Author Archives: tgcleary

Simple Paris Dancers: a bop-style rhythm changes

‘Simple Paris Dancers’ is a through-composed bebop-style melody line on the ‘Rhythm Changes’ progression. ‘Rhythm Changes’ refers to the chord changes from the George and Ira Gershwin tune ‘I Got Rhythm’, which has been used by jazz players in many … Continue reading

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Everybody’s Inside Blues: ‘making the changes’ in a blues line

‘Everybody’s Inside Blues’ is a through-composed melody line on the twelve-bar ‘jazz blues’ progression.  A concert chart for the tune is below; here’s a link to a recording of it from a gig I played with guitarist Steve Blair and … Continue reading

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You Are Here: a melodic study on ‘All The Things You Are’

‘You Are Here’ is a tune I composed based on the chord changes of the Jerome Kern/Oscar Hammerstein tune ‘All The Things You Are’.  (Recordings and charts for it are below.)   One of the ways I use this tune is … Continue reading

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The ‘B form’ voicing of the major ii-V-I: chord voicing, scale outline and a related melodic pattern

The melodic pattern in step 3 of this sheet can also be contrapuntally combined with the melodic pattern in the post on ‘A form’ voicing of the major ii-V-I progression.  The Sonny Rollins pattern shown here is only one of … Continue reading

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The ‘A form’ voicing of the major ii-V-I: chord voicing, scale outline, and a related melodic pattern

The melodic pattern shown in the third section of the sheet below is only one example of many patterns related to the ‘A form’ voicing of the ii-V-I progression.  When I practice a lick through all twelve keys, I find … Continue reading

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‘Now What?’: a modal melody collage

My improvisation class at UVM begins by studying tunes and chord progressions that were common in the swing and bebop eras, including the blues (in the form of the Charlie Parker tune ‘Billie’s Bounce’), ‘Stompin at the Savoy’ and rhythm … Continue reading

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Will The Circle Be Unbroken, Part 1: the seventh scale, the circle of fifths, melodic patterns from rootless dominant 7th voicings (featuring ‘October Blues’)

An essential skill for all improvisers is being able to play the seventh scale (Barry Harris’ term for the major scale with a flatted seventh) through all twelve keys with steady tempo and a sense of swing.  There are many … Continue reading

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Root systems, part 4 / Elijah’s Bounce

To conclude this series of posts on root position voicings of the major ii-V-I progression, here’s a tune I composed called ‘Elijah’s Bounce‘.  I borrowed the chord progression from the Charlie Parker tune ‘My Little Suede Shoes.’  To outline the … Continue reading

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Root systems, part 3: Give it up for the root (position pattern)s! – Melodic patterns based on root position voicings

The name of this post is a variation on the phrase, ‘Give it up for The Roots!’, that Jimmy Fallon often uses to introduce his house band on his late night show. (I made an appearance on the show in … Continue reading

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Root systems, part 2 / outlining the ii-V and ii-V-I progressions with 7-up scales

Once you have become familiar with playing ii-V-I progressions in all keys in at least one voicing using your list of six tunes from the first post in this series, a possible next step is to practice the 7th scale … Continue reading

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