometimes referred to as a rootless plant.  This is not the first time I’ve come across moss in reference to music; … Continue reading

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