Author Archives: tgcleary

Mary Lou at the Savoy

‘Mary Lou at the Savoy’ is a tribute to the great jazz pianist, composer and educator Mary Lou Williams (1910 – 1981), whose career spanned most of the twentieth century and who influenced and contributed to every major era of … Continue reading

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‘Birdhouse’ – a tune on the changes of Sonny Rollins’ ‘Pent-Up House’

My tune ‘Birdhouse’ (click on the title to hear a recording by my quartet Birdcode) is based on the chord changes of Sonny Rollins’ ‘Pent-Up House’ and is inspired by melodic language from a particular group of tunes and players … Continue reading

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Swingin’ with some empathy: thoughts on jazz accompanying

My students often ask me: ‘how can I get better at comping?’ or ‘how can I get better at playing with singers?’  In developing my response to these important questions over the years, I’ve found that it’s fascinating to look … Continue reading

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Look who’s Bartok-in’: folk song reinvention from Bela Bartok to Chick Corea and beyond

I recently watched a PBS documentary called ‘The American Epic Sessions’,  which features the producer and guitarist Jack White resurrecting a Western Electric recording lathe from the early twentieth century for modern-day use.  ‘The American Epic Sessions’ is the concluding … Continue reading

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That Thing You Said: a line on the changes to “What Is This Thing Called Love”

‘That Thing You Said’ is a bebop-style melody line that I composed on the chord changes to Cole Porter’s ‘What Is This Thing Called Love’.  (Thanks to jazz singer Linda Oats for coming with the tune’s title after hearing it … Continue reading

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‘Silverbird’ – a tune on the changes to ‘There Is No Greater Love’

‘Silverbird’ is a melody line I composed on the chord progression of the jazz standard ‘There Is No Greater Love’.  This line is meant to demonstrate key aspects of the bebop melodic style, including its balance of arpeggiation and step motion, … Continue reading

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The neighborhood hang and the history hang (including ‘Monk, Bud and Elmo’, a tune on the changes of ‘In Walked Bud’)

Above: Jack Teagarden, Dixie Bailey, Mary Lou Williams, Tadd Dameron, Hank Jones, Dizzy Gillespie and Milt Orent around the piano at Mary Lou Williams’ apartment / Below: the same group in a different order around the phonograph (i.e. turntable)   … Continue reading

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A Wrinkle in Time: Joe Davidian’s solo on ‘Straight, No Chaser’ (State of The Blues, part 3)

Joe Davidian is a highly talented jazz pianist and native Vermonter who is currently living and playing in New York City. I’m proud to say that I watched Joe grow up as a player in the Vermont jazz scene, and … Continue reading

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Root Systems, Part 1: Join the ii-V-I Club

The exercise above combines one-octave major scales using a ‘seven up and down’ pattern with a progression that could be called the two-bar ii-V-I or ‘short’ ii-V-I.   Briefly, a major ii-V-I progression is a series of three seventh chords built … Continue reading

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Music of Hope in Action (a meditation for Martin Luther King Day)

This is the text of a talk I gave on January 21st at All Souls Interfaith Gathering’s Music and Spirit service.  The service also included performances of the music discussed in the talk.  In an issue published in late November … Continue reading

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